CALIFICACIÓN DE IMDb
5.9/10
11 k
TU CALIFICACIÓN
Dos hermanos se embarcan en un viaje con su padre, que intenta protegerlos de una amenaza alienígena.Dos hermanos se embarcan en un viaje con su padre, que intenta protegerlos de una amenaza alienígena.Dos hermanos se embarcan en un viaje con su padre, que intenta protegerlos de una amenaza alienígena.
- Dirección
- Guionistas
- Elenco
- Premios
- 5 nominaciones en total
Stefan Sims
- Ernie
- (as Stefan S. Sims)
Melissa Jo Bailey
- Cashier
- (as Melissa Bailey)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Reviewers say 'Encounter' receives mixed reception due to misleading sci-fi marketing, disappointing those expecting alien themes. Praised for strong performances by Riz Ahmed and child actors, and its exploration of PTSD and mental health, it faces criticism for inconsistent writing and an anticlimactic ending. Some appreciate its dramatic, psychological shift, while others feel deceived by the marketing. Cinematography and direction are lauded, but the plot and pacing are contentious.
Opiniones destacadas
Its not what people expected and thats why everyone is hating on it. Its a mental health movie - and something we dont get a lot of. Riz is an amazing actor, and the kids were fantastic too. Well worth your time - but dont go into it expecting an all out action film. Its a family drama through and through.
A ton of sizzle but no steak. The ending left me feeling disappointed and let down. I did enjoy the performances of the three main characters (Riz, Lucian-River and Aditya) however, as compelling as they were they couldn't save this movie.
Army brat here. Military kids are only allowed to cry on two occasions - the day Daddy leaves to go to war and the day the two soldiers show up to tell you he isn't coming home. If Daddy comes home crazy (or Mom goes crazy while he's gone), the kids take the beatings for it. But they don't cry.
Meanwhile, it's life as usual and the kids hope the beatings don't become "family annihilation." Then some one they know (in our case, it was the Army psychologist down the street) comes home and kills everyone because, in the way war has taught him to think, killing his wife and kids is a kindness. He's just protecting them from the psychic pain he feels every minute of every day.
No, this isn't "Cowboys and Aliens." (And it isn't "woke" Hollywood. The American military is multi colored and so are the people who work as parole officers). Give the whining a rest. Embrace the reality of how we leave our heroes after Halliburton gets the oil contract.
This is about what happens when a man is used up by war, and the same people who wanted him to die for his country want to kill him. To be fragile and lost is to be dangerous. It's easier to throw him away than fix him.
PTSD - it kills people every day.
Do you know the feeling you have after you have been in a car wreck? Every stop at a light feels like you will be rear ended. Every car looks a little too close. Driving too fast becomes terrifying.
Now imagine that feeling building every day for ten trips to war. Imagine that anxiety building every day until it becomes more normal to you than a trip to the store.
Malik wants his boys back. He goes to get them. He takes them to the American desert, but his mind is still in the desert of war. And now his boys are with him.
We do this to soldiers every day. We do this to the children of soldiers every day.
The thing is that the children of soldiers know that PTSD isn't Daddy. It's what the war did to Daddy.
It's the real horror here, not the alien invasion. And it hurts my heart that most of the viewers can't see it,
But, guess what? Love wins.
Meanwhile, it's life as usual and the kids hope the beatings don't become "family annihilation." Then some one they know (in our case, it was the Army psychologist down the street) comes home and kills everyone because, in the way war has taught him to think, killing his wife and kids is a kindness. He's just protecting them from the psychic pain he feels every minute of every day.
No, this isn't "Cowboys and Aliens." (And it isn't "woke" Hollywood. The American military is multi colored and so are the people who work as parole officers). Give the whining a rest. Embrace the reality of how we leave our heroes after Halliburton gets the oil contract.
This is about what happens when a man is used up by war, and the same people who wanted him to die for his country want to kill him. To be fragile and lost is to be dangerous. It's easier to throw him away than fix him.
PTSD - it kills people every day.
Do you know the feeling you have after you have been in a car wreck? Every stop at a light feels like you will be rear ended. Every car looks a little too close. Driving too fast becomes terrifying.
Now imagine that feeling building every day for ten trips to war. Imagine that anxiety building every day until it becomes more normal to you than a trip to the store.
Malik wants his boys back. He goes to get them. He takes them to the American desert, but his mind is still in the desert of war. And now his boys are with him.
We do this to soldiers every day. We do this to the children of soldiers every day.
The thing is that the children of soldiers know that PTSD isn't Daddy. It's what the war did to Daddy.
It's the real horror here, not the alien invasion. And it hurts my heart that most of the viewers can't see it,
But, guess what? Love wins.
Riz is slowly becoming one of my favourite actors, I am yet to see a performance from him that didn't impress me.
The movie starts with the great premise and its accompanied by another great performance by Riz and solid performance from boys, especially the older one.
The road trip interaction between father and its two sons is the one thing that holds this movie to be better than average for me.
What let's it down from being great is change of direction of the movie from about half way point.
From building brilliant suspense, to quickly resolving it, and disregarding it, towards the ending, that we have seen many times before.
The movie starts with the great premise and its accompanied by another great performance by Riz and solid performance from boys, especially the older one.
The road trip interaction between father and its two sons is the one thing that holds this movie to be better than average for me.
What let's it down from being great is change of direction of the movie from about half way point.
From building brilliant suspense, to quickly resolving it, and disregarding it, towards the ending, that we have seen many times before.
Nothing surprises me anymore. Another good movie that a lot of people hate. If this one isn't entertaining enough for some people I wonder what they find entertaining? Encounter keeps you guessing for a long time, what I found very cleverly done. Maybe the haters are not pleased with the outcome, because they were expecting something else, but it doesn't really matter. If you like a slightly mysterious story, with some good acting you can't really go wrong with Encounter. Riz Ahmed, playing the main character, was very convincing in his role, and the two kids also looked very natural in their roles. It's not easy to find good child actors but these two did a good job. I thought the story was pleasant to follow so I really don't get why this movie gets so many negative reviews. I wouldn't pay too much attention to the low scores and give it a shot, you might like it like a lot of other people did.
¿Sabías que…?
- ErroresAt approx 94 the minutes mark, during the car chase scene across the desert with Malik and Jay. Jay yanks the Emergency/Parking Brake lever between the front seats. Ram pickup trucks don't have an Emergency Brake lever.
- Citas
State Trooper: What's going on here
Malik Khan: A road trip with my boys. Little man needed to stop for a toilet break
State Trooper: Didn't think to put your hazards on?
Malik Khan: There was nobody on the road
State Trooper: I was on the road
- Bandas sonorasWaitin' Around to Die
(c) 1983
Written by Townes van Zandt
Performed by Townes van Zandt
Courtesy of Fat Possum Records
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- How long is Encounter?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Invasion
- Locaciones de filmación
- Lone Pine, California, Estados Unidos(early desert town street scenes)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 48 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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What was the official certification given to Encounter (2021) in Brazil?
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