Brotherhood

Viewed at the Festival de Cannes 2010

The fraternity (and sorority) system is something very peculiar to US colleges, but thanks to films such as Animal House people in other countries now have a very good idea how things work: all beer, parties and panty raids right? Not quite! Because Brotherhood takes the concept of initiation rites and works it into a very taut thriller about power and abuse and how far would you be willing to go to protect your fellows as opposed to doing the right thing.

Not wishing to give anything away (I don't write spoilers, even intentionally), what starts out as a prank, robbing a convenience store, spirals out of control as every attempt to put right the wrong just makes things worse. Pretty soon, to misquote Macbeth, those involved are now so deep in the brown and red stuff that turning back is no longer an option.

The kicker at the end, by the way, is excellent.

I was in a fraternity in college, so I enjoy watching movies about Greek life. Unfortunately, they all tend to be dumb slasher movies or cheesy sex comedies. I saw the description for Brotherhood and decided to watch it.

From the beginning scene, I was sucked in. I won't go into plot details, but the story keeps you guessing and is engrossing. The acting from the unknown cast is excellent was well- Jon Foster is especially good as the head of the fraternity.

And the twist at the end of the film was a great touch. The nice thing about the twist is that it's not easy to predict, but also did not feel forced.

I wouldn't necessarily call this a movie about Greek life, but it's a terrific indie drama/thriller set in the world of fraternities.

As a depiction of the absurdity of fraternity life and the misguided "brotherhood" that often dominates the thinking of fraternity members, this film paints a grim picture of the multiple ways that hazing can go wrong. What begins as an absolutely ridiculous prank leads to an unlikely series of poor judgments and unfortunate events—arrogance and racism seem to be the principles that guide the fraternity members' sense of "brotherhood." One of the brothers (whose name I couldn't tell you, since the characters are all so flat and indistinct) actually has a sense of morality and fights his peers in an effort to do the right thing, but he is—of course—over-ruled. The story is mildly engaging, and numerous conflicts develop throughout the course of the film, but the distinguishing features of this film are desperation and an overabundance of fraternity guys shouting at each other in anger and fear. A more experienced and skilled screenwriter could have turned this raw story into something quite good.

The film "Brotherhood" is actually a litmus test for your ability to connect with today's college experience. If you are in touch with today's typical college fraternity/sorority lifestyle, you will likely think this film is excellent. If you are mostly out of touch, you will not likely connect to this film. Originally I rated this film 8 out of ten, but I changed it to 9 out of 10, simply because of the performances given by this film's rising stars, but I will get into that later.

If you consider yourself "middle of the road" when it comes to understanding college social scenes, see how you feel about this movie - it may help you decide how well you understand college life today, if you were asked this same question.

From what I can tell, the story is indeed fictional but based on real experiences and 'folk lore' or 'urban legends' of college life. Although I am not going to go into specific plot details, it is generally well-crafted and fun to watch.

From my previous movie reviews, I have a keen eye for performance. What stood out to me was the girl that came looking for her 'personal belongings' halfway through the story. At first glance, I was sure I had seen her in other movies, but I couldn't recall where. My trusty IMDb iphone app identified her to be Jennifer Sipes. This actress made the movie for me. If you do get a chance to see this film in theaters, her performance alone is worth the price of admission. There is something that really shines bright with her. Lou Taylor Pucci also does a very very good job. I was lucky enough to see "The Music Never Stopped" at Sundance and I think his performance in Brotherhood is at the same level. Jon Foster comes through as well, although his strength as an actor did not shine as bright as Jennifer Sipes and Lou Taylor Pucci. I don't blame Jon Foster, this is a small indie film, and he sometimes stumbles a little with delivery, slightly depreciating his performance, but I suspect this was due to a very compacted shooting schedule. I eagerly anticipate Jon's future performances in big budget studio films, because I think with a proper shooting schedule, he will really take off. Trevor Morgan to me was just OK. Unfortunately I could see him 'acting' at certain points. If you see this film on the big screen, you will see Pucci dominate Morgan in scenes that the two are in (from a purely acting perspective). Once again, I think Trevor Morgan had a tough job in this film, thus making it more difficult to perform with a short shooting cycle. Nonetheless, he is responsible for his screen presence, and he didn't meet my expectations. The scenes that Trevor Morgan and Arlen Escarpeta square off are the slowest of the film, and in my opinion, should be left out. It simply doesn't work as intended.

In summary, I would recommend this film. It rides along at a fast pace, comparable to a typical 'night-gone-wrong' thriller. Overall performances are good, but look for Lou Taylor Pucci and even more so Jennifer Sipes - Two actors with a very bright future. Jon Foster is close behind, and also has a big career ahead of him. I will give fair warning that you may find this film really, really, irritating if you are not connected to college life today, but if you are, you will associate well to the language, the pranks/initiations, and the race relations, all realistic and decently put together. What really separates this film from other indies in this genre is the acting. If for nothing else, see it for some inspiring performances by Hollywood's future stars.

We stumbled upon Brotherhood online, the tag-line looked interesting so we set out for Hollywood to catch a matinée showing on it's opening weekend. Just before it rolled a gentleman poked his head into the theater and thanked us for coming and asked that if we enjoyed Brotherhood could we please tell friends and family. It turned out the young man was Will Canon, the Director of Brotherhood. We had a nice chat and then it rolled. I really enjoyed the pace of the film, it started early and kept up throughout the story. Very believable, you can totally picture a frat initiation like this and their reactions to it. "We have to stick together and get our stories straight". The performances were strong, I remember Trevor Morgan from past roles although he is grown up and I appreciated his loyalty in the film. Mr. Foster was good as well, intense as he tries to keep it together. We enjoyed Brotherhood, intense, well paced and intriguing until the end. Nice work Will and we are telling our friends,