Madagascar 3: Los fugitivos

So everyone tells this is the "worst of the series" so I watched this on low expectation but oh my god were the reviews wrong. This is THE best Madagascar film by a long shot. I laughed more in this 1 film than I did with the first 2 COMBINED. The first and second acts are descent but the funny moments make it good. But what makes this scale so much higher than the first 2 for me is the final or 3rd act. The final circus performance is legit very cool with hilarious humor still in tact. I enjoyed it so much that I was straight up clapping how awesome and sick it was. But of course DuBois is just absolutely hilarious and easily the best of the 3. If this had emotions this actually had the chance to be a 10/10. Overall is this the worst? Nah this is by far the best of the series with hilarious humor, really likable new characters especially Stefano, the best villain and this actually fixed some of the problems the first 2 had Rating: 9.1/10 Madagascar 2 rating: 7.7/10 Madagascar 1 rating: 7.4/10.

Having enjoyed the first two Madagascar movies and Merry Madagascar, and as a fan of the Penguins Christmas Caper and The Penguins of Madagascar, I knew I wanted to see this film, even if it wasn't as good. Watching it online, I was very taken with Madagascar 3. For me, it is the best of the three movies, and as far as the Dreamworks sequels go, it is third behind Kung Fu Panda 2 and Shrek 2. Madagascar 3 is not a movie I deem perfect, there is some suggestive dialogue during King Julien's romance especially(and in other parts of the film) that will fly over children's heads and only adults will get(same goes with the glove slap) and you do have to suspend disbelief a bit in Alex's dream when the penguins use warp drive for their airship(which you can't do in the earth's atmosphere), especially if you are a scientist.

On the other hand, it is a fun and hugely enjoyable film. It is the best-looking of the three films, the previous two looked great as well but here the characters move easier, the colours have brightness and warmth and the backgrounds have a great deal of detail. Especially of note is the animation during Katy Perry's Fireworks, splendid in all regards. The soundtrack is also great, varied in that it spans 30 years and full of exuberance. Firework I am not a fan of, but loved the animation and thought it fitted really well within the film. The dialogue is well written and hilarious, with light, subtle spoofing on other films and also on the Hollywood clichés.

The story is well paced, exciting and of the three Madagascar it is the most consistent and least predictable. King Julien's romance was on the bizarre side, but also sweet and hilarious. The characters are great fun, of the four main characters Alex is the most dominant and he's fun. Marty, Gloria and Melman don't have as much to do but they aren't completely side-lined. The penguins and King Julien steal every scene they're in. And the new characters are just delightful, especially Vitaly and DuBois. The voice acting is top notch, Ben Stiller, Chris Rock, Jada Pinkett Smith and David Schwimmer all do very appealing jobs. Sacha Baron Cohen is as witty as ever as King Julien, likewise with the penguins with Tom McGrath standing out as Skipper. The dogs are fun too. Bryan Cranston is subtly menacing, Jessica Chastain is charming and Martin Short is funny, but the jewel(and possibly the best single voice-over of the three movies) is Frances McDormand, whose DuBois is note-perfect.

In conclusion, a very good sequel and movie and my vote for the best of the Madagascar movies. 8/10 Bethany Cox

I watched this at the Cannes Film Festival 2012 after deciding to take a break from all the serious art-house fare on offer. With the exception of Ben Stiller's lead all the original supporting leads take virtually a back seat in this third instalment. But several great new characters are introduced namely Frances McDormand as Captain Chantel DuBois, Bryan Cranston as Vitaly and the fabulous Martin Short as Stefano. All there performances are stand out but wished Shorts Stefano was featured more. Cranston as Vitaly was beautifully menacing but it is the wacky deadly policewoman in charge of hunting down and capturing the animals as they make their way across Europe which is the centre of the narrative drive. Since the police team where obviously the bad guys (DuBois only wants to capture Mike (Ben Stiller) so she can add his head to her mounted collection of stuffed animals on her office wall) it was ironic that I watched this in France since the police were portrayed as bunch gung-ho obsessive freaks (DuBois crawls around on all fours to sniff down her prey like a dog come insect). The film was screened in 3D, initially I was apprehensive since I don't really enjoy 3D movies but this was a pleasant surprise. After a few minutes I had completely forgotten that I was wearing the 3D glasses and actually...in the spectacular climatic scene I was completely wowed. An explosion of vivid movement and colour formed an intricate moving tapestry of light and colour that was gorgeous to watch. The kids will love it and any one young at heart enough to let themselves loose themselves in escapist fun for a couple of hours. One of the best "family" animation films that I've seen in years and highly recommended. Oh I nearly forgot....Baron Cohen's (as The King) love affair with a giant mute bear is both surreal and priceless!

The gang is back. This time they are trying to return to NY thru Europe. When they get to Monte Carlo, all hell breaks loose and they attract the attention of Animal Control. In order to blend in, they join a traveling circus. Along with the penguins and King Julian, they meet all new characters and have crazy adventures.

The 3D is fun and the colorful kaleidescope is eye candy to the kids. They'll have fun with this confection. The story is ridiculous, stupid, and funny. The whole family will enjoy it. I brought my little nephews and they liked it.

There are eager animated film franchises that rehashed the same old themes and gags in all its installments, and deservedly crashed under its own repetitiveness. Think Shrek, which started brightly, but with each sequel the grumpy ogre and his friends started to become cheap parodies of themselves. There are other film franchises that grow from strength to strength though, such as Ice Age where we get to go on an incredibly long journey with its characters trying to survive the inevitable change and extinction, and then there's Madagascar, with Europe's Most Wanted surprisingly having a lot more to offer than what it had suggested.

We go back to where we last left off, rejoining Alex the Lion (Ben Stiller), Marty the Zebra (Chris Rock), Melman the Giraffe (David Schwimmer) and Gloria the Hippo (Jada Pinkett Smith) who are still in Africa, but getting homesick and yearn for their lives back in New York. So they hatch a plan to regroup with the Penguins, who had left with the Monkeys in their flying machine to Monte Carlo and its glitzy casinos, and compel them to take everyone back to New York. Granted it's a slow start, but when it picked up with Frances McDormand voicing the French policewoman Captain Chantel DuBois, more of an animal hunter in disguise and hell bent on adding a lion to her trophy wall, it really went over the top with a multitude of action sequences that get set to show off dedicated and meticulously crafted moments for 3D. It's clearly one of the better 3D efforts in an animated feature film that took pains to ensure the medium got milked for the premium ticket you paid for.

Then the narrative goes up a notch with the introduction of some circus animals with whom our protagonists get to mix with in order to momentarily escape the fanatical clutches of DuBois, and in comes the opportunity to expand on its cast, with the likes of Jessica Chastain, Bryan Cranston and Martin Short entering the fray as a cheetah, tiger and sea lion respectively, each with its own distinct quirk, objective and baggage. It's a zoo animal meets circus animal rivalry formed, and Alex and gang wanting to stick around, with thanks to the Penguins, because the circus is en route to Rome and London, where an American circus event promoter would be in town to evaluate if the troupe can make money if brought across the Atlantic, and naturally, New York.

I'm rather surprised by the depth of the narrative here, as Eric Damell and Noah Baumbach's screenplay managed to squeeze a lot in under 90 minutes sans end credits roll. Characters don't get thrown in for fun, but have enough screen time to perform without getting the feeling of being redundant to the whole scheme of things, and how they all blend well together for the major set action pieces, complete with comedy ranging from witty repartee to physical slapstick gags. The major new entrants to this installment will also become crowd favourites, such as the girly cheetah Gia, the curt Russian tiger Vitaly who has to reclaim his theatrical mojo, and Stefano the sea lion trying his very best to hold the entire troupe together, while not being very bright himself.

Every scene got designed to have the characters endear themselves to the audience, even if they come silent, such as the bicycle riding bear, and a couple of English dogs voiced by the likes of Vinnie Jones, Steve Jones and Nick Fletcher. Paz Vega also lent her voice to a collective group of show-horses, while perennial favourites such as Sacha Baron Cohen's Julien and Cedric the Entertainer's Maurice almost always threaten to run away with the show, given their rather spaced out moments that run outside of the main narrative thread. There are colours galore with gags running wild, and I'd suspect where your sense of humour might have been misplaced if there's absolutely nothing here in the film that can tickle your funny bone.

With an assortment of pop songs ranging from 90s hits to those by Katy Perry, the signature theme song only got an airplay during the end credits, and is an amalgamation of the Afro Circus song written by Chris Rock, that somehow had a strange yet infectious blend that epitomizes everything that had transpired in this film, and set itself up for more. Themes of friendship and sticking together through thick and thin, of never giving up and the likes, are good themes to have for a film that's going to appeal to the young for sure.

I'd like to think there's a stop at three policy and to leave the franchise as it is now, going off at a high, rather than to continue with a formula that would ultimately show its age. Madagascar 3 worked and delivered everything you'd expect of a crowd pleaser that can appeal to all age groups, and I'm very much compelled to earmark this for a 3D blu-ray title for keeps. Definitely highly recommended in my books, given its rarity of it improving upon the strengths of its predecessors, and finding room to add more characters, not caricatures, to its mythos.