Hua Mulan

I was moved by this movie. It was a real good watch. Words escape me at the moment, but this review can say it all for me: http://yingweitan.wordpress.com/2009/11/25/movie-review-mulan-2009/ Also, the comment at the bottom of the article is very insightful.

Differing from the usual route of Chinese epic movies, which usually portrays huge battle scenes, extravagant costumes, and such, this movie concentrated more on the character's development and emotions. As such, it is a movie that deserves a closer scrutiny than the passive habit we have of watching movies. I will not give it the 2 points for the 10/10 vote because my overly romantic self was denied something (you'll see). But then that's just me. :) I do not regret that I spent 113 minutes of my time on this. In fact, it made me all the more ready to face my own battle: life.

Having just caught it not too long ago, the memories of it is still fresh in my mind. I remembered as the lights to the cinemas brightened as the credits start to roll, it felt breathtaking to had partake in this film as an audience of it.

Do NOT, and i repeat, do NOT, go into this film wanting it to be one of those battle-like army type of films one generally associates with the genre of epic at its core. For if you do, you will be disappointed for this is NOT one of those films that had been over-populated due to other greats like Braveheart, Gladiator etc. Those are epic genre all to their own merits...

...and so is this depiction of the legend of Hua Mulan. I would still classify it as an Epic to some degree, but leaning it more towards the genre of Drama and Romance, more akin to the likes of Tau Ming Chong (aka. Warlords that was released in 2007 starring Jet Li, Andy Lau and Takeshi Kaneshiro).

There are battlefield scenes, Yes...but they are of minimal depiction based on the context of this film, that are used to carry the characterization of Hua Mulan that was perfectly casted with Vicki Zhao at the helm.

There is a plot, and that plot is to drive the main theme of this film that is to showcase to us about how she grew into the character in legends. Whereas the subplot to it is that of her feelings. These feelings are then broken down into different categories, showcasing the main obvious emotional parts of her for the affection that she has for another. While concepts based on being a filial daughter to her father, and loyalty to the fellow troops that she commands and finally patriotism that drives her to do what she does for twelve years are all being explored, minimally but it is enough to drive her overall characterization in just under 2 hours (even though it may seemed longer than that).

Having said this, there is no need for me to summarize the film for you readers as that is one of the beauties of storytelling, where it is for the viewers to partake for themselves to let the story be told to you by the story's presentation. And definitely not by me.

Overall, if one is into a movie that is emotional (depending on individual's views upon what is regarded as emotional), and does not showcase violence for violence's sake, then i guess one can do themselves the favor of partaking on this trip of 2 hours into another era.

Again i must stress, do NOT go into this film hoping to see the likes of battlefield scenes.

For me, i would classify this film like the other greats of Crouching Tiger, Hidden Dragon; The House of Flying Daggers; Warlords; Musa, and the very recent Red Cliff saga. Jingle Ma's depiction of Mulan has merits all to its own to make it stand among these others.

excerpt, full review at my location - Not to be confused with Disney's 1998 animated blockbuster Mulan, director Jingle Ma's 2009 epic offers a more sophisticated and nuanced retelling of the story based on a sixth century Chinese poem. Mulan: Legendary Warrior charts the early life and rise to power of Hua Mulan, a fearless heroine who disguises herself as a man and goes to war in place of her ailing father.

Mulan: Legendary Warrior isn't exactly innovative, and it doesn't really add anything new to a story that has been told many times, but it's an expertly crafted film that fuses war and romance genres in a highly absorbing way.

Having Just watched this film, and whilst it is still fresh in my mind I found the movie to be a refreshing change to traditional epics offered by Asian Cinema. House of flying daggers it is not, but as an interpretation of Chinese folklore that was based on a poem, it is a piece of cinematic creativity in it's own right. The casting of Wei Zhao was a smart move. Vicki is a potentially under rated actress who displays a versatility that is often never matched by over paid Western A - listers. For the tone and content of a film that has no provable substance in fact, Vicki does an outstanding job of expressing the bland emotion and lack of compassion that would be synonymous with the era and situation with which the film is set.

At it's heart is a love story that is put aside by the burdens of war. This is so effectively displayed by the acting skill of the lead that it could be mistaken for lacking any substance at all, but with such interpretive subject matter the leads pull you in and make you share in the joy and the hurt that their lives are taking.

This is essentially an amazing piece of cinema, with a talented cast and a talented director. There are many ways to while away an afternoon. Getting lost in the majesty this provides is well worth the time

First, let us dispel some misunderstandings. 'Mulan' is folklore--like Robin Hood, King Arthur--initially popularized as literary fiction, perhaps with some 'historical grounding', but so heavily mythologized that what is 'fact' and what is 'fiction' is virtually indistinguishable (this in turn produces multiple versions of the story, including of course, Disney's campy animated 'revision'). I specifically mention this because as silly as the 'plot twist' near the end of the film may seem to those familiar with the premise of the story, it is not nearly as silly as the rest of the film—-and just as a footnote, this version is campier than Disney's.

Zhao Wei plays Hua Mulan, a young woman who pretends to be a man in order to substitute her ailing father as a conscript in an army raised by the Northern Wei dynasty to fend off incursions by the Rouran Confederacy. Since women are not allowed in the military, she conceals her sex from her comrades while simultaneously demonstrating how much better she is as a warrior than her male colleagues.

Yes, Zhao Wei is a bad choice for this role. Her 'speech scenes' are particularly painful to watch. She seems incapable of shaking her soft-spoken and demure mannerism and it is hard to believe how anything she says can actually mobilize the morale of an entire army before a battle. There was virtually no transformation between her 'rural girl' persona and her 'soldier' persona other than what she was wearing (which made the gap in her acting even more apparent). Her appearance in this film as 'a woman dressed as a man' is no more convincing than her cameo appearance as 'a woman dressed as a man' in John Woo's "Red Cliff II." The difference is that in this film, that is actually central to the plot.

The battles were uninspiring and poorly paced. Fast-motion fight scenes intended to conceal the fact that most of the actors were physically inadequate for their roles, coupled with too many slow-motion sequences of people getting impaled or killed, made for lousy, lousy battles. "300", while not a good film, has at least proved that this could be better done (first by asking the actors to get into shape...). The army field formations were sort of epic but brief, as much of the cameras' attention were focused on individual fighting (meaning that you don't see "big battles", only CG generated/enhanced armies standing around or moving, then small battles with that annoying fast-motion sword swings/spear lounges and slow-motion death scenes...). Lastly, the whole 'band of brotherhood' rhetoric was just entirely over-the-top, more so than even the silly (but at least expected) love story.

Poor choice of actors, poorly written script, mind-numbing dialogue, bad filming techniques, and too big a budget for its own good. If you liked this film, you're letting something get the better of you....like your h***-on for Zhao Wei or a misguided sense of Chinese nationalism....