Good Times

The original "Good Times" series was the first black family series before many others made their debut. It was relatable to many within the black community because it depicted the daily struggles families faced while trying to survive living in the projects. I can't define sensibly what this new generation of Good Times is trying to depict. It was extremely difficult to follow each episode. The scenes were too busy, the characters movements were lacking fluidity, the language and subject matter was obscene. It's really a shame. I expected more to pay homage to the original Good Times. No good.

Representation matters and this is not what represents Black people in 2024. Sadly, those defending this show as funny do not realize that these same creators and producers would NEVER make a show with stereotypes like this for non-Black people. Saying this baby is comparable to Stewie is the definition of Playing in our faces. One baby is a drug dealer and the other is a witty genius. This is a 2024 minstrel show and Netflix should be ashamed for airing it. This show is not Boondocks and it's definitely is not a reboot of Good Times. The live show ended with the Evans family getting out of the projects and moving toward creating generational wealth. Seth and Steph's show has the family five generations later in a situation that is absolutely 100 levels worse and no improvement or inspiration to be had. This show Is the definition of Blaxploitation and I'm sick and tired of being sick and tired of how Black Americans are represented, even when it is supposed to be satire. This is not satire, it is just sad and tired.

I can't believe what I just watched. Saw someone post a screenshot of this and thought I'd give it a shot. Wow. Thinks actually embarrassing. Why as black people do we want to perpetuate stereotypes that have harmed our communities and our own well-being. We've come so far and now this????? Whatever intelligent comedy there may be here is lost because we have to sit through gun violence by children (literal babies!), roaches in the apartment, glorifying "hoes"...when it first started and they referenced the "white Jesus" episode of the original show I though we were going somewhere empowering, but no. Just another act of self-hatred billed as art. We have to do better.

Other than the characters names this show has absolutely nothing to do with the message that the original tv show was trying to get across, and what idiot thought a baby selling Crack was going to be funny? Black people have come to far for this BS and need to let Netflix know it, don't know why in the year 2024 anyone would make such garbage, it is embarrassing and an insult to all black people, except Tim Scott and Byron Donald's who think we act this way in real life, I really wonder what audience was this actually made for, was it made for an African American family or was it made to further the racism being brought about in politics.

In the past year, Netflix has shifted gears, abandoning the pursuit of quality in favor of becoming a mere content aggregator. Nowhere is this more evident than in their treatment of Black Stories-shallow, tokenistic offerings that scream, "Here's something we think the community will tolerate," devoid of any genuine effort to deliver quality entertainment.

Take, for instance, their recent Shirley Chisholm Movie debacle. It looked as though they threw spare change at it and managed to get everything about Chisholm wrong.

Now Good Times. This insulting portrayal, steeped in old stereotypes, is just the tip of the iceberg. And I highly doubt this poorly executed, offensive mess will win them any new audience.

Netflix originals have become increasingly unbearable. From the disaster that was the Zack Snyder debacle to the mishandling of "3 Body Problem," it's evident that Netflix's enthusiasm for new creators and bold ideas has waned, replaced by tired clichés and a race to the bottom.

We may be witnessing the twilight of the streaming golden age, but I never imagined quality would plummet to such depths in a business model reliant on subscriber retention.