Wir Kinder vom Bahnhof Zoo

I totally understand, that if you have seen the Original movie from the 80s, you won't feel comfortable with this. Or it is very likely that you don't feel this movie at all. You are missing the grittiness, the dirtiness of the original. This actually is a more modern and more smooth looking approach and retelling of the source material.

That being said, it does not mean it shies away from some very irritating and disturbing things that happen to the characters here. And because this is a show, that spans 8 episodes, it is able to dive further into those characters. Which gives them more motivation and gives them more background. It works in the shows favor.

The actors really do their best and this new take will either enlighten you (better to try something different than just copy something 1 to 1, yes?) or annoy you. Be open minded if you can and you get more in depth - since I have not read the source material, I can't say how much is still probably missing from it. But it does look like we get a lot more than the original film was able to convey - just due to running time issues alone

In the original book Christiane F is a 13 year old child and in the original movie she is played by a little 13 year old girl. so it seems odd that in this version Christiane is played by a 18 year old woman, dressed and groomed like an adult and wearing makeup like a grown woman and yet seems oblivious to the fact that women have periods. it is not a bad show but if you expect anything like the original you will be disappointed.

It's so wrong in so many places, I don't know where to start.

The original movie was both, repulsing and fascinating at the same time. It felt true and authentic to Christiane F's life story, described in her book.

This series is the total opposite: a sterile, high gloss wannabe Hollywood version. It shows the horrors of drugs and prostitution in a polished and stylish way. The kids almost never really behave and look drugged and cynically even seem to enjoy prostitution. Why?!

Also it just doesn't feel like the 70's. Contemporary, mostly happy pop music (except of some original Bowie songs) meets modern fantasy boho retro 70ish to 90ish clothing and props style... Not to mention the 21st century interpretation of the kid's disco "Sound". Why?! My guess: the urge to come across original and creative took overhand.

What works with fiction like f.i. "Peaky Blinders", where alternative contemporary music fits perfectly in the raw and brutal 1900s mob scenery, doesn't necessarily work with every story. Especially with true ones it just feels wrong. This has neither much to do with the 70's, nor the book, except the title. If this would be an original fictional story, it might work. But nevertheless for me it lacks interesting characters and a gripping storyline.

This series is mostly about style. The camera is excellent and most of the actors are good, some are implausible (f.i. The David Bowie double). Therefore 3 stars. But please, see for yourself!

I believe this series is supposed to happen in a parallel universe, in a fantasy land. Not because of the intentional anachronisms (modern music even though the action is set in the 70s, for example); but because I highly doubt the Berlin shown here has ever existed.

All club scenes seem to be made for people who have never set foot in a techno party. The club itself looks immaculate and everybody has space to dance; nobody is dripping with sweat; and the music is laughably tame (come on, at least play stuff with some edge! This is Berlin!).

The series looks great. Obscenely great. People wear the most wonderful clothes, even though they have no money. A character is about to commit suicide and the scene could be framed and hanged on a wall. There's an orgy party more baroque than the one in Eyes Wide Shut. It's almost admirable, as if the creators have decided: "let's do a story about teenagers getting addicted to drugs and turning to prostitution, but the whole thing will be LIT." Had this been a dare, I could perhaps admire the audacity. But the creators wanna have their cake and eat it, too: so here and there you'll have someone from the young cast looking horrible, beaten, destroyed. It never lasts long though: soon after there'll be more glamorous shots (no pun intended) for the viewer. I kept myself thinking about the incredible make-up abilities of the characters: they manage to go from scabs-in-the-face ugly in one scene to breakfast-with-mom-looking-fresh in the next.

And who's the audience for this? Teenagers who will be scared by the drug world, but might be seduced by the fabulous clothes and cool attitude of the young cast? Adults who want to see an aseptic version of Christiane F.'s story? I honestly don't know. I watched the whole thing wondering that. And now I wonder if there is any reason for this series to exist.

..and thats the only real-life 70'ies about this. I get the fact that young people today have to be able to relate, but why make it more appealing? It's all way too glamorous. The argument that Christiane herself is a writer on the series doesn't impress - she may have just been outlining the story. It's annoying that the actor mother and Christiane are about the same age and that they put in the sound of a canary bird and not a budgie. The actors are ok though. She has definitely written the book herself - read that, also read the second one.