Moby Dick

There is something captivating about Encore's 2 part version of Moby Dick. While the other reviews are accurate to point out: Ethan Hawke seems clueless, as if he isn't even sure why he is on a ship; and Hurt is hammy and often hard to understand. Somehow that adds to the charm.

The Pip being rescued from Ish early on is indeed out of place and completely unrealistic. It feels like a deleted scene from Lord of the Rings part 1, and the rest of the adaptation contains similar out of place, unrealistic scenes.

There is still a strong draw to it. The charisma of QQ and the various bro-mancing while playing dress up on a boat, pretending to be whaling, it's hard to pin down what makes it work for me.

It's not "so bad it's funny" as much as it's, so oddly put together it becomes compelling. After every scene I wonder if I missed something, or why I don't understand the Starbuck character yet, I marvel at the crew's willingness to cheer after ho-hum speeches about revenge, and the hot potato blame game going on with the crew.

The Ahab back-story is ludicrous yet Gillian Anderson is just fun to watch on screen and the "love story" with Hurt, I could watch that for hours on end as I never quite get where it's going, or what the point is. I'm on edge waiting for some plot point or character development that remains out of reach.

It's like Moby Dick himself, it's a tease for most of the 2 parts, yet I've watched this now a few times over, each time trying to catch something that I'm missing, perhaps the real story is just another few scenes away, or maybe I missed something when I got up for a drink of water?

It reminds me a little of a Christopher Nolan film, it's pretty, full of hammy actors and I always feel like there must be another explanation that got cut or edited.

"Go deeper" indeed.

The story treatment, production, and acting are all very good. The casting is excellent. The dialogue moves well among the characters.

The long fiction takes a while to spin out when reading, and the writers have managed to retain the story in an efficient format. The historical background lays easily under the plot and dialogue and in short long shots. The character development and setup are worth the wait for the ocean drama.

doubt though that we would find, in the novel or in the time period, statements like "I didn't sign on for this?" and "Are you OK?". OK for example is a modern word that came about in the middle of the last century, not a hundred years before. Nevertheless, the modern attributes to add to the flow and so I don't object.

After non-stop disappointment at the movies this Summer, the latest being Cowboys & Aliens for so many reasons, this "freebie" on Encore came as a very pleasant surprise. William Hurt as Ahab was rock solid and while this may sound like heresy, was more fully rounded and interesting than Gregory Peck, whose monolithic performance embarrassed him in later years, and he didn't mind saying so in numerous interviews. (Still he had that great baritone voice) The supporting cast was fine (Ethan Hawk a bit too contemporary) and the production values commendable given the constraints of the budget. Liberties were taken from the classic novel but far from a dumbing down. And the finale, a virtual battle with the white leviathon was surprisingly effective if not all together a solid action set-piece....... far more so than anything in the aforementioned Cowboys and Aliens. I would have to say its worth checking out for most tastes and nothing too objectionable for kids over seven if they can deal with the hunting of whales.

As the novel opens, 'Call me Ishmael' are the first words of the sole survivor of a lost whaling ship as he relates the tale of his captain's self-destructive obsession to hunt the white whale, Moby Dick. They are words that have become often quoted by many authors and poets and for any number of reasons, yet they open the mysteries and beauties of one of the greatest American novels every written. There have been many cinematic productions of MOBY DICK, Herman Melville's 1851 supreme novel - 1956 with Gregory Peck as Ahab and 1998 with Patrick Stewart in the Ahab role - and each has its strong and weak points. There are many detractors of this current version who rightfully state that too few of Ahab's great speeches and lines have been omitted and that this version is too influenced by contemporary reasoning. But the tale is a great one and the splendid extended reveries and 'speeches' of Captain Ahab rest beautifully on the written page, a factor that allows mulling over the words and the meaning and the drama that may just fall a bit heavy when incorporated into a screenplay. Better the flavor of the story be conveyed by what cinema allows - imagery - that books can't mimic. This current version does just that - it finds the core of the obsession of a man driven by a struggle with his past, with nature, and with the personal vendetta against the great white whale, Moby Dick, who claimed Ahab's leg in the past. Nigel Williams is responsible for the screenplay, Mike Barker directs.

Ishmael (Charlie Cox) sees his dream of a whaling voyage come true when he and his Hapoonist friend Queequeeg (Raoul Trujillo) join the crew of the Pequod, a sailing vessel leaving port in Nantucket. What Ishmael and the mates don't initially appreciate is that the Pequod's monomaniacal Captain Ahab (William Hurt) is taking them all on a mad and personal mission to slay the great whale Moby Dick, an obsession that will open their eyes to the wonder and spectacle of man, of beast, and the inescapable nature of both. The flavor of the crew is well captured by a solid cast, including Ethan Hawke as a rather weak Starbuck, Eddie Marsan as Stubb, Billy Boyd as Elijah, Billy Merasty as Tashtego, Onyekachi Ejim as Dagoo, Matthew as Flask, James Gilbert as Steelkit, Gary Levert as Perth, and Daniyah Ysrayl as the cabin boy Pip. The special effects offer vivid and credible underwater activity of Moby Dick and the clashes with nature both within the crew and on the ocean are very well represented. The final underwater scene with Ahab strapped dead to the still alive and swimming Moby Dick is unforgettably realistic and a fine balance with the ever-innocent Ishmael grasping the empty coffin as the sole survivor of the voyage.

William Hurt gives us a different Ahab in Nigel Williams' script adaptation - less mad but more obsessed, less cruel and more vulnerable than we are used to seeing - but he is strong and takes us with him as he meets his end in his struggle with Nature. It is a moving adventure and despite the omissions that seem to bother most viewers, the movie does cast a spell over the entire 3 hours.

Grady Harp

I just finished watching this and I don't have time to write an extensive review, but I will say a couple of things about this production.

Many, many liberties were taken with the plot. In fact the opening scene may blow you right out of the water. And Caption Ahab has apparently been swayed by New Age sharing and caring! But the essence of Melville's work may be considered intact if you take the view that he was a Transcendentalist, along with Whitman and others of that era.

If you hold to that interpretation of this production you may enjoy it on that level (see Jed Mckenna's "Spiritually Incorrect Enlightenment" for more on that). In fact if you hold to the conventional interpretation- that of a psycho-social critique of man's hubris against Nature, you will also probably be satisfied at the thematic level.

A few fine scenes but Ahab's wild and fantastic speeches are missing - which to me are the greatest of joys.

The treatment of the finale is decent.

Good luck!