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Una peligrosa criada

Título original: Hanyeo
  • 2010
  • C
  • 1h 47min
CALIFICACIÓN DE IMDb
6.4/10
14 k
TU CALIFICACIÓN
POPULARIDAD
2,935
3,190
Una peligrosa criada (2010)
Eun-yi is hired as a nanny in a lavish mansion by businessman Hoon (Lee Jung-jae) and his pregnant wife, Hae-ra (Seo Woo). When Eun-yi is seduced by the father of the house, she becomes the unwitting victim in a serious of traps laid by the women of the house - Hae-ra, her villainous mother (Park Ji-young), and their seemingly loyal but increasingly bitter housekeeper (Yun Yeo-jong).
Reproducir trailer2:03
3 videos
94 fotos
Erotic ThrillerDramaThriller

La aventura de un hombre con la criada de su familia tiene consecuencias oscuras.La aventura de un hombre con la criada de su familia tiene consecuencias oscuras.La aventura de un hombre con la criada de su familia tiene consecuencias oscuras.

  • Dirección
    • Im Sang-soo
  • Guionistas
    • Kim Ki-young
    • Im Sang-soo
  • Elenco
    • Jeon Do-yeon
    • Lee Jung-jae
    • Youn Yuh-jung
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.4/10
    14 k
    TU CALIFICACIÓN
    POPULARIDAD
    2,935
    3,190
    • Dirección
      • Im Sang-soo
    • Guionistas
      • Kim Ki-young
      • Im Sang-soo
    • Elenco
      • Jeon Do-yeon
      • Lee Jung-jae
      • Youn Yuh-jung
    • 46Opiniones de los usuarios
    • 160Opiniones de los críticos
    • 68Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 15 premios ganados y 11 nominaciones en total

    Videos3

    The Housemaid
    Trailer 2:03
    The Housemaid
    The Housemaid Trailer
    Trailer 1:39
    The Housemaid Trailer
    The Housemaid Trailer
    Trailer 1:39
    The Housemaid Trailer
    The Housemaid Teaser
    Trailer 1:27
    The Housemaid Teaser

    Fotos94

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    Elenco principal24

    Editar
    Jeon Do-yeon
    Jeon Do-yeon
    • Eun-yi Li
    • (as Do-youn Jeon)
    Lee Jung-jae
    Lee Jung-jae
    • Master Hoon
    Youn Yuh-jung
    Youn Yuh-jung
    • Byung-sik
    • (as Yuh-jung Youn)
    Seo Woo
    Seo Woo
    • Hae-ra
    Park Ji-young
    Park Ji-young
    • Hae-ra's Mother
    Ahn Seo-hyun
    Ahn Seo-hyun
    • Na-mi
    • (as Seo-hyun Ahn)
    Hwang Jung-min
    Hwang Jung-min
    • Eun-yi's Friend
    Moon So-ri
    Moon So-ri
    • Obstetrician
    Kim Jin-ah
    • Doctor
    • (as Jin-ah Kim)
    Tae-back Chae
    • Herbal Medicine Shop Doctor
    Jeon Sin-hwan
    • Chief Secretary
    Sang-min Noh
    • Driver
    Soon-kyu Jang
    • Security
    Yong-jae Cho
    • Security 2
    Hyeon-kyeong Lim
    • Yoga Instructor
    • (as Hyun-kyung Lim)
    Keum-yun Lee
    • Old Housemaid
    Ji-sun Kim
    • Young Housemaid 1
    Song-yi Han
    • Young Housemaid 2
    • Dirección
      • Im Sang-soo
    • Guionistas
      • Kim Ki-young
      • Im Sang-soo
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios46

    6.413.6K
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    Opiniones destacadas

    8thalassafischer

    Class War and Misogyny Tackled in a Remake

    The original South Korean film from the 1960s called The Housemaid is both classist and misogynistic. The poor widdle rich people are the victims in the original flick, and the husband who is but a boy in a man's body is seduced by a wicked witch of a servant....yeah, its pretty bad in terms of glad handing traditional conservative patriarchal values. So refreshingly, the 2010 remake - also from South Korea - turns that nauseating narrative on its head.

    Instead, kind but not very bright and recently divorced Eun-yi is humanized by an introduction to her cramped working class life which she shares with a very close but platonic female friend, before she is thrust into the wealthy family that sees her as nothing but an animal. She's overjoyed to have such a cushy position in a big house, and loves the daughter of the spoiled married couple almost like her own child.

    The wife is pregnant and utterly horrible (she makes Eun-yi hand wash her dirty panties), and naturally due to her being so close to delivery while carrying twins, she's not particularly interested in having more sex with her entitled, snobbish husband. So he imposes himself upon the young maid and rewards her with extra pay to service his "needs."

    The only person in the entire film who seems to have a bit of sense is the elder maid servant, Byung-shik, who helps herself to oysters and wine and sees her lowly position for what it actually is. A petty betrayal of Eun-yi (which she later thoroughly regrets and recants upon) leads to murderous drama, revealing what soulless people the ultra-wealthy family really are.

    A beautiful but less satisfying predecessor to class war South Korean film, Parasite.
    7KineticSeoul

    Will stick with you for a few weeks

    This reminded me of Ki-duk Kim films and the visual style of Park Chan-wook films. It's basically a remake of the 1960's movie, that basically has to do with the downfall of a housemaid from working in some rich guy's house. Although the 2010 version differs from the original in many aspects, but that doesn't necessarily mean a bad thing because it has it's own style to hold it's own. Jeon Do-Yeon plays a sweethearted and kind housemaid that grew up in a harsh environment and tries to make a living by becoming a housemaid. Her performance was amazing and Seo Woo did a decent job of playing the spoiled brat as always. And later gets tormented by the wife and the wife's mother of the house, in a very vicious manner. In fact the whole family is crazy except the daughter. This is a dark movie with a handful of sex scenes and graphic parts. There are few foreshadowing in this, but the end irritated me, because karma does not come into play. But it just shows the dark side to reality.

    7.9/10
    siamsilver

    Absorbing cinema

    This was my first Do-yeon Jeon film and I wasn't sure what to expect but I was blown away by the intensity of the films bleak undertones. Do-yeon plays the part marvelously and there are other impressive performances from Seo-Hyeon Ahn and Yeo-Jong Yun.

    I sat riveted throughout while it twisted and turned down its sometimes too obvious narrative path.

    The rather theatrical ending was a bit of a surprise but didn't spoil the films impact too much.

    I have yet see the other Do-yeon Jeon films but based on this performance I can't wait.
    8DICK STEEL

    A Nutshell Review: The Housemaid

    The buzz on this film is ringing out loud. A remake of the original film by Kim Ki-young, widely considered one of the top Korean films of all time, this updated version by Im Sang- soo is a lot more revealing and explicit in nature for the modern audience probably sensitized to it, being one of the films selected for competition at this year's Cannes Film Festival, and its two limited screenings during our Korean Film Festival were one of the earliest to have sold out. Needless to say it makes good sense for a commercial release here.

    The premise is simple, where Eun-yi (Jeon Do-yeon) got invited by Byung-sik (Yun Yeo-Jong) to serve in an uber-rich household made up of three members - the master of the house Hoon (Lee Jung-jae), his very pregnant wife Haera (Seo Woo) expecting a pair of twins due anytime soon and hence the need for an extra help around the house, and their daughter Nami (Ahn Seo-hyeon) with whom Eun-yi forms a strong friendship with, since a child is non-judgemental on someone's background and social standing.

    As much as most would like Eun-yi, a divorcée, to enter the household and see an opportunity to seduce Hoon, this is not that movie, and neither was that the motivation at all. We see the fairly impoverished background that Eun-yi came from, and living amongst the rich and powerful provided a chance to live the high life, since the family is extremely wasteful. With Byung-sik showing her the ropes necessary to do her job, from the bowing to the serving, the cleaning and being at the beck and call of the household members, the hardship probably is well worth it for the perks that come with the job, ones that are beyond the reach of ordinary folks.

    So when things turn, you'll find yourself wondering the exact motivation she allowed herself to open up (pardon the pun) to the come hither of the master of the house, who has a penchant for alcohol and being brought up with a silver spoon, there's no such thing as a No to any of his request, although on the outside he may be that rich gentleman, it's not far- fetched to think that these folks would consider money as the basis for all things going their way, and money being the basis to bail themselves out of trouble, and to keep the mouth of others shut. Money as the root of all evil, probably couldn't be more true here if those with the means decide to abuse it, given the mindset of theirs that they can always get away from the blame game.

    But what's more engaging in the film is the power play amongst the characters, who are well, mostly female, fawning over the attention, the riches and the ability of what the man in their life can offer. There's Byung-sik being extremely envious with her protégé she introduced to the household, being the unjaded hard and younger worker who earns the trust of the family, and probably she had wanted to show the young upstart her place in the hierarchy established. And of course the main cusp of the problems Eun-yi will face stem from the child in her, threatening the balance of power especially that of mistresses and maid, with stuff that's what television melodramas get made of. To the audience, we don't feel that Eun- yi is of the scheming type, but to the other women, here's a chance of their objectives being detailed by something most unfortunate, a major threat that can come sooner or later in their lives that they have to act, and stop now.

    Jeon Do-yeon deserves all the acting accolades she has received thus far for her role, and we feel the pain she has to go through in having traumatic experiences forced upon her just because she's in no position to bargain, until the defining moment in the finale where she gains the upper hand but at what a price at scarring the family for life. I haven't seen Lee Jung-jae in action since Il Mare, and here he does an about turn in a negative role that portrays the caddish behaviour of someone who has it all, while the young Seo Woo portrays the wife that's quite reasonable to begin with, that typical tai-tai but with innocence, until hell hath no fury like a woman scorned.

    It is the power struggles and the changing of the household dynamics that makes The Housemaid an engaging watch as we witness an internal rot that was waiting to happen. While it may not reach the heights of Kim Ki-young's original, Im Sang-soo's version still keeps things tight and is a wonderful exploration of how perceived threats redefines relationships especially that amongst those with material benefits. Recommended!
    4paul_m_haakonsen

    Well, it could have been worse... or better for that matter...

    The synopsis for this movie seemed interesting and alluring, and it initially made me purchase the movie from Amazon. Being a fan of Asian cinema, it is always nice to stumble upon something new and (hopefully) interesting.

    Such was hardly the case for "The Housemaid".

    The story was below average, although it held no major surprises. And what carried the movie was the acting performances, as the storyline itself was just barely scraping to get by. And without giving away anything here, but the ending to that movie was just ludicrous. I hadn't seen that coming, I will give the director that much, but come on, that was just ridiculous.

    The DVD cover even has "a sexy thriller" branded on it. Hmmm, let's think about that for a second. Sexy? Well perhaps by Korean standard, but hardly by Western. Thriller? Ehm, that would be a big, blunt no!

    I was less than impressed with the movie, and it wasn't really all that entertaining. It was easy to have one's attention drifting elsewhere. The better parts of the movie was the acting, as the people cast for the roles were doing good jobs, plus the characters themselves were interesting - but they just weren't given the time or space to fully develop on the screen.

    In overall, then "The Housemaid" seems like a movie that wanted to tell a deeper story, but had to suffer from limited time or lack of creative ideas. Regardless, then there are far better Korean movies available.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      There are two scenes within this movie which show a large scar, or burn, on Jeon Do-yeon's upper thigh. Asked about that by Hangul Celluloid website, director Im Sang-soo said: "Jeon Do-yeon does, in fact, have a scar there, and before filming began, she mentioned the scar to me because she knew that there were many scenes involving nudity within the film. I didn't have a problem, or filming issues, with it at all, but as shooting progressed, I felt that the scar matched ideas within the film very well, so it is true that I had a couple of scenes specifically focusing on it. We could have erased it with computer graphics, but I talked to Jeon Do-yeon about it and we both agreed that it matched the film so well that it should be kept in."
    • Errores
      The body harness is visible during the hanging.
    • Citas

      Hae-ra's Mother: With a rich husband, cheating is just part of the package.

    • Conexiones
      Featured in At the Movies: Cannes Film Festival 2010 (2010)
    • Bandas sonoras
      La Mamma Morta
      from the opera, "Andrea Chinier"

      Performed by Maria Callas

      Composed by Umberto Giordano

      Courtesy of EMI Records Ltd.

      By arrangement with Warner Music Korea, a Warner Music Group Company

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    Preguntas Frecuentes20

    • How long is The Housemaid?Con tecnología de Alexa
    • What is the song heard in the trailer?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 13 de mayo de 2010 (Corea del Sur)
    • País de origen
      • Corea del Sur
    • Sitios oficiales
      • IFC Films (United States)
      • Official site (France)
    • Idiomas
      • Coreano
      • Inglés
    • También se conoce como
      • The Housemaid
    • Locaciones de filmación
      • Corea del Sur
    • Productoras
      • Sidus FNH-Benex Cinema Fund 1
      • Michigan Venture Capital
      • CJ Venture Investment
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 157,961
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 16,670
      • 23 ene 2011
    • Total a nivel mundial
      • USD 15,038,301
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 47 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.35 : 1

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