Arturo, El Millonario Seductor

I absolutely despise Russell Brand so naturally I assumed that I would not like this movie one bit. That, however, was not at all the case. Sure, the movie started with Brand's typical ridiculous antics and obnoxiousness but it turned out to be quite entertaining. Brand, for once, was able to actually make the transition from ridiculous idiot to still idiotic but also charming with his humor. Also, Helen Mirren stole the movie. She is truly something else. I don't think I'd be alone in saying she is one of the premier actresses in Hollywood. Her character's dry humor but strength and caring shined through perfectly and was the highlight of the film. Garner and Gerwig's characters are also pretty interesting. Garner doesn't really step outside the box with this performance but it was still solid. I was pleasantly surprised with Gerwig though. I had never seen her in a meaningful role and she was very solid in portraying her emotions. All in all the movie was just a pretty good film and it was definitely worth watching.

"I have very poor and unhappy brains for drinking." Shakespeare's Othello

Russell Brand may not be as convincing a drunk as Dudley Moore in the original Arthur, but Brand makes the titular man-child as endearing as he could be given the premise of the comedy. Writer Peter Baynham brings some of the manic madness and tossed-off lines of Bruno to complement Brand's physicality for a pleasantly witty if not totally amusing satire of the idle rich.

Helen Mirren does well as his butler, Hobson, a middle-aged Mary Poppins, although decidedly darker. (Sir John Gielgud in the original would be tough to imitate.) Their relationship substitutes very nicely, thank you, for the lack of one between Arthur and his real mother (an effectively stiff Geraldine James). Her demand that he marry the social-climbing Susan (Jennifer Garner) or be disinherited is the romantic setup for him falling in love with "nobody" Naomi (Greta Gerwig). "Setup" for such set pieces as a deserted Grand Central Terminal with a "Pez" candy dinner and acrobats, a not terribly funny exhibition of Arthur's childlike charm.

I was greatly amused by the homage to Hitchcock, Rear Window specifically, when Arthur looks from his tub with golden binoculars at pedestrians who remind him of pop cult figures, some wittily chosen to resemble those close to him such as Hobson.

One of the small lessons of the film is that true love should be the reason for marriage, and more importantly AA is an effective solution for drinking problems. The film, after all, is about an immature rich man's discovering his inner man through sobriety. Doesn't sound that romantic, does it? Well, it isn't, even though the characters are enviably happy in the process, as is this movie-going experience.

"A very merry, dancing, drinking, laughing, quaffing, and unthinking time." John Dryden, the Secular Masque

This film is about a young alcoholic man who has to marry a woman whom he does not love, so that he can get his billion dollar inheritance from his mother.

"Arthur" is a lighthearted comedy about a rich young man, who is still a child at heart. He has no sense of responsibility, as he does not have to work for any of the material wealth he has. Despite his immaturity and egocentricity and childishness, Arthur is a likable character. If other comedians portray him, he would easily become irritating and even offensive. So well done to Russell Brand. The romantic comedy element is also engaging and entertaining, so I find "Arthur" a good film for brainless entertainment.

I suspect that Russell Brand is a polarising personality in this world. Some find his idiosyncratic ways quite the put off. I, on the other hand, have always had a soft spot for old Rusty. I find him beguiling and very pleasant to watch.

I am not going to pontificate and deconstruct. This is a remake. I can't remember the Dudley Moore version but all I know is that this film was very charming. Fair enough, there are going to be no big surprises - no epiphanic moments. But what this has in bucket loads is a grand sense of heart.

Russell Brand is silly but underneath the silliness there is real, genuine stuff. You can see his heart break in a crescendo scene and if you let yourself you'll find you become very sympathetic to this lost boy. Jennifer Garner is scarily comfortable in the role of a-grade beyatch! Helen Mirren is just perfect as the man boy's nanny. Look, to be honest I am too lazy to get into nitty gritty stuff but this one is a winner if you are open enough to admit it.

Trust me. It's lovely.

I thought this film was simply brilliant. The acting in it was great, the comedic timing perfect, the script well written, and the setting well shown. Yes, once again it is a movie set in New York, but there's a reason why they can't having them there. It's an amazing city. And this movie showcases that very well. I appreciated the range of humor they had in there as well. Some of it was raunchy, and then at other times it was mild and a relief from some of the over the top jokes. The climax was well done, humorous yet tasteful at the same time, and the conclusion was very appropriate.

I heard some people complaining about how this movie was showcasing how rich people have it made and it wouldn't be received well today because of the economic climate. That was ridiculous. If anything, it shows how money really can't buy happiness, and that the most important thing in this world is that we have each other. Overall, very enjoyable film that one should go into with an open mind and just have a good time.