CALIFICACIÓN DE IMDb
5.9/10
6.6 k
TU CALIFICACIÓN
Una historia de amor psicosexual, ambientada en Las Vegas y París, sobre el amor, la obsesión, el sexo, la traición, la venganza y, en última instancia, la búsqueda de la redención.Una historia de amor psicosexual, ambientada en Las Vegas y París, sobre el amor, la obsesión, el sexo, la traición, la venganza y, en última instancia, la búsqueda de la redención.Una historia de amor psicosexual, ambientada en Las Vegas y París, sobre el amor, la obsesión, el sexo, la traición, la venganza y, en última instancia, la búsqueda de la redención.
- Premios
- 1 premio ganado y 2 nominaciones en total
Amy Argyle
- Rachel
- (as Amy Lawhorn)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I'm a little surprised by the current 5.9 rating on here, so I really felt I needed to write a review.
The film is a little offbeat, definitely not your standard Hollywood fare. It's gritty, and fairly uncompromising. It takes place in Las Vegas and Paris, and the reason I mention that is because this sort of feels more like a French film than the American film that it actually is.
It is an American film that was selected for Sundance, and then was picked up by a Hollywood distributor.
For a person like myself who has literally seen thousands of films from all over the world, I understand and appreciate the rarity of realist films like this with very human characters and very real feelings.
I enjoyed the film entirely, and I definitely plan to watch it at least one more time in my life. It's a good film at the very least, and perhaps even better. I suspect that I may even rate this film a little higher upon a second viewing. It's one of those types of films that may be enjoyed even more with a less surprised viewer, because yes, the film like real life is a little unsettling at times. There was no doubt at the end of the film however that I definitely enjoyed it a lot.
I must mention that I thought both Shannon and Poots were nothing short of tremendous.
To end, let me just say that if you want something not so standard, or you're a huge film buff who's seen tons, definitely see this film!!
7.5/10
The film is a little offbeat, definitely not your standard Hollywood fare. It's gritty, and fairly uncompromising. It takes place in Las Vegas and Paris, and the reason I mention that is because this sort of feels more like a French film than the American film that it actually is.
It is an American film that was selected for Sundance, and then was picked up by a Hollywood distributor.
For a person like myself who has literally seen thousands of films from all over the world, I understand and appreciate the rarity of realist films like this with very human characters and very real feelings.
I enjoyed the film entirely, and I definitely plan to watch it at least one more time in my life. It's a good film at the very least, and perhaps even better. I suspect that I may even rate this film a little higher upon a second viewing. It's one of those types of films that may be enjoyed even more with a less surprised viewer, because yes, the film like real life is a little unsettling at times. There was no doubt at the end of the film however that I definitely enjoyed it a lot.
I must mention that I thought both Shannon and Poots were nothing short of tremendous.
To end, let me just say that if you want something not so standard, or you're a huge film buff who's seen tons, definitely see this film!!
7.5/10
Michael Shannon, one of my favorite actors, works a lot and takes chances with inexperienced directors so there are bound to be some misfires. Frank and Lola is definitely one of the misfires.
Director and writer Matthew Ross blew the beginning and tried to compensate for this early mishap in the editing room. The first twenty minutes, improperly composed, distract from essential character and relationship development necessary to the story's foundation. It is as though a slingshot is never quite pulled back and so the stone simply dribbles to the ground, missing its target.
The actors can not be faulted, the premise is intriguing and the potential for an unusual, impactful film exists here. It is just a disappointment that it never comes together despite the great actors involved.
I do not recommend this film. The theme of trust in relationships in a story involving jealousy and sexual intrigue should be much more compelling.
Director and writer Matthew Ross blew the beginning and tried to compensate for this early mishap in the editing room. The first twenty minutes, improperly composed, distract from essential character and relationship development necessary to the story's foundation. It is as though a slingshot is never quite pulled back and so the stone simply dribbles to the ground, missing its target.
The actors can not be faulted, the premise is intriguing and the potential for an unusual, impactful film exists here. It is just a disappointment that it never comes together despite the great actors involved.
I do not recommend this film. The theme of trust in relationships in a story involving jealousy and sexual intrigue should be much more compelling.
"Beware, my Lord, of jealousy, it is the green-eyed monster that doth mock the meat it feeds on." Iago in Othello
Frank (Michael Shannon), a top-rated chef in Vegas, falls for young fashion designer Lola (Imogen Poots) and that's the beginning and end. That is, his uneventful life just became upended by a girl he needs to trust but doesn't appear to merit it. Such is the conflict and drama of this small, tense, and satisfying drama with just a hint of thriller.
While Frank & Lola is a modern romance fraught with uncertainty because the principals orbit by themselves hoping to collide with love rather than let it ripen. The not-so-likely love between this older man and younger lost soul doesn't so much move on lust as it does on the couple's passion to do the right thing in the face of their defaults.
Lola's one-night stand and her admission to Frank start him into a spell of mistrust that propels the film thereafter. The film's center is in Shannon's believably smart man tossed in jealousy and mistrust that leads to violence and uncertain rapprochement with her.
Poots is marvelous as a lost soul looking in the wrong places--her eyes are the most soulful and vulnerable in cinema today. Shannon's minimalistic acting relays the perfect hard-boiled hero of few words. But be careful, he can see into your heart and with a word or two tell the whole sordid details of your innocence lost.
Frank & Lola is heavy on engaging dialogue and light on thriller action. Its strength is relaying how little we know about the ones closest to us.
Frank (Michael Shannon), a top-rated chef in Vegas, falls for young fashion designer Lola (Imogen Poots) and that's the beginning and end. That is, his uneventful life just became upended by a girl he needs to trust but doesn't appear to merit it. Such is the conflict and drama of this small, tense, and satisfying drama with just a hint of thriller.
While Frank & Lola is a modern romance fraught with uncertainty because the principals orbit by themselves hoping to collide with love rather than let it ripen. The not-so-likely love between this older man and younger lost soul doesn't so much move on lust as it does on the couple's passion to do the right thing in the face of their defaults.
Lola's one-night stand and her admission to Frank start him into a spell of mistrust that propels the film thereafter. The film's center is in Shannon's believably smart man tossed in jealousy and mistrust that leads to violence and uncertain rapprochement with her.
Poots is marvelous as a lost soul looking in the wrong places--her eyes are the most soulful and vulnerable in cinema today. Shannon's minimalistic acting relays the perfect hard-boiled hero of few words. But be careful, he can see into your heart and with a word or two tell the whole sordid details of your innocence lost.
Frank & Lola is heavy on engaging dialogue and light on thriller action. Its strength is relaying how little we know about the ones closest to us.
Frank & Lola- honestly i fell in love with this movie the moment i saw the poster. It looked like an intense love story and it was! i enjoyed watching this film. Debutant director Matthew Ross proves he has talent & he did a decent job considering his first movie. Wont be revelaing the plot as it will spoil the fun for those wanting to see it. Micheal Shannon is such a terrific actor. He played the possessive and intense lover superbly... I fell in love with actress Imogen Poots...such a beauty <3 ..even she has given a fantastic performance. Both have dynamic chemistry on screen. Its a 80 min crisp movie and i liked the way the movie ended..IMO it took the film to another level. Highly recommend to watch this film for the acting and story.
Maybe mild spoilers... Thought provoking movie about relationships and adultery trust and love. It kept me wondering where it was going and had a lot of tension and the performances helped this never quite sure who was lying, it seemed like it was heading to an exciting conclusion then just kind of trailed off, maybe that was the point of it like they are doomed to do this cycle repeatedly, but yea unsatisfying when you just want this character to have happiness, maybe that is the point too he can't be helped he's either unhappy with or without her. Maybe it is about embracing your dark side maybe he is lying more by not doing that. Maybe everyone is flawed. I could be giving it too much credit but great cinematography and acting, worth it for that at least.
¿Sabías que…?
- TriviaDirector Matthew Ross had been trying to make this film for ten years prior to its release in 2016. Imogen Poots (Lola) admitted that his dedication attracted her to the project and it was a large deciding factor in her signing on.
- ErroresFrank cuts his right hand in the kitchen, then when he is shown in the shower it's his left hand, and then in the next shot on the phone it's his right hand that is cut. In fact, the shower shot is seen through a mirror, so it is always his right hand the one he accidentally cut.
- Bandas sonorasTell Me Why
Written by Phil Sanders
Performed by the Break of Day
Courtesy of Big Legal Mess Records
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- How long is Frank & Lola?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 9,188
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,747
- 11 dic 2016
- Total a nivel mundial
- USD 9,188
- Tiempo de ejecución1 hora 28 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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