The Keeper

Just another mid 2000s Steven Seagal action flick, hard cuts lots of stunt doubles doing crazy things while Seagal stands there and waves his arms and waddles around smacking and shooting ppl

this time he is a cop recovered from a near death who helps a friend with his kidnapped daughter mostly non sense script as per usual. Plot kinda useless in these

Just enjoy the cringy and absurd dialogue and lots of seagal smacking guys and slapping and tossing them all over the place just don't ask questions you won't really get answers

hey yall fahgot ya knife man in that Louisiana twang with a waddle swagger.

The Keeper: Seagal's delivers another film. The regularity of his releases brings a sense of excitement (well, to Seagal's fans anyway) but also trepidation. Will it have dubbing? Will it have doubling? Will it just plain old suck? On the most part, Seagal's DTV release normally tick a yes to all those questions. In recent years, Pistol Whipped and Renegade Justice were watchable exceptions. Pistol Whipped in particular was almost worthy of Seagal films of old. His last two have been pretty poor. Kill Switch was abysmal, while Driven To Kill was mediocre, suffering from lacklustre direction, poor cast, an all too whispery Seagal, and terrible editing. So does the Keeper deliver? On the whole…yes! Okay, this film isn't great by any stretch. But it's serviceable, and it kicks ass as well. Seagal actually has a bit of character in this, and shows off a bit more of the charisma that made him a star. As well as that, the co-stars are better than in his last few films, while the previous company he worked with, for Kill Switch, and Driven To Kill, has a reputation for half-assing. At least for The Keeper, there's a greater sense of effort to make something that delivers for the fans.

The Keeper opens with a worrying start. Dubbing! Oh dear lord! Not dubbing. However it's just in the beginning few lines, and in truth it's a couple of lines that are really needlessly added in. There was only one other moment later in the film I noticed any, but again, it was pointlessly added in. Mr Stand in still gets some screen time of course, but not that much. I'm also pretty sure, Seagal's double was given a supporting role in the film as another character, because one of the cast looks like he could double for Seagal for behind shots.

But anyway, The Keeper is a Seagal film, and first and foremost, it needs to kick ass. And it does. The action has a bit of punch to it. The gun fights are quick and punchy, while the fights are bone-breaking and violent. Sometimes in Seagal films, they stretch the action scenes out, and make them dull, when short and snappy would be better, particularly in hiding the budget. Generally here, the action is short and to the point. The only problem is, that the film could have done with more action, as the pace drags at times. There aren't many fights, but they are tightly edited, and Seagal beats the hell out of the bad guys. There's not quite some of the ingenuity to the fights that we saw in Pistol Whipped, which is a shame.

Keoni Waxman does a service-able job in direction. He's got more of an eye for direction than Seagal's previous director, Jeff King (who's first name is actually Wan). Truthfully he never does anything beyond okay, but in DTV land, that can be a blessing. And in fairness to him, he never does anything that's too lame. Seagal himself seems more interested in what he's doing here. He's back to his badass self, and showing some charisma again too. He won't be winning any Oscars, but at least there is some sort of character for him, and the film manages to throw in some moments of humour too. His last couple of films were slightly wretched to be honest. Elsewhere, the music is not too bad, and the film is his best looking one for a while (the main disappointment on Pistol Whipped was that it was shot on Super 16).

Overall though, this is a decent DTV film. It delivers what you'd expect. Some action, and some badassedness. The plot is simple, and again, for Seagal, that is better. No CIA intrigue sub plots to drag the film down. It also avoids the usual Seagal, revenge line, that's become a little tiresome for him. Early on in the film there's a few moments in the plotting that are just really, really (and I mean really) dumb, but they don't really drag the film down too much. At least The Keeper delivers the minimum you'd want and expect from Seagal. As for Seagals next two DTV specials, he'll be back with director, Keoni Waxman, which is a good sign. On The Run looks more action packed, so hopefully won't suffer the pacing issues of this film. It might lack some of the character of this one though. ***

As Steven Seagal is no longer in his prime, so is the character he portrays in The Keeper. Some things haven't changed of course, No matter what name he goes by, he is still the same butt kicking rogue he has always portrayed, with the facial expression of a Maori Head.

The plot seems kind of pointless, but then again that is the least of worries in a Seagal film. He is recruited from California to help a wealthy ex-cop and an old friend who lives in Texas, and is in need of a body guard for his daughter. She has been kidnapped by some business rivals. The first question we ask is why, turn to Seagal. Strangely enough, the character asks that very question in one scene. The answer he gets makes little sense.

So this is the first of a few things that needs to be fixed in The Keeper. There is also the matter of Seagal's acting, which was never very good to begin with, but now, at his present age of fifty something, is sounds like he is struggling to even get words out, let alone deliver lines. Unless you have a good speaker system, you may have to turn the volume way up to hear. the climax was okay, but the ending is terrible, almost non existent, another couple minutes would have been nice.

Quite frankly though, I don't care that much. The fact that Seagal can still hold my attention despite the fact that he's losing it, must count for something. I still have many to see, but from those I have, I'd say this is about average, maybe a little less.

An American action thriller; A story about a policeman who is double-crossed by his partner and relieved from duty on medical grounds but is approached to protect the daughter of an old friend. Next stop Texas for the aikido master. Seagal looks of pensionable age so not so convincing as a cop, but as a personal bodyguard he is more convincing and carries the part with a modicum of charisma. Sound is a problem in parts, where audio levels are a bit low, but otherwise this is a film of adequate structure and sharp editing. All in all, a film that meanders in the first act and treads water in the second, rescued only by intermittence: Seagal being put to work his impressive martial arts.

There was nothing of much interest on TV a couple of nights ago so I stumbled onto this one. I used to like Steven Seagal when he still made "real" movies so I thought, what the heck, let's watch it. I cannot say that my hopes were high though. After he started to spew out direct to DVD movies he have made some real crap ones.

I have to say that I was somewhat positively surprised. Sure it is not exactly Oscars material but it is a decent enough TV-movie and Seagal was pretty okay in playing the fairly silent but deadly ex-commando, or in this case ex-cop, that I personally want to see him as. Some people complain that he doesn't care and that he mumbles his dialog. I cannot say that I agree. He played his role as I would have expected. His silent manner, low voice and absence of emotions and outbreaks is what I hope for when I watch a Seagal movie. Also, the fighting in this movie was fairly okay compared to some of his movies where he seemed to be so out of shape that he just stood around and flapped his arms.

The story? Well pretty standard meh TV-quality bad guy tries to muscle in and extort the good guy. Good guy has daughter. Good guy's daughter gets kidnapped. The hero moves in and saves the day. Nothing really innovative and fantastic but good enough to serve as an excuse for some on-screen action and reasonably well implemented.

Not really a bad movie. Of course not really anything more than you would expect from a direct to DVD movie but not bad either and, as I said, way better than some of the crap Seagal have produced.