Precuela del éxito de Disney del 2019 'El Rey León'.Precuela del éxito de Disney del 2019 'El Rey León'.Precuela del éxito de Disney del 2019 'El Rey León'.
- Premios
- 1 premio ganado y 17 nominaciones en total
Aaron Pierre
- Mufasa
- (voz)
Tiffany Boone
- Sarabi
- (voz)
Preston Nyman
- Zazu
- (voz)
Blue Ivy Carter
- Kiara
- (voz)
Mads Mikkelsen
- Kiros
- (voz)
Seth Rogen
- Pumbaa
- (voz)
Billy Eichner
- Timon
- (voz)
Thandiwe Newton
- Eshe
- (voz)
Lennie James
- Obasi
- (voz)
Anika Noni Rose
- Afia
- (voz)
Keith David
- Masego
- (voz)
Theo Somolu
- Taka Cub
- (voz)
Donald Glover
- Simba
- (voz)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Reviewers say 'Mufasa: The Lion King' is lauded for its stunning visuals and animation, enriching the Pride Lands with intricate detail. The film's exploration of Mufasa's backstory and his complex relationship with Scar is appreciated for offering fresh perspectives. However, critics point out the weak script, uninspired songs, and lack of emotional depth. The inclusion of Timon and Pumbaa is often deemed unnecessary and disruptive. Some feel the film overly relies on nostalgia, failing to establish a compelling standalone narrative. Despite these drawbacks, it remains a visually impressive installment in the franchise.
Opiniones destacadas
Visuals are great, but it can't hold up an overall subpar movie. Fine for kids and families but leaves originality at the door.
It does fit together some fine lore to bring us up to speed with what we know from the original movie. How it does it is rehash story elements, themes and plenty of conveniences to forcibly make the pieces fit into the original. It has similar flaire to Solo where it's just fine and uninterestingly shows or tells us where things come from in this fanfiction. Sometimes it's best to leave things a mystery if the progenitor is unceremoniously bland.
The music is fine but doesn't have the same force of fun or majesty as the original score. They're kind of just there like Moana 2's music. Not bad, but certainly not memorable.
The 3D glasses also did nothing. It felt like just a regular movie instead of them trying to do anything with with 3D.
The worst part IMO was no James Earl Jones in the actual movie. I know he's sadly passed, but they've brought back voices from other people before. If they didn't want to synthesize, they could've used unused clips or even just reused a voice clip from previous Lion King works. I can't get behind a movie called Mufasa without Mufasa's actual iconic voice somewhere in the movie.
Feels like a made for TV movie, and probably worth a watch on Disney+. But not really one I'd recommend for theatres or purchase.
It does fit together some fine lore to bring us up to speed with what we know from the original movie. How it does it is rehash story elements, themes and plenty of conveniences to forcibly make the pieces fit into the original. It has similar flaire to Solo where it's just fine and uninterestingly shows or tells us where things come from in this fanfiction. Sometimes it's best to leave things a mystery if the progenitor is unceremoniously bland.
The music is fine but doesn't have the same force of fun or majesty as the original score. They're kind of just there like Moana 2's music. Not bad, but certainly not memorable.
The 3D glasses also did nothing. It felt like just a regular movie instead of them trying to do anything with with 3D.
The worst part IMO was no James Earl Jones in the actual movie. I know he's sadly passed, but they've brought back voices from other people before. If they didn't want to synthesize, they could've used unused clips or even just reused a voice clip from previous Lion King works. I can't get behind a movie called Mufasa without Mufasa's actual iconic voice somewhere in the movie.
Feels like a made for TV movie, and probably worth a watch on Disney+. But not really one I'd recommend for theatres or purchase.
Mufasa: The Lion King is so much better than the soulless remake it has to act as a prequel to. All of the biggest issues have been rectified instantly and it has a greater purpose by telling a new story, even with some classic prequel issues. Everything set after the events of the first film could've been easily cut out to let the main story breathe however they are thankfully brief whenever they do interrupt and it comes to a nice conclusion.
Aaron Pierre makes the role of Mufasa his own with a strong performance that has him feeling reluctant to accept his destiny and becoming more stoic as it goes along. Similarly, Kelvin Harrison Jr. Gets more deceitful throughout and chooses to make his voice work sound closer to Jeremy Irons than Chiwetel Ejiofor. The only occasionally distracting element is some of the line readings sounding rushed.
Director Barry Jenkins is massively over qualified for this and held back by the photo real animation that comes with this but his direction is still more ambitious and exciting than Jon Favreau's was. He isn't afraid to sacrifice a pointless commitment to realism to create a beautiful looking film where the locations are more varied, the visuals are more creative and the cinematography is infinitely more dynamic.
The CGI is always faultless and thankfully all the lions now show a much wider range of emotions, enhanced by the massive increase in close ups. The songs by Lin-Manuel Miranda are definitely some of his weakest, they're very repetitive without his usual level of catchiness and it's a testament to how strong everything else is that this isn't a major issue. Dave Metzger's score only stands out when referencing Hans Zimmer's work, which it does constantly.
Aaron Pierre makes the role of Mufasa his own with a strong performance that has him feeling reluctant to accept his destiny and becoming more stoic as it goes along. Similarly, Kelvin Harrison Jr. Gets more deceitful throughout and chooses to make his voice work sound closer to Jeremy Irons than Chiwetel Ejiofor. The only occasionally distracting element is some of the line readings sounding rushed.
Director Barry Jenkins is massively over qualified for this and held back by the photo real animation that comes with this but his direction is still more ambitious and exciting than Jon Favreau's was. He isn't afraid to sacrifice a pointless commitment to realism to create a beautiful looking film where the locations are more varied, the visuals are more creative and the cinematography is infinitely more dynamic.
The CGI is always faultless and thankfully all the lions now show a much wider range of emotions, enhanced by the massive increase in close ups. The songs by Lin-Manuel Miranda are definitely some of his weakest, they're very repetitive without his usual level of catchiness and it's a testament to how strong everything else is that this isn't a major issue. Dave Metzger's score only stands out when referencing Hans Zimmer's work, which it does constantly.
As a huge fan of The Lion King, I can honestly say this movie is excellent. The cinematography and music, especially in 3D IMAX are absolutely stunning. There wasn't a single boring moment and the visuals are breathtaking, you can read the animals' emotions much more clearly compared to the first live action film, the pacing is smooth and the plot holds up well. While I occasionally struggled to distinguish some lion characters, the voices made it easy to follow. A bit more humor would've been nice though but overall, it's a well crafted prequel that delves into Scar's origin beautifully. People seem too critical these days instead of just enjoying things.
This movie is BEAUTIFUL, but man do i hate musicals. There is a moment where tention grows as enemy approaches and the enemy starts some drag queen show that completely shakes the balance of the movie. Don't do that when makig movies!!! Why do you need this singing crap that makes movie seem like some sleezy bs, taking action into some weird, silly cabaret. This could be full action movie without the unnecessary musical parts. However, the movie is so beautifully made, with such a great voice acring, storytelling, it is still amazing. What I would do is give Elton John original song in ending credits.
I was surprised by how much I enjoyed this one. As a prequel that tells the rise of Mufasa, Simba's father, it is very formulaic and predictable. But it is also beautifully animated, quite funny, and emotionally well-balanced between adventure, drama, humour, and tragedy. For a prequel, it plays it sometimes too safe, but that is fine to me since the audience knows the conclusion of the story. The upside of playing it safe is that the movie thankfully avoids any major distractions or side characters that could have taken away from the meat of the film. My only major gripes are that the soundtrack is forgettable compared to the Elton John classics, and some of the plot development proceeds too quickly at numerous points in the story, which takes away from its intended emotional impact.
Nonetheless, let me repeat that I am surprised by how much I liked this film. I could not be bothered by the previous CGI adaptation at all. But as far as big studio prequels are concerned, this is one of the better ones. Sure, they clearly made the film for easy money, but miraculously it respects the Lion King fanbase and oozes love for the source material. Graphically, it is well-composed and it manages to find good use for CGI that gets close to the beauty of the original animation. And although it adds little to the story, it provides enough new context and meat to make the original story shine even brighter. Nothing can beat the 1995 original masterpiece, and this one obviously pales in comparison, but I am glad that they are treating the franchise with respect.
Nonetheless, let me repeat that I am surprised by how much I liked this film. I could not be bothered by the previous CGI adaptation at all. But as far as big studio prequels are concerned, this is one of the better ones. Sure, they clearly made the film for easy money, but miraculously it respects the Lion King fanbase and oozes love for the source material. Graphically, it is well-composed and it manages to find good use for CGI that gets close to the beauty of the original animation. And although it adds little to the story, it provides enough new context and meat to make the original story shine even brighter. Nothing can beat the 1995 original masterpiece, and this one obviously pales in comparison, but I am glad that they are treating the franchise with respect.
'Mufasa: The Lion King' Stars Through the Years
'Mufasa: The Lion King' Stars Through the Years
From Solo: A Star Wars Story and Dreamgirls to The Three Musketeers, check out the TV and movie roles of the Mufasa: The Lion King stars Donald Glover, Beyoncé, Mads Mikkelsen, and more.
¿Sabías que…?
- TriviaJames Earl Jones, who played Mufasa from 1994 to 2019, passed away at 93 on September 9, 2024. This film is dedicated to his memory. He was actually asked to return to play Mufasa, but he declined due to retiring from acting in 2022. However, before he died, Jones gave Disney permission to replicate his voice using AI, in addition to using archival audio, with iconic characters Darth Vader and Mufasa in mind. While Mufasa: El rey león (2024) did not use AI, they did use a brief bit of archival sound towards the beginning of the film.
- ErroresMufasa is proven to have an excellent sense of smell, proven by being able to smell duck flowers on Sarabi from her valley, despite her not having been there for days. But he did not smell Kiros on Taka after Taka betrayed Mufasa and joined the white lions.
- Citas
Taka: Mufasa, please forgive me.
Zazu: You must banish him, sire.
Mufasa: As long as I'm king, my brother will have a place here.
Taka: Brother, I'm so...
Mufasa: But I won't ever say your name again. I can't. I won't.
Taka: Then call me Scar. So I will never forget what I have done.
Mufasa: Scar.
Taka: [He bows and leaves.] Your Majesty.
- Créditos curiososThere is a dedication at the start of the film: "In remembrance of James Earl Jones".
- ConexionesFeatured in AniMat's Crazy Cartoon Cast: The Sequel of Life (2020)
- Bandas sonorasHome
Written by Nicholas Britell
Choral Pieces by Lebo M. and Nicholas Britell
Performed by Lebo M. and South African Cultural Gospel Choir
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Mufasa: The Lion King
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 200,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 254,567,693
- Fin de semana de estreno en EE. UU. y Canadá
- USD 35,409,365
- 22 dic 2024
- Total a nivel mundial
- USD 722,631,756
- Tiempo de ejecución1 hora 58 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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