La increíble (y nunca antes contada) historia del ganador del Óscar Albert S. Ruddy, mientras estaba detrás de la producción de la legendaria película "El Padrino" (1972).La increíble (y nunca antes contada) historia del ganador del Óscar Albert S. Ruddy, mientras estaba detrás de la producción de la legendaria película "El Padrino" (1972).La increíble (y nunca antes contada) historia del ganador del Óscar Albert S. Ruddy, mientras estaba detrás de la producción de la legendaria película "El Padrino" (1972).
- Premios
- 3 premios ganados y 6 nominaciones en total
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Resumen
Reviewers say 'The Offer' is acclaimed for its engaging narrative, strong performances, and authentic 1970s Hollywood setting. Miles Teller, Matthew Goode, and Juno Temple receive praise for their roles. The series offers a fascinating behind-the-scenes look at 'The Godfather,' though some note factual inaccuracies. High production values and immersive set design are highlighted, yet a few critics point out inconsistencies and anachronisms. Overall, 'The Offer' is a compelling watch for 'Godfather' enthusiasts and film production aficionados.
Opiniones destacadas
I didn't really know what to expect from The Offer. Even though I love The Godfather as much as everyone else, I wasn't all the interested on how the film was made. I was wrong! After reading all the great reviews and seeing the great cast I thought I'd give it a chance. I'm absolutely blown away by how much I like this show. You don't have to be a fan of The Godfather or have even seen it to enjoy this show. It's not the best series I've ever seen but it's still a really good and interesting series. Miles Teller, Giovanni Robison, Matthew Goode and the rest of this fantastic cast all do an amazing job. If you have reservations like I did on how good a show about a a movie getting made can be...don't! I absolutely recommend this show!
I like movies in general but somehow "The Godfather" has eluded me. Maybe it's the lengthy running time, dark lighting, or gangster shenanigans, but it is just something I haven't sought out to sit and watch. Now I hear about a TV series called "The Offer," its critical acclaim and high ratings, so I get intrigued, especially when I learn that the subject matter is about the making of "The Godfather." Is it a documentary? Why is the rating so high? I give the first episode a whirl and quickly realize it's a dramatization of events in the making of this classic movie, of course. As the series progresses, because it is so exquisitely made, I become more and more interested in the actual movie and so I finally give it a watch. All this time, I have been missing out on the burgeoning talents of Al Pacino in the early days, the artistic storytelling, and all the drama from everyone involved. "The Offer" does great service to viewers like me, and without it, I would have been deprived of this classic cinematic experience.
Can't believe how goo this is. There's is not one aspect of this series that is off the mark. The production, the acting, the dialog, the pace, drama, humor, tension, on and on there are no faults here. Very entertaining from beginning to end. Every episode is better that the prior one hands down.
It's hard to even describe how much I enjoyed The Offer. All I know is I wasn't expecting that. It's easily one of the most surprising shows I've ever seem. I'm not saying it the best I've ever seem just surprised by how much I liked it. After reading all the great reviews I thought it would be good but this show is beyond just good. I couldn't get enough. I binged the entire series over a weekend and was sad when it was over. The writing is as good as a tv show gets, the acting is great, and every episode is entertaining enough to hold your attention throughout the series. I'm a huge Godfather fan but you don't have to like or even know anything about it to enjoy this. It's just a little more interesting if you do. If you're looking for a new show to watch or binge then look no further. I promise you won't be disappointed!
This series is done with so much love and reverence for the film that it's impossible not to like if you loved The Godfather, and who doesn't like that movie?
After a single episode, I was all in. It's the perfect mix of great acting, good story, and a fun script. I was dubious about this when I saw the trailer, but my doubts were gone almost from the beginning of episode one. The movie was larger than life, so a series about how the film came to be was definitely worth a shot.
I may come back and change this initial euphoria, but for now, this is one of the best things I've seen in a long while. I mean, come on! It's a series about the making of the most epic gangster movie and one of the best films ever made, and it has gangsters in it. What more could anyone want?
The scenes with Coppola and Mario Puzo are genius. They both make the process of writing look exciting, positively thrilling like I've never seen before.
One complaint, and it's major. There are WAY too many scenes shot in almost complete darkness. I am so fed up with this technique and for the life of me, I don't understand why directors think shooting in the dark is so cool. Just about every scene is shot in candlelight, an unlit room with light shining through a curtained window, a club or office as dark as a cave with visibility at about ten feet. If there is daylight, it's only to show characters walking into ill-lit rooms, or shadows playing a prominent role. Puzo and his wife sit in a dark kitchen. Couldn't he pay the electric bill? Turn on a light!
When Puzo sees the line at the bookstore the lighting was so bad that I could barely see anyone. Wasn't the whole point of the scene to show a mob? It was like people hiding in the dark. Why was this scene at night? It was a book signing. You can sign a book during the daylight hours and viewers might be able to see something instead of squinting at the screen.
If it were available, I would have watched the entire series in one night. This could be the best thing ever on TV. I almost want to tell viewers to wait until it's all available before beginning the series so as not to have the anguish of waiting for the next installment in what could be the best TV series ever-no kidding
If you would have told me beforehand that Giovani Ribisi plays Joe Colombo, I would have laughed, or at least been a bit skeptical. He's a stroke of pure brilliance in a series that is loaded with talent and great performances. I had a difficult time recognizing many of the actors because they were so far from anything they'd done before.
Another complaint I have is that we have to wait around until the end of June to see this through to the conclusion. I want it now! This reminds me of a true story. Back in about 1989, a group of friends were sitting in my living room ready to go out for the night when The Godfather came on the TV on some network station. We all promised that we'd go out after watching a few scenes. I mean, we'd all seen it a million times already. Well over an hour later, when Michael goes into the bathroom and comes out with the pistol, there was a message on the screen: To Be Continued Tomorrow.
We all said to heck with that, and someone went out to the video store to rent a copy so we could finish watching it for the 1,000,001 time. I don't remember what happened after that, but we probably went out to a bar and talked about the movie for the millionth time. The moral to this story is don't jerk people around by making them wait. Just hand over the product like they do at Netflix.
After a single episode, I was all in. It's the perfect mix of great acting, good story, and a fun script. I was dubious about this when I saw the trailer, but my doubts were gone almost from the beginning of episode one. The movie was larger than life, so a series about how the film came to be was definitely worth a shot.
I may come back and change this initial euphoria, but for now, this is one of the best things I've seen in a long while. I mean, come on! It's a series about the making of the most epic gangster movie and one of the best films ever made, and it has gangsters in it. What more could anyone want?
The scenes with Coppola and Mario Puzo are genius. They both make the process of writing look exciting, positively thrilling like I've never seen before.
One complaint, and it's major. There are WAY too many scenes shot in almost complete darkness. I am so fed up with this technique and for the life of me, I don't understand why directors think shooting in the dark is so cool. Just about every scene is shot in candlelight, an unlit room with light shining through a curtained window, a club or office as dark as a cave with visibility at about ten feet. If there is daylight, it's only to show characters walking into ill-lit rooms, or shadows playing a prominent role. Puzo and his wife sit in a dark kitchen. Couldn't he pay the electric bill? Turn on a light!
When Puzo sees the line at the bookstore the lighting was so bad that I could barely see anyone. Wasn't the whole point of the scene to show a mob? It was like people hiding in the dark. Why was this scene at night? It was a book signing. You can sign a book during the daylight hours and viewers might be able to see something instead of squinting at the screen.
If it were available, I would have watched the entire series in one night. This could be the best thing ever on TV. I almost want to tell viewers to wait until it's all available before beginning the series so as not to have the anguish of waiting for the next installment in what could be the best TV series ever-no kidding
If you would have told me beforehand that Giovani Ribisi plays Joe Colombo, I would have laughed, or at least been a bit skeptical. He's a stroke of pure brilliance in a series that is loaded with talent and great performances. I had a difficult time recognizing many of the actors because they were so far from anything they'd done before.
Another complaint I have is that we have to wait around until the end of June to see this through to the conclusion. I want it now! This reminds me of a true story. Back in about 1989, a group of friends were sitting in my living room ready to go out for the night when The Godfather came on the TV on some network station. We all promised that we'd go out after watching a few scenes. I mean, we'd all seen it a million times already. Well over an hour later, when Michael goes into the bathroom and comes out with the pistol, there was a message on the screen: To Be Continued Tomorrow.
We all said to heck with that, and someone went out to the video store to rent a copy so we could finish watching it for the 1,000,001 time. I don't remember what happened after that, but we probably went out to a bar and talked about the movie for the millionth time. The moral to this story is don't jerk people around by making them wait. Just hand over the product like they do at Netflix.
¿Sabías que…?
- TriviaWhen Al Ruddy meets Francis Ford Coppola to discuss The Godfather project, George Lucas is clearly in the background with several other individuals.
- ErroresThe show portrays Joe Gallo being released from prison, which happened in 1971, and then immediately cuts to Tommy Lucchese talking about how he served his time. But Tommy Lucchese died in 1967, so him being in the show at all past the first or second episode is factually incorrect.
- ConexionesFeatured in The Cinema Snob: Matilda (2022)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Пропозиція
- Locaciones de filmación
- Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Ángeles, California, Estados Unidos(New York street, San Gennaro Festival)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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By what name was The Offer (2022) officially released in Japan in Japanese?
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