Cecil sirve a ocho presidentes como mayordomo en la Casa Blanca, durante el movimiento por los derechos civiles, Vietnam y otros eventos.Cecil sirve a ocho presidentes como mayordomo en la Casa Blanca, durante el movimiento por los derechos civiles, Vietnam y otros eventos.Cecil sirve a ocho presidentes como mayordomo en la Casa Blanca, durante el movimiento por los derechos civiles, Vietnam y otros eventos.
- Nominada a2premios BAFTA
- 16 premios ganados y 55 nominaciones en total
John P. Fertitta
- Mr. Jenkins
- (as John Fertitta)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The Butler was a serious disappointment, and it had two main problems. #1: The casting. Casting big-name actors in the role of the presidents or other minor parts was one of the biggest faults of the film. In this movie, there was never Dwight Eisenhower or Nancy Reagan on screen, it was always Robin Williams or Jane Fonda playing Dwight Eisenhower or Jane Fonda. This was especially a problem since all of these roles consisted of a combined two minutes or less. It was the same case with James Marsden, John Cusak, Alan Rickman, Terrence Howard, Liev Schreiber, Mariah Carey, etc. #2: The first point can be classified in this one as well: Throughout the film it never felt like you were in the life of Cecil Gaines, the entire time it felt like I was watching a movie. Beginning with all the big-name actors, down the directing. Every single scene you could see the directors intention with that scene - this scene I'm supposed to laugh, this scene I'm supposed to cry, I'm supposed to like this character, I'm supposed to like this president because I'm supposed to laugh in this scene where he's sitting on the toilet asking for prune juice. I never felt like I was allowed to make decisions for myself. I really wanted to like this movie because of the great story that was in it, but it was very poorly done.
The Butler (Daniels, 2013, B+)
This should have been a punchline. At least, that's what I was walking in expecting. From the overblown marketing to the downright bizarre cast, it had all the trimmings of a pure turkey. Here's the thing, though... It's not. The film is not a facsimile of historical events, it is an invigoration of them and despite the relatively classical style on display, Lee Daniels brings a real brio to the proceedings. It helps that he has Whitaker to make it all stick as the film's unfailingly warm and engaging center. Even in the first 20-30 minutes when the film is struggling to find its legs, his performance is an unmannered beauty. The rest of the actors are also galvanized into action, proving that verisimilitude is not the highest criteria for historical fiction. This is a film as powerful, as beautiful, as unlikely, and as raggedly imperfect as the country it chronicles.
This should have been a punchline. At least, that's what I was walking in expecting. From the overblown marketing to the downright bizarre cast, it had all the trimmings of a pure turkey. Here's the thing, though... It's not. The film is not a facsimile of historical events, it is an invigoration of them and despite the relatively classical style on display, Lee Daniels brings a real brio to the proceedings. It helps that he has Whitaker to make it all stick as the film's unfailingly warm and engaging center. Even in the first 20-30 minutes when the film is struggling to find its legs, his performance is an unmannered beauty. The rest of the actors are also galvanized into action, proving that verisimilitude is not the highest criteria for historical fiction. This is a film as powerful, as beautiful, as unlikely, and as raggedly imperfect as the country it chronicles.
I am an educator and the theme in the "Butler" is another piece of history which should be edified and enjoyed by everyone, especially the next generation. Most of the respondents so far seem to have lost sight of the fact that our American history must constantly be told and retold since the contributions and sacrifices of many minorities have previously been distorted or omitted. An appreciation of the cause and affect of historical events is always empowering and it should teach us all to be more tolerant and understanding of others in the future. A good analogy is that as an African American child growing up in the 1950's Charles and I always rooted for the cowboys in the movies to defeat those "savages" known as Indians. In truth, Native Americans were forced from their land, their families separated, many killed and placed on reservations where some remain today living in poverty. Does this sound anything like Nazi Germany? When we see the "Butler" we should all say "wow" I never knew that; I hope our young people understand that becoming and maintaining a great Nation and living in a democracy requires sacrifice and hard work constantly. Remember, "Those who have no knowledge of history, are destined to repeat it." Not my words.
7B24
A great and talented cast is largely thrown away on a script that starts and stops relentlessly. As one who has lived through all the historical periods portrayed, I was regrettably bored by large segments of the narrative, which seemed didactic in the extreme. That is not to diminish its important social and cultural significance to a younger audience, only that I personally found all the Presidents as played much smaller than in life than I remember them. Robin Williams as Eisenhower and Alan Rickman as Reagan seemed oddly miscast, though John Cusack as Nixon caught the essence of the man nicely. The parts showing home life among the main characters was a highlight, however.
In short, a good but not great film, perhaps better with fewer intrusive star-studded cameos and less overt moralizing.
In short, a good but not great film, perhaps better with fewer intrusive star-studded cameos and less overt moralizing.
..........................................................from Pasto,Colombia...Via: L.A. CA., CALI, COLOMBIA....and ORLANDO, FL
******** POSSIBLE MINOR SPOILERS *********
There are, undoubtedly, scenes in Lee Daniel's The Butler that made me feel quite uncomfortable. Most certainly, many other viewers will echo similar discomfort experienced while watching this near great movie. Unfortunately, the existence of atrocities and flagrant injustices in our not too distant past doesn't mean that they should be whitewashed or airbrushed out of our collective memories! (Absolutely no pun intended here)
Don't let me give you the wrong impression about The BUTLER. In just over 2 hours until end credits, there are but a scant few minutes of images that some of us would, perhaps, just as soon forget. At the heart of this remarkable film, is a tale of a great generational divide between estranged father and first-born son; redemption, change, forgiveness, repentance and catharsis are also pivotal elements in this "Inspired by a True Story" drama painted on a historical backdrop canvass.
Although The BUTLER does highlight the tremendous progress our society has made in the past century toward fulfillment of Dr. Martin Luther King's "Dream", obviously, there is an undercurrent underscoring the fact that this area is one that involves constant self-reinvention to ensure continued improvement.
There are multiple noteworthy elements here. First, Oprah Winfrey's triumphant return to an on-screen leading role. Despite having done numerous voice-overs in recent years, BUTLER represents the end of a 15 year hiatus, when she participated in the ill-fated BELOVED. Her performance, although not quite Oscar nomination caliber, would win, without a doubt, an Academy Award for best "Billionaire Female Actor on the Planet", if such a prize existed! Accepting this role surely resulted in reduced income for Oprah in 2013. If that doesn't make her participation in this project a "Labor of Love", what would?
BUTLER is my pick for 2013 Best Ensemble Performance Golden Globe. Cast Credits give the impression of a page lifted directly from a Who's Who in Acting & Entertainment! Cuba Gooding, Jr.; Robin Williams, in a refreshing, but brief, appearance as a pensive and soft-spoken President Eisenhower; Vanessa Redgrave; Clarence Williams III; James Marsden as President Kennedy; John Cusack, as an ever brooding and duplicitous President Nixon; David Oyelowo, as the rebellious prodigal son; Terence Howard; Lenny Kravitz; Mariah Carey; Jane Fonda, who sparkled as Nancy Reagan and Alan Rickman as her careful-not-to-step-on-her-toes husband, Ronald! The only weak link, in my opinion, was Liev Schreiber as President Lyndon B. Johnson. His portrayal just did not resonate with me.
Quite frankly, despite analyzing carefully for any historical missteps, there were only a couple rather minor ones that were noticeable. About three-quarters into BUTLER, the story-line, focus and viewer interest level seemed to sputter a bit, but got right back on track rather quickly.
The film did attempt to provide moments of comic relief from the oftentimes somber on-screen events, most of them evoking healthy laughter but a handful of them kind of fell flat. If it weren't for these few mentioned flaws, BUTLER most definitely would have been rewarded with a 10*Star* rating! When released on DVD, rest assured it will be added to my 800+ collection!
.ENJOY/DISFUTELA!!
Any comments, questions or observations, in English o en Español, are most welcome!
******** POSSIBLE MINOR SPOILERS *********
There are, undoubtedly, scenes in Lee Daniel's The Butler that made me feel quite uncomfortable. Most certainly, many other viewers will echo similar discomfort experienced while watching this near great movie. Unfortunately, the existence of atrocities and flagrant injustices in our not too distant past doesn't mean that they should be whitewashed or airbrushed out of our collective memories! (Absolutely no pun intended here)
Don't let me give you the wrong impression about The BUTLER. In just over 2 hours until end credits, there are but a scant few minutes of images that some of us would, perhaps, just as soon forget. At the heart of this remarkable film, is a tale of a great generational divide between estranged father and first-born son; redemption, change, forgiveness, repentance and catharsis are also pivotal elements in this "Inspired by a True Story" drama painted on a historical backdrop canvass.
Although The BUTLER does highlight the tremendous progress our society has made in the past century toward fulfillment of Dr. Martin Luther King's "Dream", obviously, there is an undercurrent underscoring the fact that this area is one that involves constant self-reinvention to ensure continued improvement.
There are multiple noteworthy elements here. First, Oprah Winfrey's triumphant return to an on-screen leading role. Despite having done numerous voice-overs in recent years, BUTLER represents the end of a 15 year hiatus, when she participated in the ill-fated BELOVED. Her performance, although not quite Oscar nomination caliber, would win, without a doubt, an Academy Award for best "Billionaire Female Actor on the Planet", if such a prize existed! Accepting this role surely resulted in reduced income for Oprah in 2013. If that doesn't make her participation in this project a "Labor of Love", what would?
BUTLER is my pick for 2013 Best Ensemble Performance Golden Globe. Cast Credits give the impression of a page lifted directly from a Who's Who in Acting & Entertainment! Cuba Gooding, Jr.; Robin Williams, in a refreshing, but brief, appearance as a pensive and soft-spoken President Eisenhower; Vanessa Redgrave; Clarence Williams III; James Marsden as President Kennedy; John Cusack, as an ever brooding and duplicitous President Nixon; David Oyelowo, as the rebellious prodigal son; Terence Howard; Lenny Kravitz; Mariah Carey; Jane Fonda, who sparkled as Nancy Reagan and Alan Rickman as her careful-not-to-step-on-her-toes husband, Ronald! The only weak link, in my opinion, was Liev Schreiber as President Lyndon B. Johnson. His portrayal just did not resonate with me.
Quite frankly, despite analyzing carefully for any historical missteps, there were only a couple rather minor ones that were noticeable. About three-quarters into BUTLER, the story-line, focus and viewer interest level seemed to sputter a bit, but got right back on track rather quickly.
The film did attempt to provide moments of comic relief from the oftentimes somber on-screen events, most of them evoking healthy laughter but a handful of them kind of fell flat. If it weren't for these few mentioned flaws, BUTLER most definitely would have been rewarded with a 10*Star* rating! When released on DVD, rest assured it will be added to my 800+ collection!
.ENJOY/DISFUTELA!!
Any comments, questions or observations, in English o en Español, are most welcome!
¿Sabías que…?
- TriviaThe character of Cecil Gaines was based on Eugene Allen, who served as White House butler for over 30 years and 8 presidents: Harry S. Truman, Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, Richard Nixon, Gerald Ford, Jimmy Carter, and Ronald Reagan. Much of the detail is fictionalized for this movie.
- ErroresWhen Cecil talks to Louis at the bus station, as Louis leaves for college, they walk through a motion-activated bi-part sliding door. The scene is set between 1957 and 1961. The first automatic sliding doors were invented in 1960, and were activated by stepping on a floor mat. Motion sensors were developed in the late 1980s.
- Citas
Cecil Gaines: America has always turned a blind eye to what we done to our own. We look out to the world and judge. We hear about the concentration camps but these camps went on for two hundred years right here in America.
- ConexionesFeatured in The Butler: An American Story (2013)
- Bandas sonorasPiano Concerto in A Minor Op. 54-1
Written by Robert Schumann
Performed by The Moscow Philharmonic Orchestra
Conducted by Kenneth Klein
Gerald Robbins, piano
Courtesy of MSR Classics
By Arrangement with Fine Gold Music
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Butler
- Locaciones de filmación
- Houma, Luisiana, Estados Unidos(late-night scene in front of Le Petit Theatre on Main Street)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 30,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 116,632,095
- Fin de semana de estreno en EE. UU. y Canadá
- USD 24,637,312
- 18 ago 2013
- Total a nivel mundial
- USD 177,313,795
- Tiempo de ejecución
- 2h 12min(132 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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