Diana: El musical

I laughed so hysterically through this I was brought to tears multiple times. A+ acid trip of cringe, awe and downright befuddlement.

Anyone that rated this above a 2 needs to be examined.

I gave it a one because zero stars is not an option. A jaw dropping event. Hysterical, stupid, but ultimately, just damned depressing. Is this really where musical theater has gone? Into the hands of rank amateurs? It had to be written by the fifteen year old nephew of one of the producers who based his knowledge of the story on tabloid headlines. Not tabloid stories, just the headlines! If this opened during the Golden Age of Rodgers and Hammerstein, Lerner and Loewe, Jule Styne and Frank Loesser, it would have closed at intermission. Today it will run five years and stupid theatergoers will jump to their feet screaming with delight at the curtain call. Like I said a depressing example of NYC theater today. Rotten music, second grade version of events, inane lyrics, embarrassing performances, ugly design and inept direction and choreography Did I mention I find it insulting, demoralizing, and sad. Oh and that it's hateful in every respect.

Just about every review for this trashed it before I had a chance to watch it, so I went in with low expectations.

Is it cliche? Yep.

Is it cheesy? Yep.

Haven't we heard it all before? Yep.

Still, I enjoyed it.

Sure, it's no Phantom or Rogers & Hammerstein spectacular, but it's a boppy, kitschy, ninety-minute sing-fest through the royal family. And, really, there's only so much you can cram into a musical that covers 30+ years of someone's life, so don't go in expecting anything too deep and meaningful.

But it is a decent way to spend an afternoon, the sets are well designed, as are the costumes.

I am surprised this was done by the creative team behind the musical Memphis. I enjoyed that show. Diana has some of the worst lyrics I have ever heard. I laughed a lot at the choreography. This is the ideal show to watch if you are a fan of train wrecks.

A lyrically bankrupt torture scene lasting two hours cleverly edited to feel like four.

The only saving grace is the use of the word "sod" five times (an underrated insult) and Barbara Cartland's introduction of James Hewitt, the majesty of which is a sight to behold.