Cita de sangre

Many horror movies have been made about high school outcasts. High School in itself can be and is a real horror story for many kids across the world. "The Loved Ones" tells such a story that goes to extreme and disturbing lengths. The movie is from and based in Victoria, Australia and when it comes to bat s**t crazy movies the Aussies really go all out. Lola (Robin McLeavy) is a seemingly shy and meek girl who gathers her courage to ask her crush Brent (Xavier Samuel) to the prom. While Brent who looks a lot like the late Heath Ledger, already has a girlfriend he is going with. He politely declines her offer and leaves. Obviously hurt and disappointed Lola who with help from her father have plans to make it a night to remember.

Ever since Brent was involved in a car accident that took his dad's life he has never been the same. He was driving at the time and blames himself for his death. His mom has also become an emotional zombie. He spends his days smoking pot, listening to heavy metal music and contemplating suicide. His girlfriend Holly is caring and supportive but can only do so much. Just before picking her up for the dance he goes on another one of his lonely contemplative walks, when he is assaulted and kidnapped. If you can connect the dots you'll guess that it was Lola and her father. They bring him to their house and tie him to a chair.

A lot of what we see in the first half of "The Loved Ones" is nothing new, but things do get a lot better. Brent is tortured by Lola and her father. The family along with their creepy comatose almost dead mother is somewhat reminiscent of the crazy family from "Texas Chainsaw" but so many films have gone there it has become quite the horror cliché. At one point Brent does escape, but is quickly rounded up.

There is another storyline going on that really doesn't seem too fit. It follows Brent's BFF Jaime as he takes this Goth chick to the prom. They spend most of the time in the car drinking, smoking pot and being uncomfortable with each other until they start making out. There are some good character moments and the filmmakers do try to link up some of the characters and their "loved ones" towards the end but the whole storyline seems a little misguided. A third story line involves Holly, Brent's mother, and a policeman as they search for Brent.

Lola's torture of Brent starts going to extreme lengths and we also find out a bunch of disturbing back story of the family and what is really going on in their house. Brent is not her first play thing as there have been many others just like him, and she is getting good at it. The movie continues to go down a very dark path and gets just as insane as Lola and her father. Brent throughout his ordeal shows a strong will to live as he fights back against his captors with every chance he gets. The movie comes in at a very trim hour and twenty minutes and although it was made on a tight budget it looks and feels like something that cost a whole lot more. The violence and gore is pretty intense and extremely well done. This is director Sean Byrne feature debut and it will be interesting to see what he comes up with next. "The Loved Ones" is available on DVD or Blu-ray and is a must see for any horror fan.

What a gem! If you're a true horror fan, you will appreciate this movie. It's twisted with a capitol T and everything ties together if you can bear not to look away. 10/10 well deserved.

This movie is a hell of a lot of fun. That's really all there is to it.

Having said that, it isn't without its faults. There will be things you don't understand, characters that aren't fleshed out, side stories that are seemingly pointless and don't really push the plot forward, etc. But really, did you expect that much from torture porn? But perhaps fans of the genre might find The Loved Ones a little unsatisfying, as some gore bits aren't as cringe-inducing as they could've been.

However, I was pleasantly surprised. The build up was a little boring, but by the end, man was my heart pumping. I was rooting for the main guy so hard! This is definitely a popcorn flick that doesn't require a lot of critical thinking. The characters are... charming, actors are great, the story unique, execution very nice, and the production design is also surprisingly aesthetically-pleasing. I think horror fans should definitely give this movie a go.

"The Loved Ones" is an adequate example of the now well-worn "torture" genre, but for the most part it's likely to give viewers a feeling of deja vu. It gets more interesting & amusing as it goes along, but doesn't have very much plot - or much point to it at all. It's likely to delight the hardcore horror crowd who favour cruelty and plenty of gore, in any event. The main asset is a memorable antagonist who's cute but deadly. We don't ever get to know the victim that well, but it's not exactly hard to feel bad for him. (One thing must be said: he has a lot of fight in him!) Also, there's a subplot with two characters that never really goes anywhere.

Lola, a.k.a. "Princess" (Robin McLeavy, "Abraham Lincoln: Vampire Hunter"), doesn't take rejection well at all. When Brent (Xavier Samuel, "Road Train") declines to take her to the prom, she gets back at him in a major way, by having her dear old daddy (John Brumpton, "Storm Warning") abduct Brent so they can spend the night tormenting him at their own private gathering. Soon he learns just how utterly demented this duo is; meanwhile, people notice he's missing and try to track him down.

If it weren't for a squirm-inducing scene involving a power drill - it's the sound effects that really sell it - and the tour de force acting by McLeavy, there wouldn't be much to recommend this. That is, of course, unless one is partial to this sort of material to begin with. Unfortunately, even for a movie running a scant 85 minutes long, it feels longer than it is. And it's ultimately pretty damn predictable.

Good soundtrack, though.

Six out of 10.

There may be nothing new under the sun, and there is certainly nothing new on celluloid, but this digital-age flick sure can jump-start a tired old corpse. This one is a creeper, in every sense of the word. It starts slow, but adds speed as it navigates a wasteland littered with slasher-stereotype roadkill, delivering fresh nuances and jolts to the hostage splatterfest subgenre. Managing to be charmingly outback Aussie, yet simultaneously brutally classic Texan Chainsaw/Hills Have Eyes, this may-well be a modern classic. Engrossingly gross, and satisfyingly slick, with crunchy bits.