Mamá

Little Victoria (Berta Ros) is waken up by her sister Lili (Victoria Harris) who insists on leaving the house because somebody unpleasant has come back.

Although I watched this through the tainted point of view of seeing the feature film first, I think I can judge and review it objectively. (At least I hope so.) In this very short film, we have two little girls scared by an unknown entity. We do get to see this "Mama" a bit, and she is indeed something to fear. I actually think the effects look far better here than they do in the full-length version.

This excels as a short film because it leaves us wondering: who are these girls, what is this Mama, and where are the parents? And despite leaving us with questions, it is very self-contained. The lack of plot is actually more effective than having a plot.

I first saw Mamá on YouTube back in 2013 and I can remember having trouble sleeping afterwards. This is atmospheric, scary and in your face. The images you see here will stay in your head no matter what. There's no going back after watching this. Three minutes is the perfect length for this little horror gem.

This is far greater than the feature that followed.

I have revisited it many times and when you know the outcome, the tension is palpable.

Highly recommended.

Tip: watch it late at night and alone under a blanket with the lights turned off.

It was an okay short. The atmosphere is creepy and well done.

Feels more like a "demo reel" or a preview than a proper short, but it was a decent watch.

Mama is a chilling and poignant short film that delves deep into the complex emotions surrounding loss and the bond between mother and child. Andy Muschietti crafts an atmospheric tale that leaves the viewer with a lingering sense of unease, while also exploring universal themes of grief and unresolved trauma.

The performance by Irma Monroig, is compelling, capturing the raw vulnerability and strength of a mother struggling with the ghosts of her past. The cinematography is striking, using light and shadow to create an eerie, almost claustrophobic atmosphere that amplifies the emotional tension at the heart of the story.

While the narrative is subtle and open-ended, it may leave some viewers wanting more clarity or resolution. However, this ambiguity contributes to the film's haunting nature, inviting personal interpretation and reflection.

Ultimately, Mama succeeds as a thought-provoking short that mixes emotional depth with supernatural elements. It's a film that will stay with you long after the credits roll.

'Mamá' is a powerful, masterful horror short. In 3 quick minutes it conveys a greater sense of terror than most full-length features can achieve. It does this with no background, no explanation, and not even a real narrative to speak of. What 'Mamá' does is to feed us horror built entirely from the quintessential elements of a picture.

A door opens, and a child steps in backwards, fearfully watching the hallway outside. An alarmed whisper: "Mom is back." The two sisters step slowly and silently downstairs. The door leading outside is locked. Music greets our ears in the form of building discordant strings that immediately raise our hackles. Sounds from the kitchen. Then we see it: a horrific apparition given unnatural form, moving in a very unnatural way. The girls run, deeply scared.

And that's it. That is the entirety of 'Mamá.' Unless I should give great detail of every frame, there is nothing to spoil. Yet in its simplicity it is instantly, wholly chilling in a way that so few horror pictures have accomplished.

Andy and Barbara Muschietti crafted a delightfully succinct tale without any need for elaboration. We don't need to know what this spirit is, or how it is tied to these girls, that they are familiar enough to know to fear it. We don't need to know what happens next, if there is any resolution, if the girls are safe or if the spirit is vanquished. No additional characters are necessary. 'Mamá' is short, potent, and effective. It is all that it needs to be.

I've not yet had opportunity to watch the 2013 full-length feature based on this, backed by Guillermo del Toro as executive producer. I'm generally skeptical of longer films adapted from shorts, and the same is true here. On the other hand, it inspires confidence that the Muschietti's are also involved in the 2013 movie's production. I may have to eventually give it a try after all.

Until then, there will always be 'Mamá.' This is an outstanding short horror film, carrying as much of a punch now as it did when it first found an audience. Do not pass this up!