Sigue al humanitario británico Nicholas Winton, que ayudó a salvar a cientos de niños de los nazis en vísperas de la Segunda Guerra Mundial.Sigue al humanitario británico Nicholas Winton, que ayudó a salvar a cientos de niños de los nazis en vísperas de la Segunda Guerra Mundial.Sigue al humanitario británico Nicholas Winton, que ayudó a salvar a cientos de niños de los nazis en vísperas de la Segunda Guerra Mundial.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 1 nominación en total
Barbora Váchová
- Monika Holub
- (as Barbora Vachova)
Jolana Jirotková
- Gap-Toothed Girl
- (as Jolana Jirotkova)
Martin Bednár
- Vaclav Slonek
- (as Martin Bednar)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The true story of Sir Nicholas Winton, who was responsible for evacuating over 600 children from Czechoslovakia, which was on the verge of Nazi invasion.
This is a truly outstanding film, one of the best I've seen in a while, for my shame I had no idea if Nicholas Winton's story until this film, it promoted me to dig deeper, what a fascinating, brave man.
Beautifully produced, and not just the visuals, of course it looked amazing, but the tone and feel of the movie was perfect. At times I honestly felt like I was watching something by Stephen Poliakoff, someone who truly does know how to move the viewers.
BBC films, proof that The BBC still has the ability to deliver incredible quality, when it focuses on actual storytelling, this was like something made from yesteryear.
Sir Anthony Hopkins delivers yet another masterclass, his scenes at the That's Life studio were incredible, Hopkins was matched by an equally captivating performance from Johnny Flynn, fabulous.
Intensely moving, I saw many tears at the cinema, a very powerful story, a true act of selfless bravery.
Wonderful.
10/10.
This is a truly outstanding film, one of the best I've seen in a while, for my shame I had no idea if Nicholas Winton's story until this film, it promoted me to dig deeper, what a fascinating, brave man.
Beautifully produced, and not just the visuals, of course it looked amazing, but the tone and feel of the movie was perfect. At times I honestly felt like I was watching something by Stephen Poliakoff, someone who truly does know how to move the viewers.
BBC films, proof that The BBC still has the ability to deliver incredible quality, when it focuses on actual storytelling, this was like something made from yesteryear.
Sir Anthony Hopkins delivers yet another masterclass, his scenes at the That's Life studio were incredible, Hopkins was matched by an equally captivating performance from Johnny Flynn, fabulous.
Intensely moving, I saw many tears at the cinema, a very powerful story, a true act of selfless bravery.
Wonderful.
10/10.
Set against the backdrop of the rising Nazi threat in 1938, "One Life" tells the true story of Nicholas Winton, a young British stockbroker who embarks on a daring mission. Driven by a sense of humanity, Winton orchestrates the Kindertransport, rescuing hundreds of Jewish children from Czechoslovakia and bringing them to safety in Britain. The film weaves through time, showcasing the immediate impact of Winton's actions on the rescued children as well as the decades of silence that followed as Winton kept his heroic deeds under wraps. (Bard AI)
One Life is an amazing story that I certainly had never heard about before. It's disappointing that it is told in such a conventional style. The story of Nicholas Winton follows a somewhat predictable trajectory, with occasional tropes we have seen in many wartime dramas. Despite this, Anthony Hopkins, who plays the older Nicholas Winton, and Helena Bonham Carter, who plays Babette Winton, both put in moving, nuanced performances that bring Winton's story alive.
As we know from other wartime stories, the power of individual action in the face of incredible adversity is staggering. The fear and desperation of the child refugees is effectively portrayed, along with heartwarming moments of hope and resilience. In a story like this, the moral ambiguities, the deep resources of courage, and the profound weight of responsibility gave me plenty to think about even after the credits rolled.
There were several things that detracted from the quality of the film. Pacing was a bit of a problem. Some parts of the story felt rushed, and other parts could have done with some tighter editing. The cinematography, while providing an evocative backdrop for the story, never really had the emotional weight needed for this sort of story. Some scenes bordered on being excessively sentimental, which, at times, diminished the authenticity of the movie. Some supporting characters could have done with some deeper development and backstories, and there needed to be a more balanced presentation of the story's two timelines so we could better understand the young and older versions of Winton.
While One Life isn't groundbreaking, it is well made and is a valuable reminder and tribute to an extraordinary man of courage. The strengths outweigh the flaws, making it worthwhile to watch for all ages (except very young children because of the mature themes). And Winton's story makes us question whether heroism is more about big deeds or small acts of bravery. One day, each of us may be called on to be heroic, and One Life provides us with an opportunity to think about how we might choose to act in those situations. Will we have the courage to help out in the small ways that can make a big difference?
One Life is an amazing story that I certainly had never heard about before. It's disappointing that it is told in such a conventional style. The story of Nicholas Winton follows a somewhat predictable trajectory, with occasional tropes we have seen in many wartime dramas. Despite this, Anthony Hopkins, who plays the older Nicholas Winton, and Helena Bonham Carter, who plays Babette Winton, both put in moving, nuanced performances that bring Winton's story alive.
As we know from other wartime stories, the power of individual action in the face of incredible adversity is staggering. The fear and desperation of the child refugees is effectively portrayed, along with heartwarming moments of hope and resilience. In a story like this, the moral ambiguities, the deep resources of courage, and the profound weight of responsibility gave me plenty to think about even after the credits rolled.
There were several things that detracted from the quality of the film. Pacing was a bit of a problem. Some parts of the story felt rushed, and other parts could have done with some tighter editing. The cinematography, while providing an evocative backdrop for the story, never really had the emotional weight needed for this sort of story. Some scenes bordered on being excessively sentimental, which, at times, diminished the authenticity of the movie. Some supporting characters could have done with some deeper development and backstories, and there needed to be a more balanced presentation of the story's two timelines so we could better understand the young and older versions of Winton.
While One Life isn't groundbreaking, it is well made and is a valuable reminder and tribute to an extraordinary man of courage. The strengths outweigh the flaws, making it worthwhile to watch for all ages (except very young children because of the mature themes). And Winton's story makes us question whether heroism is more about big deeds or small acts of bravery. One day, each of us may be called on to be heroic, and One Life provides us with an opportunity to think about how we might choose to act in those situations. Will we have the courage to help out in the small ways that can make a big difference?
The story of Nicholas Winton, who saved hundreds of children from the Nazis just before the start of WW2 by organising trains from Czechoslovakia to the UK, is very much a story worth telling, especially as he was essentially a modest hero, one who didn't even think he deserved recognition, which makes his story all the more moving as it unfolds in flashback from late 70s Britain as Winton, superbly portrayed by Anthony Hopkins, remembers the events of the late 1930s.
Of course, there have been so many WW2 dramas over the years, so I felt the pre-war scenes do somewhat lack tension and a certain freshness, but good direction and succinct writing do calmly and absorbingly set the scene, explaining those earlier events well, but we also follow the way that 40 years later the heroic efforts of Winton and his colleagues were finally revealed and celebrated, ultimately making it a truly moving and revealing film. Perhaps, considering how things look today, it's also a reminder of how good really can triumph over evil and cynicism, and it's finally a superb tribute to a remarkable man.
Of course, there have been so many WW2 dramas over the years, so I felt the pre-war scenes do somewhat lack tension and a certain freshness, but good direction and succinct writing do calmly and absorbingly set the scene, explaining those earlier events well, but we also follow the way that 40 years later the heroic efforts of Winton and his colleagues were finally revealed and celebrated, ultimately making it a truly moving and revealing film. Perhaps, considering how things look today, it's also a reminder of how good really can triumph over evil and cynicism, and it's finally a superb tribute to a remarkable man.
All One Life has to do to honour its true story is tell it with care and competency and that's exactly what it does. This is a deeply affecting story of selfless people who did everything they could to save as many people as possible whilst others just ignored what was going on.
Anthony Hopkins is on terrific form here. He embodies the selflessness effortlessly and brings a heartbreaking sense of defeat, focusing on what he could've done rather than what he achieved. He's also one of the rare actors who can make you cry by bringing on the waterworks, when he cries you cry.
In the flashbacks Johnny Flynn is an extremely convincing younger version of Hopkins with that same desire to always do more. Helena Bonham Carter gets a loveable role supporting Flynn with a stern determination and refusal to take no for an answer.
James Hawes directs with a level of technical competency that's designed to go unnoticed. The production value is reminiscent of a high end BBC production, which is obviously very fitting and the pacing is really strong. Undoubtedly helped by spending the majority of the time in the flashbacks which are rife with tension.
Anthony Hopkins is on terrific form here. He embodies the selflessness effortlessly and brings a heartbreaking sense of defeat, focusing on what he could've done rather than what he achieved. He's also one of the rare actors who can make you cry by bringing on the waterworks, when he cries you cry.
In the flashbacks Johnny Flynn is an extremely convincing younger version of Hopkins with that same desire to always do more. Helena Bonham Carter gets a loveable role supporting Flynn with a stern determination and refusal to take no for an answer.
James Hawes directs with a level of technical competency that's designed to go unnoticed. The production value is reminiscent of a high end BBC production, which is obviously very fitting and the pacing is really strong. Undoubtedly helped by spending the majority of the time in the flashbacks which are rife with tension.
Turn on the news and what do you see? Man's inhumanity to man. Ukraine, Gaza etc etc. It's enough to make you lose faith in the human race - or it would be were it not for the occasional story of humanity at its best.
In Czechoslovakia in 1938-9, a small group of people (Nicholas Winton is the best known as he was the last survivor of that group) are appalled by the plight of mainly Jewish refugees, and resolve to do something. Despite opposition from governments (German, Dutch, British and American) they manage to evacuate 669 children and provide them with foster families in the UK, where many of their descendants live to this day. A further 250 children were on a train that was scheduled to leave on the day war was declared. Two of them were still alive at the war's end.
Then the story was forgotten for more than forty years, until at last Nicholas Winton was given the recognition he deserved (not the least astonishing part of the story is that Robert Maxwell did one decent thing in his life).
The film is in two parts; the younger Winton being played by Johnny Flynn, the older by Anthony Hopkins. Both give stand-out performances. Also excellent is Helena Bonham Carter as Winton's mother. The scene where she tells a bureaucrat what she thinks of him is priceless.
But the most important aspect of the film is its message. Human kindness is still a force in the world. Everyone can make a difference. No good deed, be it great or small, is ever wasted.
If only governments were run by people like Nicholas Winton.
In Czechoslovakia in 1938-9, a small group of people (Nicholas Winton is the best known as he was the last survivor of that group) are appalled by the plight of mainly Jewish refugees, and resolve to do something. Despite opposition from governments (German, Dutch, British and American) they manage to evacuate 669 children and provide them with foster families in the UK, where many of their descendants live to this day. A further 250 children were on a train that was scheduled to leave on the day war was declared. Two of them were still alive at the war's end.
Then the story was forgotten for more than forty years, until at last Nicholas Winton was given the recognition he deserved (not the least astonishing part of the story is that Robert Maxwell did one decent thing in his life).
The film is in two parts; the younger Winton being played by Johnny Flynn, the older by Anthony Hopkins. Both give stand-out performances. Also excellent is Helena Bonham Carter as Winton's mother. The scene where she tells a bureaucrat what she thinks of him is priceless.
But the most important aspect of the film is its message. Human kindness is still a force in the world. Everyone can make a difference. No good deed, be it great or small, is ever wasted.
If only governments were run by people like Nicholas Winton.
¿Sabías que…?
- TriviaHelena Bonham Carter's maternal grandfather, Eduardo Proper de Callejon, also rescued many Jews from the Holocaust, by forging Spanish exit visas.
- ErroresIn 1938 Nicky answers his phone at home and straight away speaks to his friend calling from Czechoslovakia. At that time all trunk (long distance) and international calls to and from the UK were operator-connected and there would have been a delay before the two parties could speak to each other.
- Citas
Doreen Warriner: I don't know what you're doing, but if you're doing what I think you're doing, I don't want to know.
- Créditos curiososPROLOGUE: "In 1938, Hitler occupies Austria and demand possession of a region of Czechoslovakia: the Sudetenland."
"The leaders of Britain, France, and Italy agreed to his demand in the hope of avoiding war."
"The next day, Hitler's troops cross the border into Czechoslovakia."
"Tens of thousands of refugees flee towards unoccupied Prague."
"Many of them families with children."
- Bandas sonorasCosì fan tutte, K. 588 / Act II: Donne mie, la fate a tanti
Composed by Wolfgang Amadeus Mozart
Performed by Adam Plachetka, Chamber Orchestra of Europe, Yannick Nézet-Séguin
Courtesy of Deutsche Grammophon GmbH
Under licence from Universal Music Operations Ltd
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- How long is One Life?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- One Life
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 5,716,885
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,713,505
- 17 mar 2024
- Total a nivel mundial
- USD 56,308,105
- Tiempo de ejecución1 hora 49 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.20 : 1
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