The Plan

I joined Battlestar Galactica the series after it was all finished with, and watched it through DVD's, which I find is the best way to watch series where possible. I enjoyed it all the way through but was never a raving fan of the show to the point where I could not accept any faults or criticism. Anyway, I was not really looking forward to this TVM simply because I only half-heard about it and never saw the adverts or hype that professed it to be something important or worth seeing. Although I was not told this I still did hope that the film would be worth watching but the truth is that it cannot get over the problem that it hasn't got anything new to say.

It is a shame because had this been built into the show then perhaps it would have worked better, but by coming after the series has concluded one does have to take this film as a standalone. As such it has the themes of the show, the events of the show and the narratives and the only difference is that we have some new material which acts as framing to allow a new angle to be put on the events. I say angle rather than perspective because "perspective" suggests that there is some insight or opinion to be gained from the different telling whereas angle just suggests the same thing from a different view point and that is what the film is. Watching it is a bit irritating because the new material is sporadically interesting but it never lasts long and it is not strong enough to "be" the film and as a result the film remains about the threads that we have already seen – and these are not different enough due to the new angle to be particularly worth seeing.

The cast do what they did originally (in some cases exactly the same since many are only in old footage) but I did think that Stockwell did well in his additional scenes. Other than that though there is not much else to say – the film doesn't add much and for those who have seen the series (and if you haven't why are you watching this?) the vast majority of it will be just the same material from a slightly different angle, with the new material being the same themes from a different angle. Built into the series (like Razor) then maybe this could have washed (big maybe) but as a standalone film after the fact it just feels like an accountant has done the maths and tried to work out how to keep getting the revenues that BSG brought in before it finished.

Where the people you meet are important to you only because they were already important to you Which pretty much sets it apart from the other movie versions of BSG each of which managed to both carry the story and at the same time be a self-standing movie for newbies.

The pace is slow. A fly crawling up a drape makes better progress.

If you watch the whole thing (and many will not) you will be haunted by the notion that the producers saw this as an easy payday and a chance to reuse footage from earlier episodes.

Maybe. Maybe not.

The rating I gave tells the tale. Dean Stockwell gives the performance of his life. There is a scene at the 1:40 mark involving Stockwell, a small boy, an apple and a knife. It is mesmerizing Which is more than I can say of the movie

I hate to say it, but the Galactica stable are really losing their touch.

The story is half stock footage from the series and half filler. OK, we learn some details like HOW Ellen Tigh got out alive - but we knew she did. We see some trivia, like who Caprica Six met just before the raid, but who cares? We see some familiar Cylons in unfamiliar and unexpected places, generally risking throwing off continuity.

We don't see the things I really wanted to know. I wanted to see the Cylon worlds. I wanted to see WHY the Cylons chose to attack, and why now. I want to see WHY they chose to infiltrate Earth, and why that way. I want to learn the Cylon choices and motivations and psychology.

Oddly, the costume designer was shown in the credits before the writer. I guess the writing is less important than the consulting producer and other illusory titles. Jane Epperson wrote this one, as well as being the executive producer. Ron Moore wasn't in the critical credits. Where was he? Perhaps if he'd spent more time on this than Virtuality he'd have gotten one good product.

While the visuals were good, what I feel is the now increasingly tired end of a series. How long will they keep scraping the bottom? I guess as long as they think they can make money at it.

After a very disappointing final episode of the series that answered and revealed naught, the plan finally digs deeper into the motivations and questions that a created construct has about it's creator and what it means to develop into an evolved human prototype. From my estimation the plan is both the beginning and the definitive ending of this exotic and brutally honest space opera. It brings full circle the entire series. The fact that it is pieced together like an elaborate jigsaw puzzle is apropos in my mind.

The eternal recurrence, that this has all happened before, this is a complex morality tale that both satisfies and justifies many unanswered questions that I had, it places its brand upon the entire series and I can now breath a sigh of relief that this was truly one of the best dramas in television. No longer a hurried, convenient open exit, the end is now the beginning and so we must continue to wonder and to speculate on what the idea of humanity really means.

As someone who enjoys Battlestar Galactica a good deal, I wanted to like The Plan. But other than the decent looking sets and costumes and the better than average acting I didn't care overall for the movie. The writing is not as clever and often doesn't flow very naturally, while the story is not only dull with a lot of it being clumsily incorporated stock footage and overlong filler but with the fact that I didn't get anything new from it I just didn't see the point. The characters are not as interesting either, in fact I found their personalities bland and underdeveloped on the whole.

Overall, not absolutely terrible but pointless and nothing interesting or new. 4/10 Bethany Cox