CALIFICACIÓN DE IMDb
7.5/10
12 k
TU CALIFICACIÓN
Dos hermanos se encuentran en el funeral de su madre, cada uno en su camino de autodestrucción, ambos atormentados por una tragedia en su juventud.Dos hermanos se encuentran en el funeral de su madre, cada uno en su camino de autodestrucción, ambos atormentados por una tragedia en su juventud.Dos hermanos se encuentran en el funeral de su madre, cada uno en su camino de autodestrucción, ambos atormentados por una tragedia en su juventud.
- Dirección
- Guionistas
- Elenco
- Premios
- 10 premios ganados y 19 nominaciones en total
Sebastian Bull
- Lille Nick
- (as Sebastian Bull Sarning)
Mads Broe Andersen
- Lillebror
- (as Mads Broe)
Lisbeth H. Pedersen
- Sagsbehandler
- (as Lisbeth Holm Pedersen)
Mei Oulund
- Drengenes mor
- (as Mei Oulund Ipsen)
Kristian Kirk Østergaard
- Tobias
- (as Christian Kirk Østergaard)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
10Dgbibook
I have just watched this film from SBS Australian network, I was glued to the screen and wanted to give my gratitude to the writer and producer, this to me was a film that is dateless as we see life that effects and infects from the time that we enter this world
It's a reflection of life itself as we start out so pure but within life somehow we are exposed to a potential stream of danger and propaganda
I grabbed my son and hugged him very tight as I will try to prevent him from such an experience
Well done Mr Thomas Vinterberg your film was incredible and powerful, yes it did leave me sad but sad in a good way
Very kind regards DGB
It's a reflection of life itself as we start out so pure but within life somehow we are exposed to a potential stream of danger and propaganda
I grabbed my son and hugged him very tight as I will try to prevent him from such an experience
Well done Mr Thomas Vinterberg your film was incredible and powerful, yes it did leave me sad but sad in a good way
Very kind regards DGB
We see two separate but continuously interleaving stories of two brothers, each trying to cope with their daily lives, overall providing for a pessimistic view on their lives, riddled with drugs, violence, alcohol, bad housing circumstances, but at the same time trying to deal with their responsibilities like caring for a kid. The title of the film says it all: it stands for a method of torture, where someone is kept under water until he nearly drowns.
Though knowing no people living in similar depressing circumstances, casting and acting looked very convincing to me. Apart from that, we saw a sequence of events that kept us wondering what would happen next. All this resulted in a "page turner" experience, fundamental to a good movie.
Alternating between the stories of the two brothers was an extra bonus that made this film entertaining throughout. They each live their own separate lives, under circumstances that are very different but equally troublesome. Their respective paths cross each other in less than a handful of situations. Once you get a fix who the main characters are, this way of structuring two story lines works perfectly.
The film opens with a prologue, wherein two young boys imitate the baptism of a newly born child "just like they do in church". After that, the real story takes off, but I could not connect the dots at the point where the prologue moves on to the actual two story lines. Maybe I was not paying attention enough. I had to wait until the final scene before I understood. Regardless, it did not hinder my appreciation of the film as a whole.
Given all things happening you cannot expect everyone to live happily ever after. Nevertheless, the finale of the movie shows a moving scene under impressive musical tones, where even the toughest role players seem to show some tears. It may be intended by the film makers to leave us with an optimistic feeling after all, with some silver lining around the clouds.
Though knowing no people living in similar depressing circumstances, casting and acting looked very convincing to me. Apart from that, we saw a sequence of events that kept us wondering what would happen next. All this resulted in a "page turner" experience, fundamental to a good movie.
Alternating between the stories of the two brothers was an extra bonus that made this film entertaining throughout. They each live their own separate lives, under circumstances that are very different but equally troublesome. Their respective paths cross each other in less than a handful of situations. Once you get a fix who the main characters are, this way of structuring two story lines works perfectly.
The film opens with a prologue, wherein two young boys imitate the baptism of a newly born child "just like they do in church". After that, the real story takes off, but I could not connect the dots at the point where the prologue moves on to the actual two story lines. Maybe I was not paying attention enough. I had to wait until the final scene before I understood. Regardless, it did not hinder my appreciation of the film as a whole.
Given all things happening you cannot expect everyone to live happily ever after. Nevertheless, the finale of the movie shows a moving scene under impressive musical tones, where even the toughest role players seem to show some tears. It may be intended by the film makers to leave us with an optimistic feeling after all, with some silver lining around the clouds.
An incredibly intriguing, engaging, emotional and thoughtful drama from Denmark. Intriguing because there is a mystery about the sequence of events. You see the movie from one brother's perspective, initially, and there's a question mark over the whereabouts of the other brother. Then you see the other brothers story, starting a few weeks earlier, and everything starts to fall into place. A very clever plot device.
Engaging and emotional because you feel for the characters. They might not be the most angelic of people, but they are people worth caring about. You are drawn into their characters and relationships, and keep fearing for the worst.
Thoughtful because of how the movie depicts life at its rawest and people at their mot vulnerable, in a very sensitive and intelligent manner.
Not perfect though. The film is a bit rough around the edges. There are some minor character inconsistencies and some small sub- plots are inflated all out of proportion.
Solid performances all round, including one of the better performances you'll see from a child: Gustav Fischer Kjærulff as MArtin.
Great script and direction from Thomas Vinterberg, who I'm sure we'll hear a lot more of in the future. He has already directed one English-language/US-based movie, Dear Wendy, so will not be totally foreign to US audiences. His follow-up to Submarino, The Hunt, received a Best Foreign Film Oscar nomination in 2014, and has pushed him further into the limelight. He is bound for great things.
Engaging and emotional because you feel for the characters. They might not be the most angelic of people, but they are people worth caring about. You are drawn into their characters and relationships, and keep fearing for the worst.
Thoughtful because of how the movie depicts life at its rawest and people at their mot vulnerable, in a very sensitive and intelligent manner.
Not perfect though. The film is a bit rough around the edges. There are some minor character inconsistencies and some small sub- plots are inflated all out of proportion.
Solid performances all round, including one of the better performances you'll see from a child: Gustav Fischer Kjærulff as MArtin.
Great script and direction from Thomas Vinterberg, who I'm sure we'll hear a lot more of in the future. He has already directed one English-language/US-based movie, Dear Wendy, so will not be totally foreign to US audiences. His follow-up to Submarino, The Hunt, received a Best Foreign Film Oscar nomination in 2014, and has pushed him further into the limelight. He is bound for great things.
Vinterberg has a great grip on playing out human drama. Even though the circumstances are extreme and might feel a tiny bit too much, I never felt the emotions displayed are overplayed or inauthentic. The subtleties of the main actors were very nicely used to convey dread as well as sympathy with the two brothers. All in all it felt like a roller-coaster of redemption-feelings, since with every chapter closed, yielding the actual redemption, another backside opened, inducing jarring unfinishedness, unansweredness, and despair.
I just had the honour to watch this Danish film at the Berlin Film Festival, and I have the feeling that this could be the winner. I don't want to give anything away, so I will be very general.
What we witness is the compelling story of two brothers divided by life, united by the same tragic event. Both adrift in their sorrow, they run down their self-destructive paths, with little to fight for.
It is no big drama, though. The narration is gentle and respectful, and leaves the audience in the position of not being able to judge the characters for their almost invariably wrong choices, but with a strong feeling of compassion for all of them.
The performances of the whole cast are extremely convincing (including the little boy playing Martin)and Vinterberg's direction - unlike his previous Dogma movies - is at the service of the disturbing realism of the story, working at the same time with a beautiful composition of the scenes (the cinematography, from the very first scenes, helps going straight to the soul). Chapeau.
A special praise has to go to the two actors playing the grown-up brothers. Jakob Cedergren (Nick) in particular makes us see the fragility of his character through his eyes, despite his apparent and imposing physical strength. But the whole cast is really credible all along, both with their physical appearance and their realistic acting.
This movie, with its realistic description of the consequences and the dynamics of substance addiction, destroyed families (what a critic to the Scandinavian society, where alcoholism is a devastating plague) should be screened in every high school.
And, let's say the truth: if you don't find yourself silently weeping in the last prison and church scenes, you most likely have no heart at all. I am fighting with my tears right now, just playing the movie in my mind again.
What we witness is the compelling story of two brothers divided by life, united by the same tragic event. Both adrift in their sorrow, they run down their self-destructive paths, with little to fight for.
It is no big drama, though. The narration is gentle and respectful, and leaves the audience in the position of not being able to judge the characters for their almost invariably wrong choices, but with a strong feeling of compassion for all of them.
The performances of the whole cast are extremely convincing (including the little boy playing Martin)and Vinterberg's direction - unlike his previous Dogma movies - is at the service of the disturbing realism of the story, working at the same time with a beautiful composition of the scenes (the cinematography, from the very first scenes, helps going straight to the soul). Chapeau.
A special praise has to go to the two actors playing the grown-up brothers. Jakob Cedergren (Nick) in particular makes us see the fragility of his character through his eyes, despite his apparent and imposing physical strength. But the whole cast is really credible all along, both with their physical appearance and their realistic acting.
This movie, with its realistic description of the consequences and the dynamics of substance addiction, destroyed families (what a critic to the Scandinavian society, where alcoholism is a devastating plague) should be screened in every high school.
And, let's say the truth: if you don't find yourself silently weeping in the last prison and church scenes, you most likely have no heart at all. I am fighting with my tears right now, just playing the movie in my mind again.
¿Sabías que…?
- TriviaSubmarino is the name of a common torture method among the world's prisons, the prisoner is hanged upside down with the head inside a recipient full of water, feces, urine among other things. The movie takes this as a metaphor because all the characters are sunk into violence, alcoholism, drug addiction and twisted sex and, in those situations, is very difficult to breathe.
- ConexionesFeatured in DR2 Premiere: Episode #4.1 (2010)
- Bandas sonorasCirkeline har fødselsdag
Lyrics by Hanne Wernberg
Music by Hans-Henrik Ley (as Hans Henrik Ley)
Performed by Nanette, Maj Britt, Aske, Christian, Linda & Jens
© Dansk Tegnefilm Kompagni 1968
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- How long is Submarino?Con tecnología de Alexa
Detalles
Taquilla
- Total a nivel mundial
- USD 815,998
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