Sobrevivientes: Después del terremoto

A super, super realistic movie portraying human psychology in society. If you judge it solely from the trailer, you might mistake it for a disaster film, but what I appreciate more is how the director, through the character played by Lee Byung-hun, perfectly illustrates the dynamics of human societal systems. Of course, the disaster in this film, within the context of this single refuge, highlights how scarcity forces people to reconsider their self-interest and survival. Lee Byung-hun's portrayal reflects the desperation of individuals in the face of limited choices, always hoping for a leader to establish a system aligned with their interests. However, it often happens that in the midst of conflicting interests, they forget their initial intentions and, in the process, destroy the bigger picture. It's really thought-provoking - in times of chaos, heroes emerge, but these heroes might also be the ones betrayed at any moment. Quite ironic, isn't it?

The movie dealing with ideals and reality. Drawing the end of those who forget to get close to the ideal. The parts that may be overstated are moderate by properly arranging ideals and realities. And this moderation asks the audience a profound question.

It's a really good movie by a rookie director.

In particular, I think it's a topic that only a rookie director can do. As a person who likes movies, I want to keep cheering for Director Eom.

The directing, the script, the OST, and the acting of the actors are all worth watching. In particular, Lee Byung-hun's acting makes me fall more into this movie.

Seoul is reduced to rubble when a powerful earthquake strikes in the winter. One concrete apartment tower remains standing in the ruins. Violence breaks out as people realize that resources and shelters are extremely limited. The residents of the sole standing apartment tower divide into camps of those with empathy for other survivors and outsiders, and those who feel they are separate from everyone else and must beat others into submission to survive. A man and woman living in one of the apartments each picks a different side.

"I can look at a person and recognize if they are cheating me," says the man chosen as the apartment complex leader. In Korea each such complex has its own culture and rules, and this man - a former soldier - quickly assumes command. However, this chosen leader is hiding a dark side. Sparks fly between the couple as well as the complex as a whole as people line up behind the leader, or choose to disobey.

Director Um Tae-hwa said he is interested in how people are transformed during a crisis. The film is based on a Cheerful Neighbor web-comic story about a similar disaster where people become selfish bullies, or not. "There is no absolute evil or good," he said. The complex characters of the film reveal this truth. They are not black and white, and that is a good thing. Um Tae-hwa appeared at the North American premier at the Toronto International Film Festival. "If you post comments about the film on social media," he said "I will read them."

I loved the theme of the film; people choosing to bully others or to be kind to them, when a crisis hits. There are people who choose rules, violence, and other forms of separation, and those who choose kindness, love, and sharing. The characters are intriguing as well, the acting is solid, and commentary interesting. The film isn't using computer generated imagery as a crutch and pleasantly relies on more traditional forms of film making. Thought is given to each situation as well as human warmth and humor.

So, see what prevails, love or the fist.

Best Korean film of the year (that I've seen so far).

It follows a group of residents in an apartment complex that's the only thing left standing after a devastating earthquake. Other survivors try to move in to escape the cold, but the residents won't have it. Thus begins an intense scenario where people have to try and maintain some sort of order while battling the elements and hostile invaders.

This is an impressive disaster drama that begins almost lightheartedly, but turns darker by the minute. There's a comedic flair to the film's first act, but it mostly dissipates by the second hour. However, no matter how any of the scenes are played, there's a bleakness to everything that unfolds. It's like your typical postapocalyptic premise as seen in modern western cinema, but slightly deeper and infused with existentialism. The characters are also more fleshed out than you'd expect. Far from being archetypal heroes or villains, these are flawed people who find themselves in a heavy situation and react to it accordingly.

The whole cast carries the film well (Lee Byung-hun being the standout), with impressive technical specs that make me wanna rewatch this on a bigger screen (if only). In any case, big, big recommendation for this one if you're into disaster thrillers.

P. S. The final scene is really cool and stylishly displays the inversion of common human values in times of crisis. You'll know when you see it.

Concrete Utopia is a decent disaster survival thriller with solid direction, strong performances and production designs. Disaster movies aren't movies I see as art but rather as an entertainment popcorn movie. This movie does approach the themes more serious and explores themes of human selfishness and fight for survival.

The narrative does get predictable but it does provide some strong themes of human selfishness that felt effective and purposeful to the setting. The production designs, special effects and costumes are all pretty good that helped create the feeling of the danger and roughness of the aftermath's of the disaster. All the performances are pretty good without any bad performances observed throughout.

As I mentioned, the narrative is interesting but could use some better works on the writing. The characters, unfortunately, weren't as interesting or connectable as they felt too thin to care much.

Overall, the movie remains ambitious because I never felt bored and I found the emotional and crucial moments to be effective. If only the movie worked on some moments, the movie would have been much better.