CALIFICACIÓN DE IMDb
7.5/10
12 k
TU CALIFICACIÓN
Dos hermanos se encuentran en el funeral de su madre, cada uno en su camino de autodestrucción, ambos atormentados por una tragedia en su juventud.Dos hermanos se encuentran en el funeral de su madre, cada uno en su camino de autodestrucción, ambos atormentados por una tragedia en su juventud.Dos hermanos se encuentran en el funeral de su madre, cada uno en su camino de autodestrucción, ambos atormentados por una tragedia en su juventud.
- Dirección
- Guionistas
- Elenco
- Premios
- 10 premios ganados y 19 nominaciones en total
Sebastian Bull
- Lille Nick
- (as Sebastian Bull Sarning)
Mads Broe Andersen
- Lillebror
- (as Mads Broe)
Lisbeth H. Pedersen
- Sagsbehandler
- (as Lisbeth Holm Pedersen)
Mei Oulund
- Drengenes mor
- (as Mei Oulund Ipsen)
Kristian Kirk Østergaard
- Tobias
- (as Christian Kirk Østergaard)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I don't get why they called this movie Submarino. I must have missed something or maybe I'm just too stupid to understand the pun. That said, it doesn't really matter as long as the movie is entertaining and that it was for sure. It's a Danish drama, about two brothers that grew up in a highly dysfunctional family, with an alcoholic mother that can only bothered by her next drink. The story is told in two parts, each part seen by the other brother. It isn't a happy movie, the desperation is overwhelming, but it's realistic, certainly for people living in big cities where these kind of things happen on a daily basis. I didn't know any of the actors but they all did a very good job playing their characters. Their acting made this movie worth watching.
10Dgbibook
I have just watched this film from SBS Australian network, I was glued to the screen and wanted to give my gratitude to the writer and producer, this to me was a film that is dateless as we see life that effects and infects from the time that we enter this world
It's a reflection of life itself as we start out so pure but within life somehow we are exposed to a potential stream of danger and propaganda
I grabbed my son and hugged him very tight as I will try to prevent him from such an experience
Well done Mr Thomas Vinterberg your film was incredible and powerful, yes it did leave me sad but sad in a good way
Very kind regards DGB
It's a reflection of life itself as we start out so pure but within life somehow we are exposed to a potential stream of danger and propaganda
I grabbed my son and hugged him very tight as I will try to prevent him from such an experience
Well done Mr Thomas Vinterberg your film was incredible and powerful, yes it did leave me sad but sad in a good way
Very kind regards DGB
An incredibly intriguing, engaging, emotional and thoughtful drama from Denmark. Intriguing because there is a mystery about the sequence of events. You see the movie from one brother's perspective, initially, and there's a question mark over the whereabouts of the other brother. Then you see the other brothers story, starting a few weeks earlier, and everything starts to fall into place. A very clever plot device.
Engaging and emotional because you feel for the characters. They might not be the most angelic of people, but they are people worth caring about. You are drawn into their characters and relationships, and keep fearing for the worst.
Thoughtful because of how the movie depicts life at its rawest and people at their mot vulnerable, in a very sensitive and intelligent manner.
Not perfect though. The film is a bit rough around the edges. There are some minor character inconsistencies and some small sub- plots are inflated all out of proportion.
Solid performances all round, including one of the better performances you'll see from a child: Gustav Fischer Kjærulff as MArtin.
Great script and direction from Thomas Vinterberg, who I'm sure we'll hear a lot more of in the future. He has already directed one English-language/US-based movie, Dear Wendy, so will not be totally foreign to US audiences. His follow-up to Submarino, The Hunt, received a Best Foreign Film Oscar nomination in 2014, and has pushed him further into the limelight. He is bound for great things.
Engaging and emotional because you feel for the characters. They might not be the most angelic of people, but they are people worth caring about. You are drawn into their characters and relationships, and keep fearing for the worst.
Thoughtful because of how the movie depicts life at its rawest and people at their mot vulnerable, in a very sensitive and intelligent manner.
Not perfect though. The film is a bit rough around the edges. There are some minor character inconsistencies and some small sub- plots are inflated all out of proportion.
Solid performances all round, including one of the better performances you'll see from a child: Gustav Fischer Kjærulff as MArtin.
Great script and direction from Thomas Vinterberg, who I'm sure we'll hear a lot more of in the future. He has already directed one English-language/US-based movie, Dear Wendy, so will not be totally foreign to US audiences. His follow-up to Submarino, The Hunt, received a Best Foreign Film Oscar nomination in 2014, and has pushed him further into the limelight. He is bound for great things.
I have not read the novel, and barely knew that this was based upon one. This film is like a splinter in your heart, from the first frame to the last. It is pushed to the limit of what we can handle of authentic misery. The social realism, so unrelenting, such rich detail to it, and none of it strains credulity. I was interested in this from when I first heard of it, and when I found out it was by Thomas Vinterberg, the man behind Festen and Dear Wendy, I knew I would watch this. He does wonders with the editing and the cinematography, creating a bleak and mundane(not to be confused with ugly or boring) feel to the visuals, matching the lives of the people we are witnessing and their environment. The camera stays "in the background", letting what we see speak for itself. This has impeccable writing, the events, the dialog(and its delivery), the crowning little touches, it's all excellent. In the end, what truly makes this work beyond belief is the amazing acting from everyone(who are all perfectly cast, as well), and that definitely also goes for the children(who, might I add, are charming and sweet kids, too, including the baby; seriously, can't you count on one hand the infants in movies that are *genuinely* cute? This is one of the only ones, in over a century of the medium), who deliver some of the most astonishing performances seen from ones around that age. Honestly, there is perhaps one single(and entirely understandable) moment that isn't completely convincing, but everything that comes before or since is. In spite of all that we see them do, we sympathize with the credible and well-developed characters. There is a lot of disturbing content, a bit of violence, some sexuality and infrequent strong language in this. I recommend this to anyone mature enough for the subject matter, at least if you can handle it. 10/10
There's a very fine line between probing into human failings and all-out misery. Director Thomas Vinterberg's latest balances itself precariously between the two throughout, wavering between plot elements that seem grounded in its characters' emotional realities and those that are unnecessarily grim. Ultimately however, the movie redeems itself thanks to fine ensemble work and its daring, assured direction.
"Submarino" is the unforgettable story of two brothers, long estranged and haunted by a dark secret buried in their past, who live separate lives in modern day Copenhagen. Nick (Jakob Cedergren), a violent ex-con, tries to help out an old friend, but falls quickly into old habits. Meanwhile, his brother (Peter Plaugborg), raises his son, but is unable to escape his own demons of addiction. Each is on a path to self-destruction, and they must find each other -- before it's too late.
The cast is uniformly strong -- both Cedegren and Plaugborg are solidly believable in their roles. Cedegren's acting, minimal and yet poignant, is especially remarkable. Vinterberg has a genuine respect for his characters and a desire to see them transcend their trappings, and his film, in turn, mostly succeeds where it could so easily have fallen short. When its numerous narrative threads finally converge, the resulting pathos feels genuinely earned and authentic.
Adapted from the novel by Jonas T. Bengtsson, "Submarino" was an official selection at the 2010 Berlin International Film Festival.
"Submarino" is the unforgettable story of two brothers, long estranged and haunted by a dark secret buried in their past, who live separate lives in modern day Copenhagen. Nick (Jakob Cedergren), a violent ex-con, tries to help out an old friend, but falls quickly into old habits. Meanwhile, his brother (Peter Plaugborg), raises his son, but is unable to escape his own demons of addiction. Each is on a path to self-destruction, and they must find each other -- before it's too late.
The cast is uniformly strong -- both Cedegren and Plaugborg are solidly believable in their roles. Cedegren's acting, minimal and yet poignant, is especially remarkable. Vinterberg has a genuine respect for his characters and a desire to see them transcend their trappings, and his film, in turn, mostly succeeds where it could so easily have fallen short. When its numerous narrative threads finally converge, the resulting pathos feels genuinely earned and authentic.
Adapted from the novel by Jonas T. Bengtsson, "Submarino" was an official selection at the 2010 Berlin International Film Festival.
¿Sabías que…?
- TriviaSubmarino is the name of a common torture method among the world's prisons, the prisoner is hanged upside down with the head inside a recipient full of water, feces, urine among other things. The movie takes this as a metaphor because all the characters are sunk into violence, alcoholism, drug addiction and twisted sex and, in those situations, is very difficult to breathe.
- ConexionesFeatured in DR2 Premiere: Episode #4.1 (2010)
- Bandas sonorasCirkeline har fødselsdag
Lyrics by Hanne Wernberg
Music by Hans-Henrik Ley (as Hans Henrik Ley)
Performed by Nanette, Maj Britt, Aske, Christian, Linda & Jens
© Dansk Tegnefilm Kompagni 1968
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- Total a nivel mundial
- USD 815,998
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