Sara es una adolescente que está deseando cumplir 18 años para alejarse de Don, su controlador padre. Pero antes de que pueda soplar las velas, Don la encarcela en el sótano de su casa.Sara es una adolescente que está deseando cumplir 18 años para alejarse de Don, su controlador padre. Pero antes de que pueda soplar las velas, Don la encarcela en el sótano de su casa.Sara es una adolescente que está deseando cumplir 18 años para alejarse de Don, su controlador padre. Pero antes de que pueda soplar las velas, Don la encarcela en el sótano de su casa.
- Premios
- 1 nominación en total
Michael Lawson
- Investigative Police Officer
- (as Mac Wells)
Alnisa Chislom
- Hospital Reception
- (sin créditos)
Shayla Harris
- Nurse Giving CPR
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Disagree with reviews of bad acting. All actors did quite well with what was given them. They had to summarize 20 years into a 90 minute movie so at least it moves fast and keeps you engaged.
Yes it may be a lesson for creeps to repeat this crime but it is also a lesson for the people living around it.
He may have made the basement sound proof from her and her babies screaming but I doubt that if she banged on the walls or sink that the vibrations would not be heard upstairs.
Yes it may be a lesson for creeps to repeat this crime but it is also a lesson for the people living around it.
- if a daughter had a shaky relationship with her step or real father and she disappears he likely had something to do with it
- if he spends a lot of time in the basement after the disappearance, check the basement
- if you check the basement and the size does not match up with the size of the house there are likely hidden rooms
- if you're a neighbor who sees a flashlight signal coming from the basement don't knock on the door and tell the occupant, call the cops to check it out.
He may have made the basement sound proof from her and her babies screaming but I doubt that if she banged on the walls or sink that the vibrations would not be heard upstairs.
The delivering through a low budget standardized package of generic tv drama prevents the implications of such events to be fully developed for its own flaws of mediocre acting, underdeveloped plot and neglected atmosphere.
Still, there's something remaining that may make the movie watchable but the disappointment that it should've been much better exists.
Still, there's something remaining that may make the movie watchable but the disappointment that it should've been much better exists.
I knew something was off the moment our main antagonist delivered his first line of dialogue. He was such an atrociously bad actor throughout the entire film that it genuinely felt like a school project at times. It wasn't until the first cut to black during a tense moment that I realized this is a Lifetime made for TV type movie. With that taken into consideration, it held my attention well enough. What trumps even the poor acting and cinematography was the method of story telling. They attempt the classic move where they show a scene from near he end of the movie and then jump back 20 years earlier, slowly building back up to that moment to continue from it. The problem is that this particular scene shows us that any attempt at escape we see throughout the first hour will be unsuccessful, killing any tension and momentum. This was based off the harrowing real story of Elisabeth Fritzl, and more justice could have been done with it in the film realm.
Why would they hire actress Elisabeth Röhm, to direct this film, when she's never been behind a camera before? This was such a troubling and horrific true story event, it needed professionals to tell it. The screenplay was on point, but Röhm's failure to direct her cast and scenes properly, really failed this film. Performances were adequate to decent, but that was strictly from the merits of the actors following a screenplay. Stefanie Scott's performance got better as the movie progressed, but I'm sure that was due to her getting comfortable with her character. Even Judd Nelson's performance was stale and amateurish, that with a better director, he would've shined. Had a seasoned director been involved, this could've been much more gut-wrenching and epic film. Nevertheless, it's a story that needed to be told, and I'm glad it was; It was a bold move for Lifetime to produce this. I just wish it was told in a better way. It's a generous 6/10 from me.
The true story behind this film , just proves ones again ,that humans are the terrible creatures , capable of unspeakable things ... Film itself is not bad , just feels that something missing ...
¿Sabías que…?
- TriviaBased on the infamous true story of Elisabeth Fritzl, who was locked up and abused for 24 years (from 1984 to 2008) by her father Josef in Amstetten (Austria). In these years of imprisonment she became the mother of seven children as a result of these abuses.
- ErroresWhen the police officer is investigating Sarah's "disappearance", Chris' name and as person who last saw Sarah. When The officer says he wants to go talk to him, Amy says she's going to get Chris' number. The cop then leaves the house before Amy can come back with the phone number, an important lead when conducting an investigation. When Chris comes to bring Sarah the motorcycle helmet, he mentions to Don that the police did question him.
- Bandas sonorasWherever I May Go
Performed by Jake Etheridge and Stefanie Scott
Written by Jake Etheridge and Marie Hines
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