Nadie sale con vida

Competent thriller/horror with folk horror overtones. Not groundbreaking in any way but nevertheless some very unique and interesting ideas. Great acting and sensational cinematography. The narrative kept the origins of the box murky which added to the mystery and suspense. The "house" was wonderfully imagined and contributed to the ambiance. A few traditional jump scares but they didn't detract from the film. All in all I thoroughly enjoyed it.

Well, reviews are personal to all and that's why some give 1 and others 10. I thought the acting was very good especially Marc Menchaca and Cristina Rodlo. The girl Ambar, had arrived in the US w/o papers, docs or id so she WAS an illegal who wanted an opportunity to better herself. At times I felt so sorry for the girl - she was very naive and trusting, it was obvious really what the African was going to do. That rarity, NO CGI and the 'creature' seemed to be like an autotronic but I'm not sure of that. The house was just horrendously in a world apart- just like Norman Bates house was in Psycho. Certainly worth your time to see.

I had not even heard about this 2021 horror mystery titled "No One Gets Out Alive" prior to sitting down to watch it on Netflix. But I must admit that the synopsis for the movie sounded interesting, and so did the title of the movie. And with it being a new horror movie that I hadn't already seen, of course I had to sit down to watch. I am a horror fan after all.

And I will say that writers Jon Croker and Fernanda Coppel actually managed to put together an entertaining storyline, especially so since it never really dawned on me what was going on throughout the course of the movie. Actually, even now that the movie ended, I wasn't clear on why or what was really going on. So that was a good thing, I suppose. But at the same time it left me a bit dumbfounded as I felt no proper explanation was given throughout the course of the entire movie.

The atmosphere that permeated the movie was good, so director Santiago Menghini definitely did a good job in bringing the story to life on the screen. And the props were good, just as the sets were good, and those things definitely added a very dynamic and atmospheric layer to the movie.

As for the acting performances in the movie, well they had some pretty good actors and actresses, despite the fact that the cast list was a bit small. I wasn't familair with the people on the cast list, but the actors and actresses were doing good jobs in bringing their characters to life on the screen.

The creature design in the movie was good, though I haven't the slightest of clues as to what it was supposed to be or represent.

"No One Gets Out Alive" is watchable and entertaining for what it turned out to be. I just wished, personally, that the storyline would have been more fulfilling in terms of letting the audience in on what was actually transpiring throughout the course of the movie.

I am rating "No One Gets Out Alive" a five out of ten stars. Watchable and entertaining for sure, but the movie just didn't come off as being particularly impressive or memorable.

No One Gets Out Alive: A ramshackle old home, turned into a boarding house is one of the main stars of this film. It's corridors and dark rooms contain creaks, cries and noises, suggestions that something strange is going on. We know from the prologue that the residence is connected to an archaeological expedition to Meso-America and artifacts from the mission are stored there. Ambar (Cristina Rodlo) is an immigrant, hiding her illegal status, exploited in a sweatshop, trying to buy papers. She moves into the boarding house and encounters ghosts. A tale of terror, exploitation and human sacrifice. Some good ghostly apparitions together with poltergeist effects. This is also a story of a struggle for survival in the physical and spiritual senses, both inside and without the house. Very much influenced by Meso-American mythology. Directed by Santiago Menghini, screenplay by Jon Croker and Fernanda Coppel, based on the 2014 novel by Adam Nevill. On Netflix. 7/10.

This was an unexpected gem. I went into it not having seen the trailer. It's a modern day gothic horror, except it takes place in a women's only boarding house in Cleveland instead of a mansion. The boarding house has a secret that is gradually revealed. The boarding house has gatekeepers that protect and hide those secrets. It has ghosts and supernatural elements, even some brief gore. Cool things happen in the shadowy areas of the frame to get the attention of the protagonist. She gradually uncovers the secrets piece by piece.

I thought the practical effects were very well made for a film with this kind of budget. I particularly like the eyes. Very nicely done. The CGI could have been better but I was happy that the film had an eerie mystery to be uncovered and it wasn't just another dumb jumpscare film. It has some jumpscares, but it isn't a main feature of the film. It has atmosphere, pace and tension. The symbolism of the butterflies had me wondering until the very end. Then I realized what their significance were. The director landed the ending very well.

I also felt the actresses all played their roles very well, especially Cristina Rodlo. This is definitely worth a watch for gothic horror lovers. I am not saying it will be one of the best horrors of 2021 or blow your socks off, but its not too shabby. I enjoyed it. I've seen lesser horror films with significantly larger budgets and A-listers and not nearly as creepy as this one.

For a small budget film, this one did very well. Dolby Vision HDR & Dolby Atmos is a plus! I've seen some other reviewers give this film a 1 out of 10 and calling it the worse of 2021. As a horror fanatic that watches 3 to 5 horror films a week, this film is far from scrapping the bottom like they are implying. I think they need to watch more horror films to be better judges.