Tortugas ninja

I'm not even quite sure where to begin with this movie. I mean, I had decent hopes for it. Leading up to it, so many people seemed to be taking it way to seriously. I mean, come on. Its about giant talking turtles who fight crime. Its not supposed to be that serious. Hoo, boy.

I guess I'll just start by saying this (spoilers ahead), the changes they made to the origin story don't make any goddamn sense, both in terms of simple logic and quality narrative structure. They completely removed any connection between Splinter and the Shredder, so say goodbye to any emotional connection or tension that that would have brought. And this version Splinter wasn't the ninja master, Hamato Yoshi or even a pet/student of Yoshi. In fact, Yoshi seems to have been omitted completely. So, how does Splinter become a ninja master himself? He reads a book. I'm not even joking. After both he and the turtles mutate he finds a book and teaches himself. And it wasn't even at the very beginning. I mean when Splinter begin teaching himself, the turtles are already walking and talking. He not only learned all of ninjitsu but also somehow mastered it, without any instruction or sparring, in less than ten years? AND he taught it to the turtles? BULLSHIT.

The turtles themselves are one of the few not-terrible parts of the movie. All of there individual personalities are right where they should be but we are also kind of short-changed on the amount of interaction they have with each other. A bunch of brothers together, getting up to shenanigans? What a great, natural way to have conflict! But no, the movie follows April way too much.

All of that is indicative of a larger problem with the writing. Both of the villains are BORING. The pacing is uneven and a lot of the dialogue is forced and ham-handed, Michelangelo was the worse in that respect. And believe me, I get it. Mikey is the loud mouth, party turtle. But is is possible (kind of necessary) that if a main character is annoying, to also be likable. Yes, it possible. Severus Snape. Perry Cox. Deadpool. These are all characters that are bad or annoying people but still likable as characters. After a few minutes of listening to Michelangelo, I just wanted him to shut the hell up.

It doesn't get any better with the villains. I don't remember the last time I watched a movie with such boring villains. Instead of just sticking with one main villain, the Shredder, we now have two...for some reason. WE have Eric Sachs, who is a rich scientist/industrialist and the Shredder, an evil ninja master with no personality. Eric Sachs is working for the Shredder for money? But isn't he already like a billionaire with a castle on a mountain and his own skyscraper?Doe he need more money? What the hell for? Shredder is the most shallow and one-dimensional out of this whole damn movie. We're not really told anything of his back story or shown any of his motivation for anything. The foot clan is also no longer a group of ninja warriors, they're...guys with guns. Completely useless guys with guns (that'll be relevant later).

They also unnecessarily tie April, Sachs and April's dad into the turtles' back story...for some reason. We don't even really meet April's father. And April is the one who saved them from the lab fire that killed her father...or wait, was it Eric who killed her father? The movie seems to confused on that point. And instead of keeping the baby turtles (like any little girl who likes animals would do) she...dumps them in the sewer? What the hell? The who thing is convoluted and doesn't make any damn sense.

April O'Neil is uninteresting and stupid. Seriously, I mean she is unintelligent. She is supposedly an educated journalist but spends so much time trying to convince he boss of a "story" of talking, crime- fighting turtles without one single goddamn lick of evidence. Vernon Fenway is apparently supposed to be the comic relief but none of his jokes are funny and his sole role in the film seems to be driving April around. And why the hell is Whoopi Goldberg in this? She had like six lines. Why is she here?

The camera-work was clichéd and chaotic. There were times when the camera was moving around too much for you to easily follow the action. There is also a serious lack of cool martial arts fights for a NINJA Turtles movie, which is not surprising when you turn their main antagonists from ninja into guys with guns. I also couldn't even begin to take the Shredder serious in the action scenes. Are those giant swiss army knives on his hands? What the hell?

Finally, the one thing, in my opinion, that sort of breaks the movie the most is that they made the turtles too damn powerful. Yes, the turtles are kind of superheroes. But wasn't being a bunch of kick-ass ninjas enough? No? You gotta give them super strength too? AND MAKE THEM BULLET PROOF!? Remember the previously said bit about the foot being a bunch of guys with guns? Yeah...you might see where I am going with this. It was bad enough to see the turtles throwing cars around and shattering concrete with punches. On some level, the audience needs to believe on some sort of fundamental level that the heroes are danger, that the threats that they face have meaning. Without that, there is no tension, no real conflict and with that...no excitement. No story.

This movie nuked the fridge.

Micheal Bay produced the TMNT franchise with updated CGI and a more Transformers like action sequences with a heavy dose of cheesiness.

Reporter April O'Neil (Megan Fox) discovers the Teenage Mutant Ninja Turtles were her childhood pets that had been injected with a mutagent by a corporation run by her late father and his partner Eric Sacks (William Fichtner.) Her cameraman Vern Fenwick (Will Arnett) tries to help her out while everyone thinks she is crazy about her rantings of vigilante turtles. Meanwhile a criminal gang led by Shredder plan to unleash a virus throughout the city.

The film is entertaining for kids and is undemanding fun. There are explosions, dramatic and over the top action sequences, plenty of quips, a comedy sidekick in Will Arnett. The film avoids the flabbiness that marred the Transformer sequels and like a McDonalds cheeseburger, it fills you up in the short term and would soon be quickly forgotten. Still nothing wrong with a bit of mindless diet of junk every now and then.

I was never a big fan of TMNT, but the concept was always a unique one. Instead of the far east style of mutual cold looks and "Yaaa!" yells, while the tough good guy fights a cruel enemy, you get these "karate kids" who are in fact mutants and they fight the almost super-human villain.

You get the tension of they having to hide in the sewers as they are still being feared by us - regular people - and the realization that as much as we admire them we also want them on the research table. Add to that the character of April - a journalist who finds herself in triangle of conflict (up yours Louise Lane!): a journalist who uncovers secrets, the confident of the turtles and (in a way) the role of the mother, who would rush to danger to help them and protect them.

This could be a great platform for a good deep movie heavily spiced with great ninja action. But instead what did we get...

1) An absurdly idiotic storyline which kinda gives you the feeling that the story writing was revolving around the already shot action scenes.

2) Action sequences which appear to be copy paste from transformers and only replaced by turtles (I don't count shredder as he always looked like a robot).

3) The role of April is basically something I would put in "Little Pony", which is reduced to nothing more then a brain dead, incoherent (she's a goddamn reporter for crying out loud!) and basically doesn't contribute anything to the good cause.

On the plus side:

1) It was nice that they emphasized the uniqueness of each turtle beyond the color of the head band. Their entire gear is crafted to their different personalities.

2) In the past movies or TV series they were always turtles fighting in human style, in here for the first time they make use of their physical turtle attributes.

Bottomline, this movie could have been so much better, and it feels like it was a wasted opportunity. a reboot I might watch, but if there is a number 2 on the way, then yeah...I'm not giving it another 2 hours of my life.

Folks, it's no exaggeration when I say this one is bad. And I'm not just reviewing it as a Teenage Mutant Ninja Turtles movie. The Ninja Turtles are a lore. Every telling of the story deserves its own version, like Dracula, Sherlock Holmes, or Batman. Adam West, Michael Keaton, Christian Bale, and Ben Affleck all play different versions of Batman in different universes. Though I have a version of the Turtles I like best, I can set aside that prejudice for this review. It's just a very awful film. It's so bad, I don't understand how the current rating stands at 6 stars.

The movie has no real sense of identity, like the filmmakers really had no idea what to do with it. Where are the Turtles going to go? What are they going to do when they get there? Is it going to be spring time or winter? Should it be in the city or in the mountains? Low to the ground in dark settings or high up on roof tops in broad daylight? Are the Turtles stealthy ninjas or mini-Hulks that just needlessly destroy stuff? And are they main characters or secondary plot pieces? Is April O'Neil tech savvy, or does she still conduct interviews with pen and paper? (Through the first half-hour, perhaps even by the end of the film, you'll have a tough time convincing yourself the title shouldn't have been "April O'Neil: The Movie.")

It's very evident that the writers did not know how to work with "Teenage Mutant Ninja Turtles." Again, this has nothing to do with a faithfulness to any kind of version of TMNT. Just, really, they had no clue how to make those four elements work. They're not so much teenagers as they are just dumb. The movie lets the Turtles aspect be self-implied. The Mutants part as well, though it does play loosely into the plot (heh, just kidding, there is no plot). The idea of ninjutsu, though, is a complete afterthought. Seriously, it's just sandwiched in there somewhere and plays no relevance to the story whatsoever, nor has an identifying presence for any character, even Splinter or Shredder.

Yeah, Shredder. That's a whole other useless incorporation. The guy is somewhere between a clunky Power Ranger villain (the ones in great big suits that don't move very well) and Bane from "Batman and Robin." He doesn't even fill the main villain role. That "honor" would go to William Fichtner's character, Eric sounds-like-sex Sacks. Shredder's just a tool. His appearance, fighting-style, and overall awkwardness are all loud, awful reminders of how the filmmakers knew nothing about ninjutsu or how to use it. "You know what? Just make 'em fight with ninja weapons, put lots and lots of blades around, and be sure the word 'Japan' gets into someone's origin story somewhere. Close enough."

Yes, the Turtles are kind of funny, but it's completely incidental. There were times when the movie tried to force something humorous, but in the theater I was in, no one laughed. And I was in a packed house. Their personalities are nothing but typecasting: Leo is the serious control-freak, Raphael the brooding B.A., Michelangelo is a goof-ball, and Donatello is the inventive... nerd! Yeah, nerds are inventive, right? Let's make him a snorting, glasses-wearing dork! You know what, just make him Simon from Alvin and the Chipmunks. You never feel like you get to be a part of the Teenage Mutant Ninja Turtles. They're just kind of there. The viewer is more watching from April or Vern's vantage point, never fully involved in the brotherhood.

There's a whole lot more stupid that goes on for the sake of convenience: like Donatello's bo able to flip over an SUV, or the fact that an iron construction beam can't support the weight of Leo and Donnie, but Raph who comes to their rescue can (what, are they as heavy as semi-trucks?). Watch out for the abundance of product-placement. This is a Michael Bay produced film, remember. At one point, Splinter pretty much monologues a Pizza Hut ad.

In closing, I want to leave you with this, because until we get this, these horrible, ridiculous movies will continue to get made. In an interview with an MTV whoever, TMNT producer Michael Bay said that he doesn't care if people think his movies are bad. Speaking specifically about the latest Transformers installation, "They love to hate, and I don't care. Let them hate. They're still going to see the movie!"

This movie is a poo-pile of a film. I'm intentionally avoiding the usual puns like "it was a shell-acking" or "I left the theater shell-shocked" because, again, my affinity for the Teenage Mutant Ninja Turtles has nothing to do with how bad this movie is. As long as we keep paying to see what we know is going to be a bad movie, they'll keep getting made. And it doesn't matter that they're bad, because we'll pay for it no matter how bad it is.

Or maybe these movies keep getting manufactured because there is actually a niche of people who like them. After all, it has a rating of 6 out of 10 stars...

No matter how the name Michael Bay is attached to a fantasy adaptation, people will complain anything about the project. But as a producer, does it affect much to Teenage Mutant Ninja Turtles? Surprisingly yes. As the same as the public response about the Transformers franchise, people turned out to be ranting at the wrong stuff. At the post-viewing, maybe we can accept the heavy reliance to cartoony CGI, or the large amount of explosions, or the really poor plot. The real sin of these movies is its lack of interest to its main heroes and instead focuses on the human characters. Which is a shame, because it somewhat gets it right with the turtles, their stories are more interesting than the one we ended up seeing. The film does have some rewarding moments, but it just keeps hindering us to the less interesting parts which makes it disappointing.

It is clear that if follows the same screen writing rules of the last Bay franchise. Instead of being about the Ninja Turtles, it rather centers on April O'Neil. Instead of fearing the Foot Clan, the threat would rather focus in some evil corporal manager. Any larger-than-life characters from the source material have only left out as the secondary need of the journey: the turtles are now plot devices and the Shredder is, for some reason, a henchman. I bet the fact that Casey Jones wears a mask is the reason why we can't have him in this film. For the story of April, it might only work as a subplot. There isn't enough theme or intrigue to accomplish unlike the one from its actual heroes. There is some talk about Raphael mistreating his brothers, which is a theme that was already done better in the past TMNT movies, and Master Splinter's backstory as the turtles' father, which is only presented for expository need. They don't get the development they deserve, which makes the drama in the end feels so forced and less than effective.

April's arc would have been tolerable if it gives her more moments to actually connect with the turtles, but the only information it could provide is that they're her childhood pets, she's only using those beloved characters to her job, teasing us the much interesting world beneath the sewers. The palpable respect we may give to this film is the humor. It may not be fantastic and all, but it's not bad either, at least it defines one of its personalities. The action is obviously large and destructive, well at least we get to see more ninja action. The acting is predictable: Megan Fox's humanless expressions make her April O'Neil difficult to root for. The voice and motion-capture actors worked better for having a sense of fun in their enthusiasm.

The single greatest scene of the film is when the turtles are making a tune out of an elevator sound. That is one of the reasons why we love these characters anyway. Newcomers will still convince the fans to give up nostalgia and move on to the changes, but that doesn't mean it has to diminish it as a generic/bland action blockbuster. The film just won at the box office, so definitely there will be a sequel. The only advice we could wholeheartedly give is to have more love to the heroes. We did saw that occasionally, but we hope to have more of their sewer life with their pop cultural obsession and mass consumption of pizza, plus have interesting villains, some real and not forced familial themes, and at least a solid plot since these Ninja Turtles movies hardly ever had one. The fights were the only parts that weren't tamed from them, because apparently that is what the filmmakers are mostly interested at. It just isn't enough, and as a fan, they should have focused on rebuilding its already richer world than this.