Moby Dick

I'm going to go out on a limb and say Moby Dick doesn't lend itself to film and TV adaptations. The tale is dramatic, it's action-packed, it's visual and it's exciting, but there's an awful lot in the original text that you have to leave out in order to film it coherently. Melville's book is encyclopedic. It tells you a lot about whales and whaling; the motivations of the whalers, the camaraderie on board, the mechanics of capturingand dissecting the largest animal in the ocean and extracting theuseful stuff that keeps America burning. This adaptation (and probably ANY adaptation) cuts to the chase, omitting these complex descriptions of whaling life in favour of characters and action, the meat and potatoes of Hollywood filmmaking. In doing so, it loses something of the quality of the story. It also loses the narrator: on TV, Ishmael, a witty and endearing narrator, becomes a one-dimensional protagonist, totally overshadowed by Ahab.

This is Ahab's film. William Hurt dominates every scene he appears in, and he appears in most of them. I'm convinced he's pulling out all the stops, aiming for an Emmy. I'm not sure how else to explain the hammy overacting, the grizzly beard, the cheesy dialogue delivered in a carefully cultivated "old salt" accent (ie. "aargh!" "aye!"). Hurt thinks he's playing Hamlet, and he wants Ahab's descent into madness to be central to the story.

Ahab is typically dark, cursed, scarred, traumatised, intimidating and vengeful. Hurt's Ahab is just plain crazy. He jokes around with his men, delivers many of his most serious lines while grinning through his beard and squinting his eyes. On board the Pequod, he's like everybody's affectionate but slightly volatile Grandpa, not averse to a hug or a bit of laugh over a stein of grog. He says too much, and much of it is hard to understand, delivered in a sing-song cadence with emphasis in unusual places. Oscillating between booming vocal projection of Shakespearean proportions and just plain talking to himself, and introspective mumbling in which he appears to be talking to himself, Hurt seems to be performing for his own benefit rather than for an audience. This is an attempt to indicate Ahab's madness in a way nobody else has done before, but it alienates the audience as well as his fellow actors, and it's just not good acting. He's a piratey caricature whose attempts at pathos are unpersuasive. I prefer Gregory Peck's intense, brooding Ahab. A good Ahab should indicate more than he actually says, a dark exterior concealing untold depths of turmoil and mystery - like the sea! Argh!

Ethan Hawke is a solid Starbuck, and a very human foil to Hurt's gruff, squinty captain. He's emotional, penetrative, and seriously worried about the fate of the ship. More than anyone else he embodies the atmosphere of impending doom that plagues the voyage, and his sense of mortality is a visibly heavy burden. When Starbuck says that what he wants most from the journey is "to see Nantucket again", you believe him. He's a homesick sailor. At that point, everything's beginning to go awry and we'd all like to see the Pequod turn around and go home. Starbuck's finest hour comes at the very end - I won't give anything away, but it's profoundly moving. Hawke's performance salvaged something of an otherwise perfunctory adaptation.

Moby himself is, of course, CGI. In short, like so many massive movie monsters, he doesn't look real. It's not bad CGI, but it's difficult to convey the sublime weightiness of such a vast, living creature with special effects. Moreover, Moby is no ordinary animal - he's an icon, with a personality and a sense of mischief. At it's heart, the story of a whale cheating a whaler is almost comic, with the feel of a fable. I wonder if an animation might capture the spirit of the character (Moby is a character!) more than live action film with CGI. For the most part, they do a pretty decent job of Moby, except for a totally unnecessary scene at the very end which is embarrassingly rudimentary and looks like a scene from a video game.

In summary, as a production it could be worse, but it didn't add anything to my experience of the story. I couldn't help feeling some of the actors involved (Donald Sutherland, Gillian Anderson, William Hurt) were simply trying to add another period piece to their CV's. They fulfilled the brief, but their performances were not memorable. Honourable mentions go to Eddie Marsan, who was an excellent Stubbs, and Billy Boyd who makes an impressive cameo as deranged prophet Elijah. There were some saving graces, but I'm yet to see an adaptation of Moby Dick that captures the spirit of the book. As nautical tales go, Peter Weir's Master and Commander gives a more vivid impression of life at sea.

This canonical story with the feel of a great myth is told and retold, so perhaps there is yet hope for a cinematic adaptation that does the book justice. No doubt someone will take another stab at Moby Dick in the not-too-distant future; pun absolutely intended.

(7.5/10) My husband and I picked it up at our local rental place and we were surprised at how well it was done. Really strong performances from William Hurt and Ethan Hawke as Ahab and Starbuck, and the rest of the roles were well-cast, too. The filmmakers managed to capture a lot of the symbolism and themes of Melville's novel, and if you think about what was happening in Melville's time (civil war was brewing, American society seemed to be disintegrating), the mini-series makes it clear that the story was about much more than a Nantucket whaling expedition. Melville was issuing a warning to his fellow Americans that still has resonance today. We're Canadian, so it was fun to see that much of the movie was filmed in Nova Scotia. The whale special effects were a little weak at times, but otherwise, well worth watching.

There is something captivating about Encore's 2 part version of Moby Dick. While the other reviews are accurate to point out: Ethan Hawke seems clueless, as if he isn't even sure why he is on a ship; and Hurt is hammy and often hard to understand. Somehow that adds to the charm.

The Pip being rescued from Ish early on is indeed out of place and completely unrealistic. It feels like a deleted scene from Lord of the Rings part 1, and the rest of the adaptation contains similar out of place, unrealistic scenes.

There is still a strong draw to it. The charisma of QQ and the various bro-mancing while playing dress up on a boat, pretending to be whaling, it's hard to pin down what makes it work for me.

It's not "so bad it's funny" as much as it's, so oddly put together it becomes compelling. After every scene I wonder if I missed something, or why I don't understand the Starbuck character yet, I marvel at the crew's willingness to cheer after ho-hum speeches about revenge, and the hot potato blame game going on with the crew.

The Ahab back-story is ludicrous yet Gillian Anderson is just fun to watch on screen and the "love story" with Hurt, I could watch that for hours on end as I never quite get where it's going, or what the point is. I'm on edge waiting for some plot point or character development that remains out of reach.

It's like Moby Dick himself, it's a tease for most of the 2 parts, yet I've watched this now a few times over, each time trying to catch something that I'm missing, perhaps the real story is just another few scenes away, or maybe I missed something when I got up for a drink of water?

It reminds me a little of a Christopher Nolan film, it's pretty, full of hammy actors and I always feel like there must be another explanation that got cut or edited.

"Go deeper" indeed.

As the novel opens, 'Call me Ishmael' are the first words of the sole survivor of a lost whaling ship as he relates the tale of his captain's self-destructive obsession to hunt the white whale, Moby Dick. They are words that have become often quoted by many authors and poets and for any number of reasons, yet they open the mysteries and beauties of one of the greatest American novels every written. There have been many cinematic productions of MOBY DICK, Herman Melville's 1851 supreme novel - 1956 with Gregory Peck as Ahab and 1998 with Patrick Stewart in the Ahab role - and each has its strong and weak points. There are many detractors of this current version who rightfully state that too few of Ahab's great speeches and lines have been omitted and that this version is too influenced by contemporary reasoning. But the tale is a great one and the splendid extended reveries and 'speeches' of Captain Ahab rest beautifully on the written page, a factor that allows mulling over the words and the meaning and the drama that may just fall a bit heavy when incorporated into a screenplay. Better the flavor of the story be conveyed by what cinema allows - imagery - that books can't mimic. This current version does just that - it finds the core of the obsession of a man driven by a struggle with his past, with nature, and with the personal vendetta against the great white whale, Moby Dick, who claimed Ahab's leg in the past. Nigel Williams is responsible for the screenplay, Mike Barker directs.

Ishmael (Charlie Cox) sees his dream of a whaling voyage come true when he and his Hapoonist friend Queequeeg (Raoul Trujillo) join the crew of the Pequod, a sailing vessel leaving port in Nantucket. What Ishmael and the mates don't initially appreciate is that the Pequod's monomaniacal Captain Ahab (William Hurt) is taking them all on a mad and personal mission to slay the great whale Moby Dick, an obsession that will open their eyes to the wonder and spectacle of man, of beast, and the inescapable nature of both. The flavor of the crew is well captured by a solid cast, including Ethan Hawke as a rather weak Starbuck, Eddie Marsan as Stubb, Billy Boyd as Elijah, Billy Merasty as Tashtego, Onyekachi Ejim as Dagoo, Matthew as Flask, James Gilbert as Steelkit, Gary Levert as Perth, and Daniyah Ysrayl as the cabin boy Pip. The special effects offer vivid and credible underwater activity of Moby Dick and the clashes with nature both within the crew and on the ocean are very well represented. The final underwater scene with Ahab strapped dead to the still alive and swimming Moby Dick is unforgettably realistic and a fine balance with the ever-innocent Ishmael grasping the empty coffin as the sole survivor of the voyage.

William Hurt gives us a different Ahab in Nigel Williams' script adaptation - less mad but more obsessed, less cruel and more vulnerable than we are used to seeing - but he is strong and takes us with him as he meets his end in his struggle with Nature. It is a moving adventure and despite the omissions that seem to bother most viewers, the movie does cast a spell over the entire 3 hours.

Grady Harp

I just finished watching this and I don't have time to write an extensive review, but I will say a couple of things about this production.

Many, many liberties were taken with the plot. In fact the opening scene may blow you right out of the water. And Caption Ahab has apparently been swayed by New Age sharing and caring! But the essence of Melville's work may be considered intact if you take the view that he was a Transcendentalist, along with Whitman and others of that era.

If you hold to that interpretation of this production you may enjoy it on that level (see Jed Mckenna's "Spiritually Incorrect Enlightenment" for more on that). In fact if you hold to the conventional interpretation- that of a psycho-social critique of man's hubris against Nature, you will also probably be satisfied at the thematic level.

A few fine scenes but Ahab's wild and fantastic speeches are missing - which to me are the greatest of joys.

The treatment of the finale is decent.

Good luck!