El mayordomo de la Casa Blanca

The Butler is a very earnest and well intentioned attempt to do two things at once. One is to tell the story of Cecil Gaines, a character based on the real life Eugene Allen, who served as butler to US presidents from Eisenhower to Reagan. The second is to relate the story of the US civil rights movement through the eyes of Gaines' son Louis. Both are stories worth telling in their own right. Combining them into one movie means that neither story is told as well as it could be. I guess to be fair, it would be hard to do justice either story in a two-hour movie. These are stories crying out for their own TV miniseries.

This movie boasts a wonderful cast and great locations. It's a real pleasure seeing people like Robin Williams and Alan Rickman playing different US presidents and other famous faces popping up in small roles. Ultimately though, this movie becomes a bit tedious. I enjoyed it, but I will be waiting a good long while before I think of seeing it again.

The Butler (Daniels, 2013, B+)

This should have been a punchline. At least, that's what I was walking in expecting. From the overblown marketing to the downright bizarre cast, it had all the trimmings of a pure turkey. Here's the thing, though... It's not. The film is not a facsimile of historical events, it is an invigoration of them and despite the relatively classical style on display, Lee Daniels brings a real brio to the proceedings. It helps that he has Whitaker to make it all stick as the film's unfailingly warm and engaging center. Even in the first 20-30 minutes when the film is struggling to find its legs, his performance is an unmannered beauty. The rest of the actors are also galvanized into action, proving that verisimilitude is not the highest criteria for historical fiction. This is a film as powerful, as beautiful, as unlikely, and as raggedly imperfect as the country it chronicles.

The Butler was a serious disappointment, and it had two main problems. #1: The casting. Casting big-name actors in the role of the presidents or other minor parts was one of the biggest faults of the film. In this movie, there was never Dwight Eisenhower or Nancy Reagan on screen, it was always Robin Williams or Jane Fonda playing Dwight Eisenhower or Jane Fonda. This was especially a problem since all of these roles consisted of a combined two minutes or less. It was the same case with James Marsden, John Cusak, Alan Rickman, Terrence Howard, Liev Schreiber, Mariah Carey, etc. #2: The first point can be classified in this one as well: Throughout the film it never felt like you were in the life of Cecil Gaines, the entire time it felt like I was watching a movie. Beginning with all the big-name actors, down the directing. Every single scene you could see the directors intention with that scene - this scene I'm supposed to laugh, this scene I'm supposed to cry, I'm supposed to like this character, I'm supposed to like this president because I'm supposed to laugh in this scene where he's sitting on the toilet asking for prune juice. I never felt like I was allowed to make decisions for myself. I really wanted to like this movie because of the great story that was in it, but it was very poorly done.

A great and talented cast is largely thrown away on a script that starts and stops relentlessly. As one who has lived through all the historical periods portrayed, I was regrettably bored by large segments of the narrative, which seemed didactic in the extreme. That is not to diminish its important social and cultural significance to a younger audience, only that I personally found all the Presidents as played much smaller than in life than I remember them. Robin Williams as Eisenhower and Alan Rickman as Reagan seemed oddly miscast, though John Cusack as Nixon caught the essence of the man nicely. The parts showing home life among the main characters was a highlight, however.

In short, a good but not great film, perhaps better with fewer intrusive star-studded cameos and less overt moralizing.

There is a bit of great acting in this vaguely historic film, but Director Lee Daniels uses so much made-up and absurd pseudo-history that the story trips over his heavy-handed political lessons. Why is Lee Daniels' name above the title and who gave him this much license to re-write history after only one other film we've heard of?

That said, Forest Whitaker is compelling as the lead in this story about a White House butler that had an amazing life, but it is 90% made up. While there was a butler who served many presidents, the screenplay is actually fiction. While somewhat entertaining, these comical characterizations of U.S. presidents often feel like a made for TV, kids history channel special.

Oprah plays his wife and there are a dozen or so entertaining cameos with some unique acting choices. The cameos kept it interesting even when the story of The Butler dragged on.

If Lee Daniels had let go of the politics and heavy-handed directing, this pseudo-history lesson may have earned an Oscar nomination for Forest. But, in the end, you can see why the Academy cannot reward this artificial and revisionist history tale. With this much effort to tell us a 60 year history lesson, I just wish we knew if more of it were true. Instead, it's a mixed bag. 7/10.