Agrega una trama en tu idiomaVinnie gets out of jail after serving 10 years and tries to find out who killed his younger brother - played by a young Robert de Niro.Vinnie gets out of jail after serving 10 years and tries to find out who killed his younger brother - played by a young Robert de Niro.Vinnie gets out of jail after serving 10 years and tries to find out who killed his younger brother - played by a young Robert de Niro.
- Dirección
- Guionista
- Elenco
Jarred Mickey
- Andrew Moore
- (as Jerry Micky)
Matt Greene
- Marge's Assistant
- (as Matthew Greene)
Robert De Niro
- Sam Nicoletti (1969 scenes)
- (material de archivo)
Jennifer Warren
- Erica Moore (1969 scenes)
- (material de archivo)
Terrayne Crawford
- Carole Moore (1969 scenes)
- (material de archivo)
Martin J. Kelley
- Mitch Negroni (1969 scenes)
- (material de archivo)
- (as Martin Kelley)
Jack Slater
- Party Guest
- (material de archivo)
Phyllis Black
- Marge Negroni
- (material de archivo)
- (sin créditos)
Viva
- Girl With the Hourglass
- (material de archivo)
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
About what you'd expect from a cheapo film that exploits a few small clips from an earlier bad film.
One of Robert De Niro's earliest films was a bad and forgettable film called "Sam's Song". A decade after its release, some unscrupulous boobs decided to integrate a few tiny clips of him from this film into a new film in order to capitalize on his recent successes such as "The Godfather" films as well as "Taxi Driver". And, to further exploit his fame, they gave him top billing even though he's barely in "The Swap" at all! Apart from the intro and a few tiny clips used here and there, he isn't even in the film!
As for the plot, it is also a rip-off. Clearly it's a reworking of the excellent Michael Caine film, "Get Carter". In both, a guy is in prison when his younger brother is killed--and he's determined to find and punish those responsible. Caine's film is a classic--this other version features wooden acting, terrible editing of the old and new film footage and almost zero energy. Overall, it's an awful little film that is better forgotten.
As for the plot, it is also a rip-off. Clearly it's a reworking of the excellent Michael Caine film, "Get Carter". In both, a guy is in prison when his younger brother is killed--and he's determined to find and punish those responsible. Caine's film is a classic--this other version features wooden acting, terrible editing of the old and new film footage and almost zero energy. Overall, it's an awful little film that is better forgotten.
Incorporates scenes from the 1969 film "Sam's Song" of Robert DeNiro (as Sam) playing an aspiring director who meets a couple (Warren and Mickey) and an apparently single woman (Crawford) with whom he develops mutual bonds over one party-filled weekend at the beach. But when he's murdered, his fiercely protective brother (Charnotta) vows to avenge his death and ten years' later upon his release from gaol, he pieces together Sam's final days to seek retribution.
Neither DeNiro nor Warren - whose stars had risen in the intervening years between the 1969 footage and this 1979 re-edit - appear in the subsequently shot scenes, though naturally much is made of their names in the credits for marquee value. Both Mickey and Crawford reprise their roles, but Charnotta is essentially the central character here, his interrogations abetted by Lisa Blount as his frustrated chauffeur who once 'worked' for his brother. James Brown has a couple of scenes as a detective warning Charnotta not to dig too deeply into his brother's murder, and the sultry Sybil Danning playing the modern-day Warren role is entirely wasted sitting behind a desk.
Tedious attempt at a film noir, bereft of action and suspense, just a dreary series of one-on-one conversations interspersed with flashbacks of the melodramatic romantic quartet, making the most out of DeNiro's scant, unrelated footage. Though there's an occasional promise of something entertaining, it never eventuates. Even the film's climax is a non-event, hampered by a shoestring budget that teases, but fails to deliver.
Neither DeNiro nor Warren - whose stars had risen in the intervening years between the 1969 footage and this 1979 re-edit - appear in the subsequently shot scenes, though naturally much is made of their names in the credits for marquee value. Both Mickey and Crawford reprise their roles, but Charnotta is essentially the central character here, his interrogations abetted by Lisa Blount as his frustrated chauffeur who once 'worked' for his brother. James Brown has a couple of scenes as a detective warning Charnotta not to dig too deeply into his brother's murder, and the sultry Sybil Danning playing the modern-day Warren role is entirely wasted sitting behind a desk.
Tedious attempt at a film noir, bereft of action and suspense, just a dreary series of one-on-one conversations interspersed with flashbacks of the melodramatic romantic quartet, making the most out of DeNiro's scant, unrelated footage. Though there's an occasional promise of something entertaining, it never eventuates. Even the film's climax is a non-event, hampered by a shoestring budget that teases, but fails to deliver.
In 1969 a young Robert De Niro starred in a drama called Sam's Song. It didn't make much in the way of profit but it got him noticed. Ten years later, a filmmaker wanted to get De Niro onto his project but didn't have the resources to do it. So he took to stealing much of Sam's Song & incorporating it into his own film. The result was The Swap.
Vito Nicoletti is released from prison after serving a twelve year sentence. He is on a mission to find out who killed his younger brother Sam ten years before. Meeting up with his late brother's friends, Vito finds that Sam was a porn filmmaker & had an underage girlfriend before he was killed. After a few close calls on his life, Vito sits down to watch the films that Sam had made in an effort to understand the murder. But upon watching the films, Vito realises that he had already met the killer.
The Swap was a complete disaster in terms of story-telling. When De Niro found out about the film's existence, he nearly launched a lawsuit. But this cheap thriller is so poor that it cancels itself out, leaving it to be relatively obscure today. The main problem is that De Niro's character is turned from a young romantic lead into a pornographer & a paedophile thanks to whoever wrote the film's script. This is part of why the film fails to entertain. Anthony Charnota makes a poor hero but at least he takes himself & his work seriously despite his gruff demeanor. Lisa Blount, about three years away from making a slightly better impression in the zombie film DEAD & BURIED makes a strangely cold love interest / sidekick to Charnota's ex-con.
Vito Nicoletti is released from prison after serving a twelve year sentence. He is on a mission to find out who killed his younger brother Sam ten years before. Meeting up with his late brother's friends, Vito finds that Sam was a porn filmmaker & had an underage girlfriend before he was killed. After a few close calls on his life, Vito sits down to watch the films that Sam had made in an effort to understand the murder. But upon watching the films, Vito realises that he had already met the killer.
The Swap was a complete disaster in terms of story-telling. When De Niro found out about the film's existence, he nearly launched a lawsuit. But this cheap thriller is so poor that it cancels itself out, leaving it to be relatively obscure today. The main problem is that De Niro's character is turned from a young romantic lead into a pornographer & a paedophile thanks to whoever wrote the film's script. This is part of why the film fails to entertain. Anthony Charnota makes a poor hero but at least he takes himself & his work seriously despite his gruff demeanor. Lisa Blount, about three years away from making a slightly better impression in the zombie film DEAD & BURIED makes a strangely cold love interest / sidekick to Charnota's ex-con.
Vinnie gets out of jail after serving 10 years and tries to find out who killed his younger brother - played by a young Robert de Niro.
Some plot.
DeNiro is VERY young in this movie that looks like it was financed with mob money.In fact, his scenes are taken from a 1969 movie called Sam's Song!!!And when I say scenes, DeNiro is literally in the movie 90 seconds despite getting top billing!!!!
The crazy director went on to teach at City University in NY. Sybil Danning has blue hair. Why? We never find out. A couple scenes later it's brown.
The movie is pretty bad.
Some plot.
DeNiro is VERY young in this movie that looks like it was financed with mob money.In fact, his scenes are taken from a 1969 movie called Sam's Song!!!And when I say scenes, DeNiro is literally in the movie 90 seconds despite getting top billing!!!!
The crazy director went on to teach at City University in NY. Sybil Danning has blue hair. Why? We never find out. A couple scenes later it's brown.
The movie is pretty bad.
"The Swap" doesn't look like a sequel to me. I've seen sequels with archives of the original film. This revenge film shows mostly flashbacks of the original made 10 years ago. The brother of Sam(Robert DeNiro) gets out prison and would go after the people responsible for his death. Sam has moved to California to do film there. Only this time, he was doing pornographic stuff. One night, Sam was working, and someone has jumped him from behind. The brother learned about his murder and would go place to place and speak with the people he knew.
This revenge film was a little bit weak. Too cliche in every way. Revenge is a dish served cold. This movie is cold.
Only the Ford cars were the only things that I liked in it. The rest of the movie needs a lot of work.
2 out of 5 stars
¿Sabías que…?
- TriviaAll the scenes with Robert De Niro are re-used shots and out-takes from Leondopoulos' first feature film, Sam's Song, used without De Niro's knowledge or permission. Reportedly De Niro was so angered by the release of The Swap that he wanted to take legal action against the film's production company, Cannon.
- Citas
Vito Nicoletti: I pray to God, there is a God.
- Versiones alternativasThe original Vestron Video VHS, as well as some later public domain VHS/DVD releases, feature an edited-for-TV print that removes the sex and nudity.
- ConexionesEdited from Sam's Song (1969)
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