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Just saw this with my daughter who is 13. She has just recently seen all the John Hughes 80's movies (Sixteen Candles, Breakfast Club, etc.) and said it felt just like one of them. I couldn't agree more - great direction and just a hint of a wacky feel to it. Realistic, fun and interesting *normal* parents that don't take the world too seriously and want to be there for their kid.

The only parts that didn't hold up was a couple of logistical things (like a girl that good looking not having any guys following her around, and having a best friend who is such a ditz). All in all though the plot stuck together, was edgy in a few ways, and thoroughly entertaining. I'd put it on the shelf right next to the John Hughes films, and that is a distinguished place indeed.

It's always nice to see a comedy that doesn't meander around the same stupid gags insulting my intelligence time and time again. I was very happy to see a different kind of teen comedy that was much more sophisticated than the films it branches from and even parodies in many creative ways. Easy A is about a typical high school girl named Olive (Emma Stone). Olive has never been popular and has never really been noticed by anyone, and I don't see why considering Emma Stone is absolutely beautiful but that's beside the point. Anyway, Olive, without thinking things through, starts a little white lie about losing her virginity. This lie spreads to the rumor mill and spreads throughout the whole school ridiculously fast, which is one of the bigger themes of this movie that focuses on a lot of the necessary flaws of high school, one of the most incessantly emotional periods of our lives. Obviously, the rumor quickly gets out of hand and Olive's reputation as the school slut grows. Instead of backing down here, Olive exploits the rumor mill for her own social and financial gain, as guys pay her to pretend to have sex with her. The themes and criticisms of high school life in this film are valid, but thankfully they aren't overbearing and the entire movie becomes a laugh out loud blast.

First off, the dialouge of Easy A is surprisingly great for a film set around these kinds of teenage archetypes. It is much more intelligent sophisticated than the typical pandering you hear coming out of the mouths of teenagers. It adds a whole new level of respect to the film that keeps it very lively and fresh. But the dialouge isn't cocky, thankfully, and I never got the sense the writer was trying boast his wide vocabulary. He went a totally different route, and used it to the advantage of more characterization. Olive is much smarter than her peers and her language reflects that. There are plenty of other characters in the film that obviously don't come close to her sophisticated insight into the world and are the true bimbos and airheads. Their dialouge is much more typical of a teenager, and it reflects a very distinct level of characterization that had hilarious results. Needless to say I felt much smarter watching this film than some of the other crap I've subjected myself to in recent years.

Easy A also has a great variety of characters. Olive is already a very fun character who leads the story perfectly, keeping it interesting all the way through. But then there are other characters like Amanda Bynes as Marianne, the Christian nut job of the school. It's obvious to see where a person who boasts about premarital sex versus a religious zealot is leading, and these two characters are hilarious to watch interact with all their snappy and quick witted dialouge. The male roles are arguably the weakest of the film, but its not as big of a deal when the whole story primarily focuses on the social interactions between high school girls. Gossip is obviously a huge part of the story. But apart from the younger cast the older cast also fall into some hilarious roles. Patricia Clarkson and Stanley Tucci play Olive's parents and there isn't a moment with these two on screen that you aren't laughing your head off. This duo plays off each other so well and it makes for some of the most hysterical scenes of the whole film. Then there are other great adults in the film like Thomas Haden Church as the fast talking and sarcastic English teacher who you can't help but love. Malcolm McDowell even cameos as the school's principal and has a couple of short but funny scenes. Overall you couldn't ask for a more fitting and entertaining cast.

Overall, Easy A doesn't provide anything groundbreaking or revolutionary to the comedy genre, but it is certainly a breath of fresh air that keeps my hopes alive for the comedy genre in this age where there are so many god awful comedies being released. Easy A isn't perfect by any stretch of the imagination. The story sort of becomes a mess towards the end and it seems to be going off on a lot of random tangents. And then it is all resolved rather simplistically for how all over the place it was. I also have to say that the moral compass of all these characters, especially Olive, is pretty out of wack. Some of the decisions are a little strange and seem ridiculous at times, but I guess it only reflects the naivety of a teenager, and how much we still have to learn. But overall you can't complain too much when you are delivered an overall satisfying and hilarious experience.

Greetings again from the darkness. This is an obvious (and proud of it) homage to the great teen films of John Hughes. It is updated for this generation of teens - replete with FaceBook, texting and webcam. While this one may not have the fully realized characters of the Hughes films, it actually takes things a step further in its commentary on many topics: family life, parenting, religious zealotry, rumor-mongering and the public education system.

Writer Bert V. Royal's script delivers an intellectual and comedic look into high school life ... told through the eyes of the smart, "invisible" girl. Just a brief overview will be offered here so as not to take away from the multiple layers.

Emma Stone ("Zombieland", "The House Bunny") delivers a star-making performance as Olive. Forced into a faux-confession by her best friend, Olive experiences the efficiencies of digital gossip spreading as word leaks regarding the apparent loss of her "V card". Even though this one is based in Ojai, California, it's nice to know that high school promiscuity is still met with a certain stigma. Here that stigma is compared to Hawthorne's expert novel, The Scarlet Letter.

This sets into action a series of unforeseen events. The school's religious nuts, led by Amanda Bynes, take Olive's situation as a personal affront and spend a great deal of effort trying to punish her for her sins. At the same time, the geeks and dweebs view Olive as their savior and proceed to take advantage of the opportunity.

While she is presented as a very sharp-witted, well-grounded teenager, Olive experiences the enormous power of a reputation. All of this is balanced out by her extraordinary relationship with her free-spirited, yet wise parents played by Patricia Clarkson and Stanley Tucci.

I can't possibly do justice to the script or the numerous topics broached, but I will say that it's a welcome new approach to teen movies. The usual schlock sex is replaced by sharp quips and real pressures. Do note that the dialogue is filled with much harsh language that wouldn't be welcome in an environment other than a high school campus. Further support work is offered by Penn Badgley as the good guy, Thomas Haden Church as a new world cool teacher, Malcolm McDowell as an old school principal and Lisa Kudrow as a guidance counselor (in a role that gives me permission to feel the disgust I usually feel when she is on screen).

Don't be scared off thinking this is another lousy teen flick. It is instead an insightful comedy that plays well for adults and teens. While you may not agree with all of the social observations, I believe you will agree the film is presented in a most entertaining and insightful manner.

What drew me to this film were the cast, on paper this was a great cast capable of great performances. And that's exactly the case watching Easy A. While there is nothing groundbreaking and while the cast drew me in initially the concept was a kind that was kind of interesting but could've gone either way.

That said, Easy A is lushly filmed with the cinematography and colour palette simply lovely. There is also a sparkling score, a good well-paced story, strong direction and a likable assortment of characters.

The two components of Easy A that really worked were the script and the cast. The script is not only fresh, but very funny too. In the cast also, I don't think there was a single cast member I didn't like, the first time in a film in a good while that's happened.

Emma Stone is truly charming and a breath of fresh air, while Amanda Byrnes with her witty humour is a hoot. Stanley Tucci gives one of his better performances in recent years and Patricia Clarkson is equally delightful. Thomas Haden Church is also hilarious, and it was really nice to see Malcolm McDowell again.

Overall, a funny and charming film and easy to like. 8/10 Bethany Cox

Easy A stars Emma Stone as she takes on the role of a very different type of High School student who, despite the image she acquires throughout the movie, endures her tribulations with astounding indifference. If Emma Stones character wouldn't have carried with her that perpetual gleefulness, the movie might have just moved in a completely different direction. Though the movie was undeniably a comedy, I could not help but ponder over the dark undertones that loomed in the background of all the comedy.

Olive is an outsider, as we quickly pick up when she spends her weekend chanting ''A Pocket full of Sunshine'' alone in her room. For some, this may well be the most funny part of of the movie; for me, it was sort of depressing. To me, it emphasizes her lack of a social life, and it is how I felt when I first saw the part. I understand this is far from how most others perceive this part of the movie, but anyways...

Olive is also incredibly intelligent, and her snappy and witty retorts stay with her all throughout the movie. She leads a distanced life but appears to be a contended, courageous and confident girl with little social angst. Her relationship with her laid back parents (who were, by the way, one of the funniest proponents of the movie) is open and genuine. With a sudden lie to her best friend, Olive's life transforms from being an overlooked girl (which appears a little strange judging by her look, but im digressing...)into a whirlwind of exaggerated rumors,boosting her image into someone of a more than, to phrase it nicely, liberal sense of promiscuity.

The movie itself was great. Don't get me wrong, it did contain many funny moments and was distinctly comical. However, I myself saw potential in the movie to be meaningful, and for a movie to be meaningful, it requires realism. I hardly think the scenario presented in Easy A resembles real life. Characters were, at least mostly, very stereotypical and flat. OK, maybe not all of them. Anyways, I hope you get my point. As far as Olive goes, I had just one critique, which is once again digressing from the comedic theme of the movie. I couldn't quite grasp how lightly she took her mortifying daily life. (Potential Spoiler!) How did she just suddenly become a beauty goddess brushing off guys with a sort or royal indifference when it wasn't even clear if she had ever kissed a guy before. An innate confidence, maybe? Just a few things to consider from my point of view, none of which really interfered with the comedic scheme of the movie.

So, let's talk of the comedic value of the movie. Honestly, I didn't have awfully many ''laugh-out loud'' moments. Probably (and here we go again ) because of the dark undertones whose probability of being explored by the writers I failed to discard throughout the entire movie. I think that if I would re-watch the movie with a more comedy-oriented mindset it would indeed be funny, but its first impression on me was undeniably thought-provoking. Taking aside all of the stereotypical clichés, I really think this movie has something to say.

Feel free to disagree with me. Maybe I'll re-watch the movie and jump to a different conclusion.