Pequeña Mamá

From the writer-director of Portrait of a Lady on Fire comes yet another tender, touching & heartfelt drama fantasy that may not have the same intense, intoxicating passion brewing under the surface but it sure exhibits a similar intimacy in its approach. Petite Maman is a delicately crafted story that looks at love, loss, grief & innocence through the eyes of an 8-year old girl.

Written & directed by Céline Sciamma, the film is only 70 mins long and follows a young girl coping with the death of her grandmother by bonding with her mother. Sciamma's nuanced portrait of childhood & imagination allows her to address the necessary themes by merging harsh realism with fantastical escape, thus preserving the innocence & purity of youth, while narrating her tale with sensitivity.

Despite the brief runtime, Sciamma never hurries through the proceedings and lets the story unfold & unravel at its own pace. The film is also shot with elegance, told with compassion & benefits from sincere performances from the whole cast. Joséphine Sanz plays her part with emotional honesty under Sciamma's supervision and she is well-supported by her twin sister who plays the 8-year old version of her mother.

Overall, Petite Maman finds beauty in simplicity and is another fascinating addition to Céline Sciamma's oeuvre. A sweet & poignant story about coping & bonding between a daughter & her mother that's rendered on screen with unfailing warmth & tenderness, Sciamma's latest is as arresting on visual fronts as it is stirring on the emotional scale, and doesn't make the mistake of overstaying its welcome. Definitely recommended.

... just like eight year old Nelly, whose vivid imagination is brought to life when she meets her doppelganger Marion after her mother absents herself from her life for a few days. Beautifully filmed and acted, it may get you reflecting on your own perceptions of the world when you were that age or even as you got older, if you were lucky enough to carry that imagination with you.

Petite Maman is a warm bundle of cinematic magic. Director Celina Sciamma's French coming of age sci-fi hybrid never gets too bogged down in tedious specifics of its fantastical set-up. Petit Maman bends time to tell the story about the bond between a daughter and her mother that transcends it.

Petite Maman, which I had the pleasure of seeing at the Middleburg Film Festival, centers itself around a little girl named Nelly (Josephine Sanz) and her family, reeling after the death of a loved one, as they spend some time in Nelly's mother's childhood home. Nelly's mother leaves the family behind in the midst of the immense grief she's suffering, leaving her husband and daughter with little idea of when she'll return. In the meantime, Nelly ventures into the woods, where she meets and begins to pal around with a young girl, who she learns, by some twist of cosmic fate, is a much younger version of her own mother, who faces trials of her own. A single stretch of woods bridges decades between them. Together, they try to help each other cope in these moments of personal turmoil and Nelly can maybe get to understand why her mother left and what she's going through. This movie quite literally follows its two leads after their meeting, making food, building forts, making believe. Petit Maman uses those pastimes of youth to hit audiences with a surprisingly layered exploration of something as monumental as grief from a kid's perspective.

I loved, loved, loved the setup of this movie-it doesn't ever seek to explain how Nelly and this younger version of her mother meet in terms of time and space, but it uses that heightened concept to speak to something more human. Here, two children reckon with fear and their powerlessness in the conflicts they face, and in the comfort and security they give each other lies the courage to face them.

The lesson of Petite Maman is just to be there for the people you love in times of great difficulty.

I give Petite Maman 3.5 out of 5 stars and recommend it for ages 5 to 12. It's an understated, but moving little gem that I hope doesn't escape people's radar. By Benjamin P., KIDS FIRST!

Petite Maman is a very understated, reflective, and almost meditative film.

Celine Sciamma uses her stripped back and beautiful film making to highlight the characters and their relationships in such sensitive way.

We follow a young girl dealing with grief and loss, which is explored through a poignantly played out time travel scenario.

It's a very short film, but with a lot of emotion, power, and humour packed in.

The two young leads are great, and with not much of a supporting cast at all they had to be.

A beautiful story with beautiful direction. Lovely.

Fairy tales do come true, or so Disney would have us believe. The French, as in writer/director Celine Sciamma's Petite Maman, make a whimsical tale come true by using a technique Walt would have appreciated, magical realism.

When an eight-year-old girl, Nelly (Josephine Sanz), meets her eight-year-old mother, Marion (Gabrielle Sanz), not only do they make you believe, but they also give dignity to a deeply-embedded longing we have to know our parents when they were our age.

This all-too-brief 72 min fantasy reaches an imaginative high whereby the soft and precise longings of a bright adolescent girl to hold onto her mother take place in the traditional forest of fairy tales. Mom had built a hut here long ago and now emerges to greet her daughter, same age 8. They bond immediately, laugh girlie silly, and generally devour their friendship.

As in fairy tales and life itself, the romance must end, especially since mom's operation on her leg is imminent, evidenced by her using her cane. Although the timing of the events is not always linear, Sciamma has made it clear she is not interested in accuracy but rather in the honesty of the emotions and the arc of the characters.

While Sciamma crafted a far more popular, potboiling Portrait of a Lady on Fire, Petite Maman is like its title, a minimalist ode to the challenges of longing inherent in the mother-daughter romance. There will never be enough time, and no one will be able to know completely the most important person in their lives. Yet, Sciamma shows that small moments loom large in the memory, as when Nelly feeds mom cheese puffs from the back of the car, while Marion is driving. It's a ritual that binds.

The Sanz twins (they call themselves "sisters born on the same day) are like fantasy actors, smart but not overbearing, never too cute but abnormally insightful. They deliver the emotional heart of this low-key film that posits a child may fantastically come to know a mother as a real person. Petite Maman is a lyrical song to mother and daughters, who never know their mothers well enough until a brilliant filmmaker shows them how.

The best fantasy this year, the best mother-daughter tale ever.