En la década de los sesentas Charles Xavier y Erik Lensherr se unen para encontrar a otros mutantes como ellos, pero Erik y su deseo de venganza pone en riesgo su amistad.En la década de los sesentas Charles Xavier y Erik Lensherr se unen para encontrar a otros mutantes como ellos, pero Erik y su deseo de venganza pone en riesgo su amistad.En la década de los sesentas Charles Xavier y Erik Lensherr se unen para encontrar a otros mutantes como ellos, pero Erik y su deseo de venganza pone en riesgo su amistad.
- Dirección
- Guionistas
- Elenco
- Premios
- 22 premios ganados y 40 nominaciones en total
Álex González
- Janos Quested
- (as Alex González)
- …
Resumen
Reviewers say 'X-Men: First Class' is lauded for its strong performances by James McAvoy and Michael Fassbender, and for revitalizing the franchise. Themes include the origin stories of Professor X and Magneto, mutant identity, and historical events. Criticisms involve deviations from comic storylines, inconsistent character ages, and script weaknesses. Despite these, many appreciate the action sequences, visual effects, and future series potential.
Opiniones destacadas
There came a point, about half way through this film, when I emerged from the world of wonder on screen, took stock of my emotions in that instant, and realized that yes, by God, I am LOVING this movie.
I didn't really expect to, of course -- although certainly, I hoped for it. With such an incredible cast, an able director at the helm, a story of Bryan Singer provenance and the inclusion of some of my favorite, if lesser known, X-types (Darwin! Tempest! Havok!), I was eager to see this beloved band of merry Marvel mutants redeem themselves after the massive failures of X3 and X-MEN ORIGINS: WOLVERINE.
Which they do. And how!
One thing that the avid comic fan must do when approaching this movie, however, is to divorce themselves utterly from almost all established four-color X-Men continuity. Oh, some bears up, but by and large this is a whole new origin story, a reboot of epic proportions, and yet it is a retcon so cleverly done, and one that offers up a such a delicious mélange of complex relationships and sensible motivation, that all of the many discrepancies inherent in having Mystique on the side of good or having Moira McTaggert a CIA agent simply do not matter.
Speaking of McTaggert, Rose Byrne is both comely and convincing in the role, and almost every other actor is perfectly, one might almost say forcefully, cast. McAvoy brings a kind of laddish charm to Charles Xavier that he mixes nicely with both decency and naïveté, and Michael Fassbender's nascent Magneto is relentlessly, even heart-breakingly, compelling. Their chemistry is electric -- theirs' is one of the most multi-faceted and sincere bromances the screen has seen in a good long while.
The younger cast all impress, though particular praise must go to Oscar-nominee Jennifer Lawrence as the petulant but pitiable Raven/Mystique (The Academy Awards have been good to young, hot X-chicks; let us not forget that Rogue herself, Anna Paquin, won for THE PIANO). Former child star Nicholas Hoult is also outstanding as the troubled Hank McCoy, and perhaps the most surprising kudos must go to teenage dream Lucas Till, who conveys the particular anti-social asshole-hood of the turbulent Alex Summers very convincingly indeed.
The biggest letdown in the movie, acting-wise, is January Jones as Emma Frost. True, she is appropriately ravishing, there can be no denying that, but she lacks the the zing of the written character. There is very little intelligence, snark, or even personality behind her interpretation of this most intriguing of mutants; she's just kind of Stand There and Look Pretty -- which, for one playing Emma Frost, is something a travesty.
The only other weight under which this movie really labors is the fact that it is a prequel, and it therefore suffers from the feeling of inevitability that besets all such endeavors. Anakin Skywalker HAS to go Dark Side. Bilbo Baggins HAS to find the One Ring. And Magneto HAS to turn against humans; Mystique HAS to join him; Xavier HAS to end up in a wheelchair. With these definite plot developments looming, their eventuation is bound to be a bit of an anti-climax.
And yet the fun part about X-MEN: FIRST CLASS is the journey it takes us on to get us there. Offering up plenty of surprises, some kickass action sequences, mighty fine special effects, sly humor and a killer cameo, it is without doubt the best comic book movie of the year – nay, decade – thus far. And considering how overcrowded that list is, this is really saying Something.
Huh. A prequel that does not, in any way, suck.
Amazing, isn't it?
-- Rachel Hyland, geekspeakmagazine.com
I didn't really expect to, of course -- although certainly, I hoped for it. With such an incredible cast, an able director at the helm, a story of Bryan Singer provenance and the inclusion of some of my favorite, if lesser known, X-types (Darwin! Tempest! Havok!), I was eager to see this beloved band of merry Marvel mutants redeem themselves after the massive failures of X3 and X-MEN ORIGINS: WOLVERINE.
Which they do. And how!
One thing that the avid comic fan must do when approaching this movie, however, is to divorce themselves utterly from almost all established four-color X-Men continuity. Oh, some bears up, but by and large this is a whole new origin story, a reboot of epic proportions, and yet it is a retcon so cleverly done, and one that offers up a such a delicious mélange of complex relationships and sensible motivation, that all of the many discrepancies inherent in having Mystique on the side of good or having Moira McTaggert a CIA agent simply do not matter.
Speaking of McTaggert, Rose Byrne is both comely and convincing in the role, and almost every other actor is perfectly, one might almost say forcefully, cast. McAvoy brings a kind of laddish charm to Charles Xavier that he mixes nicely with both decency and naïveté, and Michael Fassbender's nascent Magneto is relentlessly, even heart-breakingly, compelling. Their chemistry is electric -- theirs' is one of the most multi-faceted and sincere bromances the screen has seen in a good long while.
The younger cast all impress, though particular praise must go to Oscar-nominee Jennifer Lawrence as the petulant but pitiable Raven/Mystique (The Academy Awards have been good to young, hot X-chicks; let us not forget that Rogue herself, Anna Paquin, won for THE PIANO). Former child star Nicholas Hoult is also outstanding as the troubled Hank McCoy, and perhaps the most surprising kudos must go to teenage dream Lucas Till, who conveys the particular anti-social asshole-hood of the turbulent Alex Summers very convincingly indeed.
The biggest letdown in the movie, acting-wise, is January Jones as Emma Frost. True, she is appropriately ravishing, there can be no denying that, but she lacks the the zing of the written character. There is very little intelligence, snark, or even personality behind her interpretation of this most intriguing of mutants; she's just kind of Stand There and Look Pretty -- which, for one playing Emma Frost, is something a travesty.
The only other weight under which this movie really labors is the fact that it is a prequel, and it therefore suffers from the feeling of inevitability that besets all such endeavors. Anakin Skywalker HAS to go Dark Side. Bilbo Baggins HAS to find the One Ring. And Magneto HAS to turn against humans; Mystique HAS to join him; Xavier HAS to end up in a wheelchair. With these definite plot developments looming, their eventuation is bound to be a bit of an anti-climax.
And yet the fun part about X-MEN: FIRST CLASS is the journey it takes us on to get us there. Offering up plenty of surprises, some kickass action sequences, mighty fine special effects, sly humor and a killer cameo, it is without doubt the best comic book movie of the year – nay, decade – thus far. And considering how overcrowded that list is, this is really saying Something.
Huh. A prequel that does not, in any way, suck.
Amazing, isn't it?
-- Rachel Hyland, geekspeakmagazine.com
80U
With Matthew Vaughn at the helm, X-Men: First Class is a classy, fun time that brings the best out of it's strong cast. The action scenes and dialogue pop with a ferocity, and breaths life into a incredibly engaging storyline.
I love the Xmen, I won't beat around the bush. There are so many mutants, heroes and anti-heroes that you relate can to at least one of them. The franchise has had its ups and downs. The first two films made the superhero genre what it is today. Stunning set pieces, breath taking special effects and a group dynamic that was brilliantly cemented in the second film. The third struck a middle ground where the spectacle overshadowed the narrative but was still a fun ride, and the last title Xmen Origins: Wolverine, was the only miss-step in the series. Xmen first Class is really very good. It manages to keep up with the first two whilst retaining an originality in its own right.
The Direction is great, Vaughn's clearly got a knack for angles and keeping the audience engaged whilst the story chops and changes. The look of the film is modern, yet still has a 60's and almost retro look about it. The special effects are very good, though some how not quite up there with Xmen: The Last Stand. The energy is fast and relentless and the action sequences blend in with the dialogue sequences seamlessly.
The acting is very good, though Patrick Stewart and Ian Mckellen are definitely missed, McAvoy and Fassbender do excellent jobs and really are in keeping with the characters you already know and love. Emma Frost and Sebastian Shaw are deliciously malevolent and Moira Mctaggart is perfectly pitched. My only reservation about the acting in the film is of Mystique, who I believe wasn't quite right, her motives in the film don't seem in complete continuity with the rest of the films.
A sequel has already been planned and I shall be eagerly awaiting it. Having Storm back in the series would be a personal highlight for myself, but not necessary. I would highly recommend this film to anyone that has watched the original films and even for newcomers.
One thing I will add that I have noticed since watching the original trilogy is that in 1980 Charles is walking, but according to First Class he loses this ability in the 60's...
The Direction is great, Vaughn's clearly got a knack for angles and keeping the audience engaged whilst the story chops and changes. The look of the film is modern, yet still has a 60's and almost retro look about it. The special effects are very good, though some how not quite up there with Xmen: The Last Stand. The energy is fast and relentless and the action sequences blend in with the dialogue sequences seamlessly.
The acting is very good, though Patrick Stewart and Ian Mckellen are definitely missed, McAvoy and Fassbender do excellent jobs and really are in keeping with the characters you already know and love. Emma Frost and Sebastian Shaw are deliciously malevolent and Moira Mctaggart is perfectly pitched. My only reservation about the acting in the film is of Mystique, who I believe wasn't quite right, her motives in the film don't seem in complete continuity with the rest of the films.
A sequel has already been planned and I shall be eagerly awaiting it. Having Storm back in the series would be a personal highlight for myself, but not necessary. I would highly recommend this film to anyone that has watched the original films and even for newcomers.
One thing I will add that I have noticed since watching the original trilogy is that in 1980 Charles is walking, but according to First Class he loses this ability in the 60's...
The biggest problem of these prequels is it's kind of messy to the original X-Men movies. Well, the filmmakers said this is a reboot but there are some references to the original X-Men series. Anyways, "X-Men: First Class" is fun and had a lot of great action. It's the biggest X-Men movie ever made and it's better than the last two X-Men movies.
The filmmakers stated that this movie is a reboot but things from the old X-Men movies had an appearance to this movie. The problem of giving reference from the old X-Men movies to this reboot is it doesn't make this movie stand alone. Maybe the references only made for the laughs but if this is a prequel then it'll be a total mess.
The best parts goes to the action(obviously). Matthew Vaughn knows how to make big and awesome action scenes. The best parts also goes to the scenes of Michael Fassbender. He really steals the show. He made Erik/Magneto more dangerous than ever. It's fun and intense to see him do something menacing. The rest of the cast is also pretty good. James McAvoy gave a lot of heart to his role. Him and Fassbender had good chemistry.
Overall, "X-Men First Class" is good especially if you are looking for large scale action. I guess large scale is one thing that's missing to the first four X-Men films. X3 had a large scale action that left us hanging in the end. This one has the action finale that is intense and really big. Maybe the reference of the old X-Men movies is only made for the laughs. By the way this is Matthew Vaughn's thing. There's action plus comedy.
The filmmakers stated that this movie is a reboot but things from the old X-Men movies had an appearance to this movie. The problem of giving reference from the old X-Men movies to this reboot is it doesn't make this movie stand alone. Maybe the references only made for the laughs but if this is a prequel then it'll be a total mess.
The best parts goes to the action(obviously). Matthew Vaughn knows how to make big and awesome action scenes. The best parts also goes to the scenes of Michael Fassbender. He really steals the show. He made Erik/Magneto more dangerous than ever. It's fun and intense to see him do something menacing. The rest of the cast is also pretty good. James McAvoy gave a lot of heart to his role. Him and Fassbender had good chemistry.
Overall, "X-Men First Class" is good especially if you are looking for large scale action. I guess large scale is one thing that's missing to the first four X-Men films. X3 had a large scale action that left us hanging in the end. This one has the action finale that is intense and really big. Maybe the reference of the old X-Men movies is only made for the laughs. By the way this is Matthew Vaughn's thing. There's action plus comedy.
Xmen: First Class is simply fantastic. Strong emotion and explosive action. The acting is top notch. Delivery from every actor is at it's best, more so from Mystique, Beast, Xavier and Magneto.
The story is more character based than action, however the action sequences are still superb. Personally i'd have liked to of seen it being a 15 and have a more adult but it wasn't a big issue. Also some more background story from the bad super's would have been good but again this wasn't too much of an issue and would leave some nice room for upcoming xmen movies.
I don't want to say too much but to break it down... Go see this film no matter what you are into. There is something for everyone. 9/10 easy
The story is more character based than action, however the action sequences are still superb. Personally i'd have liked to of seen it being a 15 and have a more adult but it wasn't a big issue. Also some more background story from the bad super's would have been good but again this wasn't too much of an issue and would leave some nice room for upcoming xmen movies.
I don't want to say too much but to break it down... Go see this film no matter what you are into. There is something for everyone. 9/10 easy
¿Sabías que…?
- TriviaTo prepare for his role as Charles Xavier, James McAvoy shaved his head. He soon learned that the filmmakers wanted Xavier to have a full head of hair in the prequel. Throughout the first month of filming McAvoy had to wear hair extensions. He finally shaved his head for X-Men: Apocalipsis (2016).
- Errores(at around 59 mins) When Xavier and Erik were confronting Emma Frost in the Soviet Union, some might think that it would have been impossible for Erik to crack Emma's neck with the metal bed frame because diamond is one of the hardest substances known to man. Hardness does not prevent cracking. There are different types of material strengths. Diamond's hardness does not mean that it is invulnerable to all types of stress.
- Citas
Erik Lehnsherr: Excuse me, I'm Erik Lehnsherr.
Professor Charles Xavier: Charles Xavier.
Logan: Go fuck yourself.
- Créditos curiososPart of the closing credits take place in a sequence of X-symbols, chromosomes and DNA strands (reminiscent of the opening credits to El satánico Dr. No (1962)).
- ConexionesEdited into 5 Second Movies: X-Men: First Class (2011)
- Bandas sonorasConcentration Camp
(from X-Men (2000))
Written by Michael Kamen
Courtesy of Twentieth Century Fox Film Corporation
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- X-Men: First Class
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 160,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 146,408,305
- Fin de semana de estreno en EE. UU. y Canadá
- USD 55,101,604
- 5 jun 2011
- Total a nivel mundial
- USD 352,616,690
- Tiempo de ejecución
- 2h 11min(131 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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