The Firm

Its not Gary Oldman, its not got the same menace as the TV play...but clothes, attitude, music, is more how I remember the period...deerstalkers, stanleys, and farah slacks, Oldman's original crew looked nothing like casuals, regardless of how well it was acted...for that this version gets 6/10 though the TV play is still far superior as a film.

After seeing some magazine articles about the film I was full of hope that this may be the best football hoolie film yet and certainly give a 'truer' representation of what life was like following football in the early eighties. Unfortunately, the reality is that it really carries no direction, you don't really find out anything about any of the characters and the lack of violence doesn't do the film any favours. Gary Oldman was a real 'psycho' in the original, Paul Anderson does a reasonable job but just wasn't menacing enough. The fight scenes were very poor, showing stand offs rather than actual fighting, that just wasn't what happened when two firms arranged a meet in the 80's. The music bought back a few memories and the best part of the film was the clothing, at least they got that right to a certain extent with Sergio, Fila, Ellesse and Pringle getting a good showing. Overall, it's a watchable film but it's not a great football film, not a lot of action and it isn't the best hooligan film to date, the original still takes that accolade. It's a shame but I don't think the original 'Firm' is likely to be beaten.

If you have seen the original version of this, then the chances are you will really want to see this. I have seen the original, so when i saw this first advertised, i almost wet myself with anticipation. Sadly, i have to report that I'm quite disappointed. Paul Anderson does a pretty good job as Bex Bissle, however the performance can only be described as lacklustre when compared to the tower of menace and intensity that Gary Oldmans original incarnation produced.

Now. If you are going to see this in the hope that its another Football Factory/Green Street/Rise Of The Footsoldier orgy of football and people bashing the crap out of each other, you will be sadly disappointed.

This film does however contain Elise tracksuits, Adidas trainers, some bad haircuts and a decent soundtrack. Oh and there is a lot of profanities if you like that sort of thing in a movie. thinking about it this movie doesn't have a great deal else. There isn't much talk about the beautiful game or the teams the firms themselves support, there isn't much in the way of beatings, and if I'm honest, not a great deal of violence. Im actually very surprised that this merits an 18 certificate.

However, the film is well acted, does feel quite indie and very British, though the trailer for that new Michael Caine movie was most likely the most excited i got in the whole 2 hours.

Yes see this movie if your interested in the subject matter, but if you haven't seen the original and want to watch a proper football hooligan movie, check that out instead.

There are two major factors that separate Nick Love's reimagining of his football hooligan film The Firm from Alan Clarke's original 1988 television play: the first is a perspective change from the point of view of the repulsive yet compelling character Bex (played in this version by Paul Anderson, who does a fair job of imitating Gary Oldman but doesn't bring anything new to the table), to that of whiny, annoying, dry-lunch Dom who just appears to exist in every scene he's in. The second difference is that it's not very good. Love's direction is the epitome of style over substance, opting for an over-stylised imagining of 1980s Britain complete with neon lights, a nostalgic soundtrack, and a never-ending slew of tracksuits that look like they were produced in a Haribo factory. The script is also significantly lighter with several comic relief moments scattered around an otherwise dark story. While this may make for a more visually appealing and accessible film, it loses the savagery and sense of urgency that Clarke's original had. It also doesn't help the film that Love seems to be aware that his screenplay is inferior to the source material, with key scenes from the original being replicated seemingly beat for beat and inserted clumsily into the narrative when it begins to falter. Aside from Paul Anderson's Bex, none of the performances are particularly standout, with Daniel Mays completely wasted as Bex's rival, Yeti, who is more or less completely side-lined throughout the film. Overall, Love's remake is an ambitious attempt to update a somewhat dated story for a contemporary audience which ultimately hits the goalposts.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

A re-make of the 1988 TV play with Paul Anderson taking over Gary Oldman's original role as Bex, the property agent whose buzz in life is being the head boy of The West Ham Firm. Young upstart Dom (Calum McNab) and his friend try to challenge his authority in a nightclub, but are soon put on the spot and made to issue a grovelling apology. But Bex takes a shine to Dom and invites him to join his army...but as events go on, it becomes more and more clear how Bex's drive for his 'buzz' has pushed him over the edge.

I'd been expecting an adaptation of The Sweeney to be Nick Love's next filmic venture, but instead this re-make of Alan Clarke's original TV film has arrived. It's still set in the 80s but nostalgia for that era is the main decent thing you take away from this film.

There's no drive to this version of The Firm, no 'oompth' or real wow factor. It may be that the 'football hooligan' movie has been done to death and everything's a bit too predictable, but the tracksuits the main characters wear are the most colourful thing about the film. It's like a joyless version of The Football Factory, with nowhere near as much energy or real raw power to it. The clashes between the rival firms, separated as best as they can by the police on patrol, have a realistic air of disorder and lack of control to them but there's no really juicy bust ups to any of it. The film sort of just ambles along with no real narrative flow or direction, and with a distinct lack of fun or excitement to the proceedings.

Performances wise, rising star Daniel Mays feels wasted as Bex's sworn enemy Yeti, whilst as the man himself Anderson gives no real power to the role. He must have known he'd have to pull off a miracle to deliver anything even close to Oldman's raw intensity, but even if you don't expect too much you feel short changed.

The one thing it can boast is a reliably decent 80s soundtrack. But you get the feeling Love might be starting to take himself a bit too seriously and could end up alienating the fan boys who first got him noticed. **