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Although it's difficult to watch Mel Gibson now without the backdrop of alcoholism, abuse, bigotry, rants and disappointment, this role may actually be the perfect role for him to re-appear on the screen with sympathy and hope of redemption. He plays this role perfectly and the viewer is sucked into the emotion and distress of all characters dealing with their own challenges. It's a beautiful movie with a powerful message. Some have criticized Jodie Foster's directing, but I found the film to be very balanced with the right amount of comedy and tragedy. I loved the camera work and editing, especially with the Beaver as its own character. I also liked the secondary storyline about the teenagers. All the performances were very good. I think the entire movie is very well done, and although I have not changed my personal opinion of Mel Gibson at all, the movie does make you very sympathetic towards families dealing with crisis including his own, and as an actor, he pulls off a very difficult role.

Walter Black (Mel Gibson) is a chronically depressed, miserable man who has been lost in a dark cloud of despair for years. He has driven the toy company his father founded to the brink of bankruptcy and that's nothing compared to the damage he's done to his family. His youngest son (Riley Thomas Stewart) doesn't essentially doesn't have a father, his oldest son (Anton Yelchin) despises him, and his wife (Jodie Foster) has kicked him out of the house. As the voice-over tells us, Walter died inside long ago but his body didn't have the decency to follow suit. On a serious bender, Walter finds a beaver hand puppet in a dumpster and when he comes to after a failed suicide attempt, he begins to speak to himself through the beaver (with a British accent, no less). He develops his own form of therapy, speaking only through the beaver and begins to reintegrate himself into the lives of his family members and his company with great success. Before long, however, Walter can no longer find the line of reality between himself and the beaver and watches as all the progress he had made washes away.

The similarities between Walter and Gibson himself are obvious and significant. Add in some unfortunate voicemail rants and a touch of anti-Semitism and this could play as a Gibson documentary. These similarities are also where "The Beaver" makes its money. Walter's transition seems authentic (to a point) as if Gibson himself is undergoing the therapy along with his character. He exhibits the right character traits of man who has lost his way and is struggling to find a way back and the work he does with facial expressions, body language, etc. is rich. It's quite possible that, as a Gibson fan and someone who wants to see him get back on track, I could be exaggerating the overall quality of his performance but I think a great deal is asked of him in this roll and he delivers. I wouldn't go so far as to call this a superb performance but it is solid and compelling and an example of just how good Gibson can be when he gives himself a chance.

The other elements within "The Beaver" represent a decisive step down from the work done by Gibson. Foster's character never really finds a foothold to become substantial and her work as director is satisfactory but unspectacular. Kyle Killen's script is uneven, too drawn out in some parts but rushed in others resulting in a film that doesn't develop quite the way I believe it was supposed to. And while I am generally down with a darker narrative, "The Beaver" is almost overwhelmed with it to the point of frustrating bleakness. Yelchin and Jennifer Lawrence (the Valedictorian cheerleader) have some nice moments together but their relationship is poorly developed and is treated at times like a distraction from the storyline involving Walter. A lot could have been done with Yelchin's character and his relationship with Walter but it stagnates early on and just barely reaches for redemption in the end. All totaled, "The Beaver" is a good movie with one great performance that carries the film much further than it could have gone otherwise. It is a worthwhile viewing but not one that I'd look forward to seeing again.

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It really sounds to me like Mel Gibson has modelled the voice and the accent for the puppet on Ray Winstone which shouldn't surprise me considering they have worked together in the past. However, top marks to Mel for that one because you really could be forgiven for thinking Ray did a voice-over for the puppet.

In general this is not the usual style of film I would watch but I really must say I was most pleasantly surprised at how engaging it was. For me at least, this was down to the Beaver (yes I realise how that sounds) but the remarkable thing is that I forgot it was a puppet controlled and voiced by Mel. I really began to see it as a complete separate character and it just gave the film whole other dimension.

Performances from Gibson and Foster were excellent (as you would expect). Their acting was totally spot on, never once seeming over the top or forced. Jodie Foster has done a sterling job on the directors chair skilfully taking the viewer on a journey in what I would have thought not a particularly easy film to direct. There are some humorous moments but this is not a comedy. You will occasionally laugh, and at times you will tense up during some of Gibsons darker moments. But that is a job well done from all.

This is certainly not a film for everyone but if you like a movie that's choc full to the brim with the human element, excellent acting and directing then I really would recommend it.

People seem to forget that humans make mistakes, and that Mel Gibson has his shares of mistakes that I'm sure he is feeling bad about and trying to fix, but people are just so judgmental and non forgiving. the problem is, I'm sure that most of them had made similar mistakes in their lives, but are still going on about Gibson, sheesh !!

back to the movie, I was looking forward to it, because i think Mel Gibson is a really talented actor, and I gotta say, the movie did not disappoint me. the story as most of you might know from the trailers, is that Gibson's character suffers from depression, which has negative impact on him as well as on his family surrounding him. and just as things seem to be looking hopeless, he finds the Beaver, and with it, he finds his voice and his self. A simple yet effective story, executed in a very professional manner, it is a journey into healing and trying to beat that nasty depression. the characters are played to perfection, as Mel Gibson and Jodie Foster, who also directs the film, deliver memorable performances.

It also tackles the family relations and how it is affected by the father's sickness and turmoil, about family supporting each other and an emotional father - son story.

Digging deep into Mel Gibson's character Psyche, and how he escapes his inner depression through the puppet, the beaver, is just so interesting. and they actually made the Beaver, the puppet itself so real, it appeared as a completely independent character, who was funny and at times even freighting. In summary, a highly recommended movie, great acting and a wonderful story. If you are one of those who are still obsessing about Gibson's mistakes, then just go watch Jumping the Broom.

Wow, this is an odd movie. Well, kudos for the originality and the ability, I assume, to keep most people tuned to the screen for the hour-and-a-half.

I think the lure of the film is it gets you involved to the point where you just have to find out how all this insanity is going to wind up although - except for one shocking twist - it's fairly predictable.

In fact, the film becomes very close to being a "movie of the week" or Lifetime -TV stage, but Gibson's character and the great dialog and voice of "The Beaver" (Gibson sounding exactly like Ray Winstone), snaps it back to a story that re-grabs your attention, time after time, with the darkness of mental illness.

Gibson is great as "Walter Black" and Jodie Foster and the rest of the cast hold their own in here.

The film is worth a look; just don't take it seriously as some treatise on depression. It does have some dark, scary moments in between the comedy and melodrama. It's unique in that aspect.