Usnavi, el simpático dueño de una bodega neoyorquina, ahorra cada centavo mientras imagina y canta sobre una vida mejor.Usnavi, el simpático dueño de una bodega neoyorquina, ahorra cada centavo mientras imagina y canta sobre una vida mejor.Usnavi, el simpático dueño de una bodega neoyorquina, ahorra cada centavo mientras imagina y canta sobre una vida mejor.
- Dirección
- Guionistas
- Elenco
- Premios
- 11 premios ganados y 57 nominaciones en total
Mateo Gómez
- Alejandro
- (as Mateo Gomez)
Dean Scott Vazquez
- Sedo
- (as Dean Vazquez)
Opiniones destacadas
It 's a big, sprawling movie about a Hispanic block in upper Manhattan's Washington Heights, and how each of them has his or her own dream, most of which are some variation of getting out of Washington Heights. It's a steady, dependable sort of multi-generational plot that was paying Fanny Hurst's bills more than a century ago, the stories and dreams seem well told, even if there are too may of them to keep in your head when we return to a particular character. It's also a musical, the one that Lin-Manuel Miranda wrote and directed and starred in to make his bones. John Chu has taken over the direction and Anthony Ramos the role.
There's some handsome, if not original choreography in this movie, bits lifted from WEST SIDE STORY and ROYAL WEDDING. It follows the tendency to make a big production number out of every dance. Until the next to last one, I experienced the despair I so often feel looking at modern movie musicals, convinced they've forgotten how to move the camera, but instead cut, cut, cut. The last dance, however, showed they hadn't. They just would rather do a zip cut than plan out the complex movements.
Sigh. Still, the songs were surprisingly strong, particularly "Paciencia Y Fe", sung by Olga Merediz. It's a skilled and enthusiastic cast, and it makes me hope that Hollywood will go back to making musicals, that are more than Broadway musicals filmed in front of a proscenium arch.
There's some handsome, if not original choreography in this movie, bits lifted from WEST SIDE STORY and ROYAL WEDDING. It follows the tendency to make a big production number out of every dance. Until the next to last one, I experienced the despair I so often feel looking at modern movie musicals, convinced they've forgotten how to move the camera, but instead cut, cut, cut. The last dance, however, showed they hadn't. They just would rather do a zip cut than plan out the complex movements.
Sigh. Still, the songs were surprisingly strong, particularly "Paciencia Y Fe", sung by Olga Merediz. It's a skilled and enthusiastic cast, and it makes me hope that Hollywood will go back to making musicals, that are more than Broadway musicals filmed in front of a proscenium arch.
This movie is the feel-good summer hit we all have needed for the past year. You'll laugh. You'll cry. You'll be transported to Washington Heights. Every facet of this movie is executed perfectly. The acting is amazing. The songs are amazing. Unlike most movie musicals, this movie isn't trying to emulate Broadway. It very much uses filmic language to tell a unique story through a unique style. Go see it on the biggest screen you can, you won't regret it.
It's a good one time watch movie, mainly for its Music and dance through some great cinematography done with greats sets. The story is vague so you'll be disappointed, if you're mainly focused on the plot. Or else, you'll pretty much be entertained with some good music and dance shown.
A friend who hopped on the Hamilton bandwagon relative early (with the original cast on Broadway) said to me, "I think this guy, Lin-Manuel Miranda, may be a freakin' (word substitution there) genius!" Naturally, I assumed that was the hyperbole common to those who think they've discovered something that is solid gold both. But having seen "Hamilton" and his earlier stage musical work, "In the Heights," translated to the big screen, it's getting pretty difficult to argue with that assessment. This one is about the hopes and dreams of its many and varied characters, just as "Hamilton"is about the hopes and dreams of the United States' founding fathers.
The "Heights" in question is Washington Heights, a big Apple neighborhood at the north end of the isle of Manhattan populated primarily by people of color, and where Lin grew up. Quiara Alegría Hudes adapted for the screen her book for her musical stage play. The notable director of "Crazy Rich Asians," Jon M. Chu, directs the energetic proceedings here. And of course, like Hamilton, all the music (from salsa to beats of merengue and bachata, to bomba y plena) and all the lyrics (which are almost exclusively hip-hop) are from the one-and-only Lin-Manuel. (A plump and bearded Lin appears in a mostly comic, near-cameo role that I won't spoil for you.) Combine all this with the endless joy of choreography & constant dancing and the innovative D. P. techniques (the cast says no harnesses were used in the "side-of-the-building" scene, which raises a serious question: "WTF?!?") and you have a real winner for generations of immigrant New Yorkers and their off-spring and the whole Latinx community, and a "West Side Story" for a new millennium. Highly recommended!
The "Heights" in question is Washington Heights, a big Apple neighborhood at the north end of the isle of Manhattan populated primarily by people of color, and where Lin grew up. Quiara Alegría Hudes adapted for the screen her book for her musical stage play. The notable director of "Crazy Rich Asians," Jon M. Chu, directs the energetic proceedings here. And of course, like Hamilton, all the music (from salsa to beats of merengue and bachata, to bomba y plena) and all the lyrics (which are almost exclusively hip-hop) are from the one-and-only Lin-Manuel. (A plump and bearded Lin appears in a mostly comic, near-cameo role that I won't spoil for you.) Combine all this with the endless joy of choreography & constant dancing and the innovative D. P. techniques (the cast says no harnesses were used in the "side-of-the-building" scene, which raises a serious question: "WTF?!?") and you have a real winner for generations of immigrant New Yorkers and their off-spring and the whole Latinx community, and a "West Side Story" for a new millennium. Highly recommended!
Came in with a very low expectation, not knowing this was inspired by a Broadway musical, not to mention I couldn't care less if this movie was delayed because of Covid-19 and had never seen the trailer before prior to my first viewing, but when I got around to watch it it, damnnnn... I was stunned and shocked to admit that this is in my top 3 Broadway/theater-based musical genre after La La Land & The Greatest Showman.
Rarely we get to see a Hollywood film where all of the cast are led by the Latino community. This movie speaks volumes for them, where the central message lies on hope, racism, dual standard, dreams, family, friendship, the art of letting go and what it means to become an outsider.
In the Heights is inspired by its Broadway musical and as far as the story goes, they cut Nina's storyline and it gets sidetracked when hers should also be the highlight alongside Vanessa's. The story doesn't go as deep as Les Miserables but isn't as shallow as The Greatest Showman either (The only problem with TGS for me), it stays somewhere in the middle, just enough to get your attention.
In the Heights sends chills down your spine every time you witness the cast dancing and singing. The best thing is that the music and showmanship get better the more times you watch it and I will assure you, you'll have your fingers tapping backward and forward on your device to rewatch some of your preferred numbers. My top 3 songs include In the Heights, 96,000 & Carnavel del Barrio.
What's outstanding in this film is that there are parts in almost every dance number, some dancers go unsynchronized with the choreography. But as the audience, you couldn't care less because the songs are so juicy and refreshing, the only thing you want is to just rejoice and have yourself grooving. What's even better is that the unsynchronization actually makes the movie better, with deeper related metaphors; in that we accept people's imperfections and to let go of the insecurities within us and just... enjoy your life to the fullest!
One thing though, the colour grading could have been better. It paints this dour, gloomy, half-cooked gritty world all over it. Even when the scorching Sun arrives, it seems to have appeared somewhat dull. I get the intended meaning behind it, that this community's life is pale and has its sufferings amidst Summer is happening but imagine if the colour is as bright as The Greatest Showman or La La Land or Once Upon a Time in Hollywood. You'll be drooling all over your shirt 🤤. P. S: Colours in musicals play a pivotal role in enlightening the world and its mood.
In the Heights is a cinematic treat for your eyes and ears; amidst the pandemic happening, the economic downturning and the mental health issues arising, there has never been a perfect time to release this film until now in Summer! This is an important film for all and it's what we need!
Now, I watch the trailer and listen to their music about 50 times a day, I promote it on my Instagram (@iamianiman) every day so that my friends know this is the hidden gem of the Summer. Can't wait to watch it again and again and again especially in the cinemas!
Verdict: In the Heights really sets the bar high, making it incomparable with other contenders this Summer. This crowd pleasing event is the ultimate cure for the world and the rekindle of lost friendship, shattered hopes and retired dreams all because of the pandemic.
P. S: If The Greatest Showman were created for the Winter, In The Heights were created for the Summer.
Rarely we get to see a Hollywood film where all of the cast are led by the Latino community. This movie speaks volumes for them, where the central message lies on hope, racism, dual standard, dreams, family, friendship, the art of letting go and what it means to become an outsider.
In the Heights is inspired by its Broadway musical and as far as the story goes, they cut Nina's storyline and it gets sidetracked when hers should also be the highlight alongside Vanessa's. The story doesn't go as deep as Les Miserables but isn't as shallow as The Greatest Showman either (The only problem with TGS for me), it stays somewhere in the middle, just enough to get your attention.
In the Heights sends chills down your spine every time you witness the cast dancing and singing. The best thing is that the music and showmanship get better the more times you watch it and I will assure you, you'll have your fingers tapping backward and forward on your device to rewatch some of your preferred numbers. My top 3 songs include In the Heights, 96,000 & Carnavel del Barrio.
What's outstanding in this film is that there are parts in almost every dance number, some dancers go unsynchronized with the choreography. But as the audience, you couldn't care less because the songs are so juicy and refreshing, the only thing you want is to just rejoice and have yourself grooving. What's even better is that the unsynchronization actually makes the movie better, with deeper related metaphors; in that we accept people's imperfections and to let go of the insecurities within us and just... enjoy your life to the fullest!
One thing though, the colour grading could have been better. It paints this dour, gloomy, half-cooked gritty world all over it. Even when the scorching Sun arrives, it seems to have appeared somewhat dull. I get the intended meaning behind it, that this community's life is pale and has its sufferings amidst Summer is happening but imagine if the colour is as bright as The Greatest Showman or La La Land or Once Upon a Time in Hollywood. You'll be drooling all over your shirt 🤤. P. S: Colours in musicals play a pivotal role in enlightening the world and its mood.
In the Heights is a cinematic treat for your eyes and ears; amidst the pandemic happening, the economic downturning and the mental health issues arising, there has never been a perfect time to release this film until now in Summer! This is an important film for all and it's what we need!
Now, I watch the trailer and listen to their music about 50 times a day, I promote it on my Instagram (@iamianiman) every day so that my friends know this is the hidden gem of the Summer. Can't wait to watch it again and again and again especially in the cinemas!
Verdict: In the Heights really sets the bar high, making it incomparable with other contenders this Summer. This crowd pleasing event is the ultimate cure for the world and the rekindle of lost friendship, shattered hopes and retired dreams all because of the pandemic.
P. S: If The Greatest Showman were created for the Winter, In The Heights were created for the Summer.
¿Sabías que…?
- TriviaThe hold music that plays when Kevin is on the phone is a version of King George's melody in Hamilton, another musical by Lin-Manuel Miranda.
- ErroresAbuela Claudia's "mother's secret recipe" for café con leche calls for "one can of condensed milk." When Usnavi prepares Kevin's coffee, he uses evaporated milk, which would spoil without refrigeration. She suggests condensed milk because it does not spoil if left out in the heat.
- Citas
Kevin Rosario: [to Nina] Ignore anyone who doubts you.
- Créditos curiososBefore the credits roll, some graffiti art is shown of actress and singer Doreen Montalvo, a member of the original Broadway cast of "In the Heights" who also appeared in the film who passed away in 2021, with the words "Doreen - Para Siempre", a reference to the song she sings in the film and the show.
- ConexionesFeatured in AniMat's Crazy Cartoon Cast: Ryan the Daring (2020)
- Bandas sonorasIn the Heights
Performed by Anthony Ramos, Jimmy Smits, Daphne Rubin-Vega, Stephanie Beatriz, Dascha Polanco, Corey Hawkins, Gregory Diaz IV, Melissa Barrera and Olga Merediz
Produced by Alex Lacamoire, Bill Sherman, Lin-Manuel Miranda, Mike Elizondo and Sergio George
Selecciones populares
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- How long is In the Heights?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- In the Heights
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 55,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 29,975,167
- Fin de semana de estreno en EE. UU. y Canadá
- USD 11,504,710
- 13 jun 2021
- Total a nivel mundial
- USD 45,175,167
- Tiempo de ejecución2 horas 23 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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