Raajneeti

Even if you do not know before going into the movie, it is evident in the first few minutes that the film draws heavily from the epic of Mahabharata. From the basic plot to the characters. Your palms will get sweaty a few times if you can relate to it.

Ranbir Kapoor is our modern day Arjun & Krishna woven into one. All characters in the movie have shades of gray and Ranbir is no exception. He is a strategist who is not afraid to go the bloody mile. Being a young actor in a multi starer can be tricky, but Ranbir does emerge on top, thereby setting the pace for more serious & deeper roles in the future. Nana Patekar is so subtle & understated that he takes the film forward effortlessly. No yelling, just shrewd smiles. Ajay Devgn proves yet again that he is past the stage where he needs screen time to justify his role. He easily enters into the skin of the modern day Karna, letting Manoj Bajpai as Duryodhan take center stage. And Bajpai, justifies every minute of his presence on screen. Arjun Rampal has his moments in the sun. Katrina impresses mainly through her improved Hindi. This is definitely not the role that she was hoping would get her a national award.

Subtlety is not a mark of Prakash Jha's cinema. From Gangajal to Apaharan to Raajneeti, all are in your face dramas. Raajneeti, if I may say, would be his most commercial outing in some time. We have very mainstream actors, a grand scale in the sheer number of crowds, bloody violence, cars going up in flames & people killing each other left, right & center.

Even for its 3 hour run time, some scenes & sequences do seem rushed in a bit. Nasserudin Shah has as much a presence in the film as he has on the posters. He is not in the film if you are five minutes late to the movie. All our political men are ultra virile & the females- ultra fertile. There is also a needless club song. Then, there are car bombs & a climactic gun battle that is a bit over the top just like all Prakash Jha films. It could have been kept tighter & more believable.

But that said, the film is a gripping tale with very intensely executed pieces and careful attention to detail. The basic premise remains that of the Mahabharata, but the film is not limited to that. It is fast paced and there is seldom a loose moment. It is not Jha's best work, not even close. But I am tempted to rate it highly for the power packed performances & the gripping screenplay.

I say 3.5 on 5

Mahabharat returns in Prakash Jha's 'Raajneeti'. This one is a Masterstroke! Jha makes a film about politics, it's players and it's history.

What works the most for 'Raajneeti' is it's inspiration. Jha and Anjum Rajabali's screenplay is water-tight, the first hour, especially, is fantastic. It's a winner, because it's a drama that creates an impact of it's own. Jha's direction is superb, and performances are award-worthy. Despite, a running time of over 2 Hours and 30 Minutes, this film is a must watch!

Jha and Rajabali's screenplay is water-tight, Jha's direction is superb. The Performances: Manoj Bajpayee is fantastic. He is sure to take away all the awards in the Supporting Actor category next year. Nana Patekar is, as always, flawless. Ranbir Kapoor is wonderfully restrained. Ajay is good, but he deserved more scope. Arjun Rampal is superb. Naseeruddin Shah in a cameo, is effective. Katrina speaks Hindi, and does a fair job. Nikhila Trikha is excellent. Shruti Seth is good. Others are perfect. The Camera-Work is killer.

'Raajneeti' is not to be missed. 2010 brings it's first power-packed venture! Two Thumbs Up!

If this were a typical Hollywood political thriller, it would be clear which folks were the nasty ones and which were the heroes. If this were a typical Bollywood film, there would be plenty of dancing and the usual generational conflicts. But Raajneeti is neither; surely it is a political thriller, but because it upends expectations, some viewers are disappointed it doesn't deliver what they expect. Granted, it might be a richer film from Westerners if they were more familiar with the complexities of politics in another country, but if you approach this film for what it is--a political thriller with a heavy dollop of family melodrama and a good deal of violence, adding numerous rich characterizations and brilliant color, you might find it hugely entertaining

Welcome back to the world of Hindi cinema, where movies have a huge star cast, are 3 hour longs and actually have a good story line. Raajneeti is a good mix of modern-day Mahabharata and The Godfather, which turns out to be a pretty deadly combination. Its about a political family which has just lost its leader in the midst of the upcoming election. This in turn sets his family at war as the leader chooses his brother and his son Prithviraj Pratap(Arjun Rampal) as his heirs, rather than his own son Veerendra Pratap(Manoj Bajpai). This angers Veerendra Pratap and he decides to take matter into his own hand. To help him out in this scenario is the Dalit leader form the village Sooraj Kumar(Ajay Devgn). So begins the saga of murder, vengeance and the want to gain political power by any means. In this process gets stuck Samar Pratap(Ranbir Kapoor) who had just come for a leisurely visit to India from New York to attend his uncles birthday. Turning down a teaching job in New York he instead stays back in India to help out is family. In him we see shades of Michael Corleone as a young leader who at first was hesitant to join the dirty family business but reluctantly has become a major part of it, and has started taking all the major decisions. There's also the lovely and innocent India Pratap(Katrina Kaif), his childhood friend who gradually begins to see what kind of a person Samar has become. And to help Samar there's Brij Gopal(Nana Patekar), his mother's brother. He is the all wise, all knowing Mama who can be sweet and mean all at the same time.

This film in the beginning can get a little confusing to its viewers as there are way too many characters who are introduced, and who actually play an important part throughout the film. But as the movie progress the confusion diminishes and you start seeing the clear picture and you probably start taking sides. There is no pure good or evil here, everything's in a shade of Grey, like they all believe that the means justify the end. You take Ajay Devgn who is a local village fellow, a Dalit leader, in the beginning he seems all nice and right, but politics as we know it is not a nice guys game, at least in India. Ranbir turns from the innocent American student to a smart schemer who'll do anything to protect his brother. He even fakes it with his American girlfriend Sara(Sarah Jean Collins) when she decides to give him a surprise visit to India. Be it true or not but this movie shows you a pretty interesting insight of politics in India. Its a brother kill brother world out there.

Acting wise everyone has done a good job I must say but special credit goes to Ranbir Kapoor who has shown that he can actually act in films other than romantic comedies in which he plays a chocolate boy lover trying to woo a girl standing in the balcony. Nana Patekar is not his usual self hurling abuses and shouting dialogues at the top of his voice, he is a smiling, silent planner who is very subtle throughout the film and acts only when necessary. Ajay Devgn is also in the background throughout the film, which is very unlike Prakash Jha as we have seen in his previous films like Apharan and Gangajal. But it is nicely done on his part. Katrina Kaif has probably taken acting lessons and is very sober in this film, and looks amazing as always. Arjun Rampal in my opinion has 'acted' for the very first time and by the end of the movie you feel satisfied that he didn't ruin it by his dead, expressionless face. Manoj Bajpai has a typical role, so no surprises there.

Go watch this movie if you want to see a wholesome Hindi film with substance. Its got your abuses, gruesome action scenes, a couple of lovemaking scenes put in here and there, a few songs in the background, nasty cops, hot Indian summer, everything that you need to enjoy your 3 hours in an air conditioned theatre! 7/10

To say that the film has influence from Francis Ford Coppola's Godfather is not without merit. After all, it has references such as the bloody bed scene (without involving a horse head), deaths of similar characters, and of course, the story of the rise of the youngest, most promising child of the household, here played by Ranbir Kapoor, into the bitter orchestrator of his political party's campaign for the Chief Ministership, complete with an overpowering vendetta of revenge and honour. Ranbir's Samar Pratap role is perhaps the juiciest of the lot here, given his transformation into someone cold and calculated, who will not hesitate to give up his emotions in order to manipulate others into doing his bidding, all moves played out like a chess game in order to advance his cause.

And the other persona in the film given a transformation at that level, is Katrina Kaif's Indu, an impetuous girl deeply in love with Samar, who also has to give up feelings more as a matter of instruction by her industrialist father, who sees donations to political campaigns and marriages as a sealing of alliances for favours and benefits, highlighting the clout that campaign donators wield over the politicians they support. Katrina's role is something you'll notice right away, as she disappears into a mature woman taking on seasoned politicians riding on her wave of sympathy, and in a way resembles through her demeanour, very much like Sonia Gandhi. A pity though that this interesting turn only takes place in the last act, having to disappear very much in the middle of the film.

Which is probably why it was reported that one of the stars felt disappointed with the film being billed as a Kapoor-Kaif starrer, with posters having these the two characters taking centerstage. But who can blame the marketers, as they had starred in the highly successful and popular Ajab Prem Ki Ghazab Kahani in 2009, and most certainly the filmmakers will want to tap on that same crowd to come into and experience a thematically heavier film. What more, these are the two characters that experience change, much unlike the others who play seasoned politicians who are entrenched into the way they work and operate, leaving room for schemes to enter through the blind side, in a game of threats and counterthreats that you can easily see looming, to gain the upper hand leading to ballots being cast.

Prakash Jha crafts a web of character relationships that you'll need to mind-map as the film moves along, introducing key characters and influencers in this family dynasty politics, where the early generation of alliance between brothers, break out into a power struggle for party leadership amongst the next generation between cousins. It's very much dirty business, and Jha, a one time politician, provides plenty for the audience as he goes into sub plots and elements involving corruption across ranks, the ineptness of the police force, tactics in getting mass support, and how through the greasing of the right palms, one gets ballots by the village-load. And if all else fails, there's always the nod toward the enforcer type to flex some muscles, and political assassinations too fall into fair play. It's an extremely dirty business, and it's somehow a sneak peek into how Indian politics get played.

The ensemble cast shouldn't be overlooked as well, with Arjun Rampal's Prithviraj the hot- headed brother of Samar who on one hand is being propelled to lead his breakaway party and yet having a character that's less than noble, and Manoj Bajpai is excellent as Veerendra Pratap who's constantly finding himself not in the driver's seat of events, and have to rely on heavy muscle to keep the competition away. The villains here seem more sympathetic as they cannot find viable solutions to their predicament, and have to boil everything down to violence. Nana Patekar's Brij Gopal also shined as the unfailing mentor who has experience to count on in his repertoire of tricks up his sleeve, and has a key role to play in the falling out of the established dynasty.

I suppose a film like this cannot possibly be made here until our state of industry and politics mature to a stage where filmmakers can tell a story without the innate fear of harassment, though Jha did get requests by the censors to tone down some scenes and change some dialogues, which was complied with. The film turned out as an average epic much to my disappointment as I expected a lot, but it did have moments which stood out from the usual cookie cutter. It's not great, but it did enough to share a glimpse into the shady world of politics and the less than angelic politicians who struggle with each other for the vote of the populace.