Familier som vores

There was the Kierkegaard quote on the leap of faith but this series remained stuck in the aesthetic phase fair and square. Upper middle class families tumble down the wheel of fortune to expose how bad we are with refugees and how awful the Poles are. At the same time the protagonists lack a realistic sense of self-preservation and resilience, in other words: quite dumb. In its attempt to be a morality play its ethics and lack of humanism are very problamatic. So quote Kierkegaard as much as you like: on the surface, okayish for a few hours of entertainment but deeply flawed in its political messaging and dramatic depth, zero fathoms deep.

The idea is good here. Showcase what it means to be a refugee, by making the Danes go through what is happening to many in war ridden countries. Acting is fine as well.

However it just becomes too forced. There are situations where main characters makes such stupid decisions that it became unbelieveable and nearly unbearable to watch. Add to this that it is incredibly slow at times, especialy the last few episodes are just dragged out. It could have been maybe 4 episodes instead.

I would still recommend Danes to watch it as a learning exercise of how it is to be a refugee. The empathy refugees deserve is for sure missing in todays society.

This Thomas Vinterberg's series looks about a doomsday of denmark, making audience expect "Roland Emmerich moments" with CGI catastrophe like "Copenhagen underwater"? No, Vinterberg has his own style, and his own concerns to tell a story full of passion, sympathy and self-reflection.

Is the main audience European and North American? Maybe, and people's experience would make different perception of this series. I am the son of a refugee family who escaped wars, I myself was a "skilled worker" in an immigration program me to a western country. We know the bureaucracy and chaos to enter a country, facing hostility and violence worrying about any circumstances. However, after finally settling down, we always keep in mind the generosity, hospitality and all the good wills of kind people, no matter the living condition is high class or not.

What I cherish in this series, is that this time it's the middle class white family having a touch of a refugee's life. The main family and its members in this series is high middle class, living high quality life, especially in a welfare state that the whole world envies. Yet in the beginning of the story they don't have a clue how fortunate they are. When a catastrophe comes, they try everything to keep the living standard as before, not willing to lead a simpler life or share resources with other people. They are one family and only cares about their family, not realizing there are thousands of "families like ours".

As the show progresses, at first they are all luckily welcomed by people in different countries, where they can still have good jobs and promising future, but they are so "spoiled" that eventually spoiled all the good chances. Some characters even went into the worst nightmare a refugee could get into, facing all the risks and dangers even the hostility and malice. We third world nationals had a lot of stories like this, and the series just let white middle class danish characters to go through it too.

Only when they face the worst, lose everything and yet still manage to survive, they could start realizing how fortunate they were, and how different people around the world are living their lives. Life can be simple and even poor, but what matters is the kindness, humanity and love among people. Even if your homeland no longer exists, you can still live the best of a humble life, and celebrate the beauty of life wherever you are.

This series deals with both global warming and refugee crisis that Europe is facing in 2020s, and it encourages European citizens to contemplate: will we be refugees one day? Will we be any different from the refugees we are receiving today? As the world is on a decline, and the society will lose a lot collectively, are we able to and willing to share what we have and what we lose with others? Always remember it's not only about "our family", but also about all the "Families Like Ours".

In Thomas Vinterberg's Families Like Ours (Familier som vores), characters face impossible decisions in what could have been an over-the-top apocalyptic sci-fi series. Instead, within the environmental framework of disaster, Vinterberg stays focused on the human cost. It's ironic to see some reviewers question how certain characters could be so stupid or myopic in their decision making, but the series shows how difficult it is for people faced with impossible choices, particularly emotional ones, to think clearly when they're losing everything else.

The series is blessed with some excellent Danish actors--but it's the two young leads (Amaryllis April August and Albert Rudbeck Lindhardt) who pull us in and keep us connected. It isn't that the other actors aren't excellent (Nikolaj Lie Kaas and Paprika Steen always reliable)--but the stories of Laura and Elias are simply more riveting--and extreme. The series also pushes at the notion that becoming a refugee can only happen to "others," illustrating what happens when even well-off Danes become unwanted migrants. The human dilemma is simply human, at all costs, even if you start out on better financial footing.

It's very hard to watch some of this series, especially some of the violence, but it's necessary to see what can happen to anyone. Determination alone doesn't ensure anything in a world like this--though it helps. Sometimes faith and acceptance bring some stability, as with Fanny (Steen), and at others it brings disaster anyway. We move toward an unclear resolution, the most we can hope for in this fictive world.

It's so annoying to see this Laura character and her foolish naivety. She must be the biggest crybaby ever.

Stubborn, silly, and definitely not a representative 17-18 year old Scandinavian girl. The idea for this series is good, but the script is not realistic. I know Danes are stubborn, but some of these characters are both stubborn and so incredibly lacking in street smarts. Too bad Winterberg did not see this. It feels like the series misses the mark on portraying believable characters, making it harder to feel invested in their journey. Such a wasted opportunity for depth.

I can just agree with the Gilles Character that says Jacob and his wife are just spoiled persons.