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"Little Big Soldier" is actually an odd-couple road flick set during China's Warring States period. The war drama, spiced with the usual Jackie Chan comedy, has been Jackie's brainchild for 20 years before finally hitting the big screen. Chan had initially planned to play the role of the young general but having aged since, he has to settle for the role of the elderly soldier.

Well, having seen Jackie as the titular character, I have no complaints. He provides the role with its requisite charm and experience that it is so easy to root for him. A refreshing change from nonsensical comedies like "The Spy Next Door", I may add.

Jackie plays an unnamed soldier from the Liang State who survives an ambush by Qin forces that decimates the 2000-strong Liang army. The lowly soldier, who feigns death rather than fight, captures a young Wei general (Wang Leehom) and plans to 'trade' him for a plot of land as reward.

Along the way, however, captor and captive face a host of mishaps, misadventures and plot twists - and they have to team up in order to survive.

As Jackie's own project, you can be sure of the trademark Jackie stunts and image boosts. Playing a farmer forcibly conscripted into war, Jackie's message (or ego massage) is that war is bad for the people, birds and the environment. He throws in lots of slapstick and sometimes the comedy borders on the ridiculous.

Still, these are forgivable because it is easy to like Jackie's and LeeHom's characters. They have a sparkling screen chemistry that helps us overlook the plot-holes and lapses in logic. What's more important is that "Little Big Soldier" has a nostalgic feel, reminding us of Jackie's classics like "Drunken Master" and "Snake In The Eagle's Shadow". - By LIM CHANG MOH (limchangmoh.blogspot.com)

LITTLE BIG SOLDIER tells the story of a farmer forced into conscription, and has been looking to get out of the army ever since. His great chance arrives when he stumbles upon a wounded general from an enemy state, and he kidnaps him, intending to claim credit for the capture, which includes five "mu" of land, and most importantly, honorable discharge from the army.

Jackie's brainchild which had been stuck in development hell for 20 years, it was easy to see the amount of effort put into LBS over the years. The plot is simple but is one that is refreshing and original, and the story progresses through witty plot devices and hilarious situations. Chan's various gadgets used for feigning death showcases his trademark slapstick humor which we all have come to know and love.

His character alone stands out from the protagonist in most of his other movies. Jackie plays the Old Soldier, who is cowardly, ever optimistic, good natured, and only dreams(and sings) about getting home. He is a flawed yet lovable figure whose own interests and moral values seem to always come into conflict. He aspires but is never boldly ambitious. He'd hurt people but would never kill someone. Such dynamism in a seemingly simple-minded character is especially rare in an action movie, much less a Jackie Chan one, where he is so often the flawless good guy. And all this is topped by Chan's excellent performance, displaying mischief, kindliness, and a little bit of villainy all at once. And he doesn't forget to convey important messages about life, such as filial piety, loyalty, and the negative effects of war. Leehom Wang, on the other hand, delivers a competent performance as the young, patriotic, and upright general whose ambition and stern personality clashes with the Old Soldier's agenda in every possible way. The two share a remarkable chemistry here, and their exchanges a joy to behold.

But this film is not without it's weaknesses. While the plot's strength was in its simplicity, it threatened to throw the audience off by wearing too thin at times, and the lack of major turning points made the movie less engaging than it could have been. The humor was there but not hard-hitting enough, and too many of them die off very quickly without follow-ups. The action scenes are adequate, despite being slightly less ambitious than those in Jackie's other films, both in complexity and in quantity.

Despite these, fans of JC will not be disappointed by this outing of his. This is easily one of Jackie's best films in the past ten years, and carries an excellent, and most importantly, original storyline. Not a masterpiece, but like what the Old Soldier would say: "Ting Hao De".

That meant: "Pretty good."

We all know Jackie Chan and his physical comedy, but in this it was even more, with his freedom as a writer of this movie he brought some really funny quotes in which made the movie even more fun to watch. Also he puts a great twist in where the plot jumps between comedy and drama.

Jackie Chan did a great job in this movie as the Producer, Screenwriter, Actor and Action Director.

Lee-Hom Wang with a weak performance in Ang Lee's Lust, Caution did a really good job here. Playing a young general Lee had a great chemistry with Jackie and his character. They made even a ridiculous fight between them by the river fun and enjoyable to watch.

Little Big Solider with the combination of action/adventure and the specific comedy of Jackie Chan is Great,Fun and Enjoyable movie.

Little Big Soldier continues to reinforce a point, that while one can afford to forgo Jackie Chan's rather dismal outing in any Hollywood flicks of late, his Asian films are a totally different story altogether. JC was said to have this story brewing for some two decades now, and initially his plan was to play the Big General himself, but good advice and probably with more confidence in his dramatic acting ability meant he takes on the Little Soldier role, and went with Wang Leehom for the other.

Maybe I'm crediting him too much since he came up with the story, but here's a film that would probably not work without JC taking on one of the characters, with the Little Soldier seem tailor made for him at this stage of his career, no longer needing to be the hero, but ever willing to be part of the underdogs, which Hollywood still frowns upon (hey, he's JC, he has to be a top notch cop/spy/secret agent/etc), as compared to everyday working man roles like that in Shinjuku Incident, Rob-B-Hood, and as a cowardly soldier whose self preservation instinct kicks into overdrive all the time.

Set prior to the unification of China by the Qin dynasty, the film opens with what seemed like a total annihilation in the battlefield between Wei and Liang troops, only to find Liang's Little Soldier being able to capture Wei's super Big General (Leehom) only because the latter is severely injured. With the promise of plenty of land for the live capture of an enemy general, Little Soldier makes it a point to cart Big General back to his country at all costs, so that he can settle down with new found wealth, coupled with an exemption from having to serve in the army. But of course Big General comes with a lot of baggage in knowing that his kindred had betrayed him and his elite troops in a battle, and are after him to ensure that he stays dead.

So lies the gist of the story, which to say anymore would be to spoil the fun and the depth of the story's development. Suffice to say JC's story contains enough to make you feel for the two lead characters, where their natural adversary would pave the way to inevitable friendship being forged by way of encountering and overcoming painful obstacles and challenges posed along the way, as the adage goes, two is better than one. JC too plays his character so well that you can't help but to endear to his multiple gimmicky toys he employs to survive in battles, plus the sheer luck and street smarts he has to rely on to get out of sticky situations. I'm not much of a Leehom fan, but he managed to pull of his role as the stoic general with aplomb, and shares some fine chemistry with JC, believable that these guys would be friends should they not be from different lands.

But the strength of the film comes from how the two characters contrast with, and how they rub off their respective ideals on each other. The Little Soldier aspires to lead a simple life of farming, to go back to his roots of a simple life, reminiscing upon his father's wise words, where rich means a plot of land to farm, two cows and a wife. Fighting in battles is not his cup of tea, and he'll do anything just to ensure that he comes out unscathed, even if it means being branded as a cowardly deserter. On the other hand, Big General aspires to conquer lands and if inevitable, to die gloriously in battle. Soon enough, he learns how having small but fulfilling, meaningful aspirations would be miles better than material wealth, of the joys that a simple, peaceful life can bring compared to one of constant fights. For the Small Soldier, lessons in the virtues of honour and courage get imparted, which leads to an especially touching and poignant finale.

Serving as action director. JC keeps all the fight sequences here fresh. You know how it is with action flicks when one battle scene doesn't offer anything new from the one that preceded it, JC had done something right in the fight choreography department. There are enough moments here to showcase straight forward fighting sequences, and those of his signature acrobatic buffoonery to suit the role of his Little Soldier to a T. Watch out too for his hilarious gimmicks employed, which will surely bring out a chuckle or two, which only JC can deliver in a true blue JC film.

It's been some time since JC had a major project rolled out every Lunar New Year, and this one comes just in time to perhaps continue in that tradition. If it's anything to go by, this film has surpassed expectations set low thanks to a lacklustre trailer, and thankfully the end product is confirmed to be miles better. He may be slower these days, but Little Big Soldier demonstrates that JC still has what it takes to deliver a Chinese blockbuster. As with almost all JC movies, sit back during the end credits roll to enjoy the many outtakes included.

I would recommend this film to any one who is after a comedy for the night, Before i saw this film i was wary of it because of films I've seen with shabby Chinese - English conversion, or just terrible Chinese matrix styled martial art films, and i am glad I've been proved wrong. From the start to the end it is pact with Action and Humor. Jackie Chan is a sleek as ever with his strange ability to use the environment to his advantage in brawls and his strange antiques are as fine tuned as ever, ontop of this, his comedy is a fine as it ever has been, he pulled this off well and truly. I also though how the film ended was brilliant, i don't want to spoil it, so take my word, the ending couldn't be any better. In my opinion i would say this is in the top 10 films I've seen this year.