Open Up by Christmas

No chemistry between the leads. Their story just didn't come together for me, nor was it interesting. The secondary characters were much more engaging. Although Lindy Booth is an excellent actress, even she could not save this humbug.

I love Hallmark Christmas movies, but I find they fall into several categories. Some have relatively large casts with plenty of extras to provide atmosphere, while others are sparsely populated, with sparingly used music and extras. Usually, it has to do with the popularity of the main stars. While Lindy Booth has certainly been in her share of Hallmark films, this one sure was lacking in supporting cast members. A lot of time it was simply the two leads working by themselves in the house. Even at the party scene, the extras were all blurred, as there probably were very few. Unfortunately, this seemed to be a movie made on an extremely limited budget, even for Hallmark, and it didn't give off much warmth or holiday feel. I will skip future showings of this film.

This is a warm and touching Christmas movie with some great acting to boot. The story centers around Gwen (played by Lindy Booth), an antique appraiser, who is keen to own her own auction house. She is hired to appraise (and decorate) The Hawthorne House, a place she has fond memories of during Christmas growing up (especially at the annual Christmas eve party). She is teamed up with Reed (played by Justin Bruening), who runs Dirt Force One, a cleaning service that provides jobs for military veterans. The two have a bit of back-and-forth at first but end up working together to uncover the beautiful treasures of the estate, helping the owner of the house reconnect with his past, and, just maybe, falling in love with each other along the way. The movie has a warm and gentle flow to it, which I enjoyed. The script was also quite good; e.g., there was some depth to the story and the main characters were well developed. I found myself laughing a little at the back-and-forth between Gwen and Reed during the first half-hour. And I even shed a few tears towards the end when Alan Hawthorne (the owner of the house) wrote to his daughter (and some subsequent scenes). The acting overall was superb. Booth, a Hallmark regular, really did shine with her performance in this one. I found myself connecting with her from the start. Bruening too had a strong performance. The chemistry between the two was a bit more refined than your typical Hallmark romance movie, but it worked well for this story, and on-screen, I felt. The supporting cast was good. Vlasta Vrana (playing Alan Hawthorne) stood out for me; he had a convincing performance. The Hawthorne House was beautiful, and the decorations were gorgeous. The movie had a nice Christmas feel to it. All in all, this was a very good movie, a nice new edition to Hallmark's 2020 Christmas lineup. Well done.

Lindy Booth is a charming and talented actress, and she deserves much better than this. A very talky script that is really not that interesting. There is very little chemistry between Booth and her co-star, Justin Bruening. Maybe because the dialogue is pretty weak and there is very little they can do with it. There is just not that much Christmas spirit here or even just a good plot to keep your attention. Sometimes, you are like, who cares ? Another reviewer mentioned Booth's physical appearance, and we couldn't agree more. At times, she looks anemic. Maybe it is the fault of the director or the make-up and costume people, but this normally lovely actress just does not look healthy. Hopefully, 2021 will bring back the Lindy Booth that we all enjoy and appreciate. Someone give her a good script with a better character to play - she can handle it. Sweep this one under the rug this Christmas.

I love it for the performance of Vlasta Vrana .

I like it for chemistry between main actors and for the small stories defining them. And, sure, for the Christmas tree star.

I saw this film with the tenderness of return to the memories of old times. This is its basic virtue and just I appreciate it for this. Because, it is one of films in which the romance works as fair frame , in which the connection between people and objects is fair reflected and the details are just clever used.

And the final feeling is good of good.

Not great, not memorable but, obvious, more than pleasant. And this, for me, I admitt, just matters.