Daman akeseo guhasoseo

Wow this Korean film was surprisingly impressive! It's one of the best Asian films I've seen. What's even more impressive, is that it was written and directed by a newb/amateur Korean filmmaker, Won-Chan Hong. You'd think a seasoned filmmaker put this action-crime-thriller together.

The directing and cinematography was perfection. Camera colors, shots and angles were top-shelf. The writing - especially for an Asian action film, was excellent. A great story that was cleverly written, well paced within its 108 min runtime, and properly edited. It literally is the Korean version of Liam Neeson in Taken meets assassin John Wick. The action sequences were expertly choreographed. The score was great and fitting, without being overbearing. Casting and performances were outstanding. The little Korean girl was so adorable. Filmmaker Won-Chan Hong is certainly one to keep an eye on.

I'll definitely be watching this one again. It's a well deserved 9/10 from me. To see more of my 1000+ ratings and reviews, and to see how I critique films, simply click on my username.

This one was probably the most anticipated 2020 movie for me especially after seeing how unique and intriguing LJJ's character is in the trailer, from the style to the neck tattoo also it's been a while he didn't play this kinda gangster roles. After i watched it i can say it's overall a good movie, the acting was good (as expected from korean veteran actors), the characters are very interesting and well designed, it's true the plot isn't completely new and it was done before so many times but the fight scenes had some new touch and it's beautifully shot too, that's why the cinematography was the best part of the movie and i really enjoyed it.

Yeah it's not new but it's totally enjoyable and interesting.

A hitman named In-nam, after killing a Japanese mobster is told by his sources to disappear since the mobster's estranged younger brother, is seeking revenge on the ones involved in the murder of the mobster.

In-nam gets a message from his ex lover Young-joo, pleading for help which In-nam rejects and the next morning, In-nam receives a message that Young-joo is dead and her 9 year old daughter is missing.

The movie has the best knife action sequence after Raid Redemption.

The change of color palette is amazingly done.

It has lots of tension n some good action sequences.

The scene involving the kids n their trafficking/kidnapping is heart pounding.

Certain people have issues to escape what they are doing. And even if they manage to do so, most of the times they will leave something behind they urge to get back (to). It's the thing that one is supposed to evade (see De Niro in Heat, though he didn't really listen to his own advice either). In this case it is not even the strong wish of the main character to get back ... but an unfortunate "incident" that makes it impossible for him to stay away.

And while he is on the verge and on the lookout (or on a mission or however you want to call it), there is a different danger lurking! Actually not so much lurking rather than sprinting and running towards him. And this nemesis of his, who is seemingly unstoppable, makes this movie quite the experience. By the way the action and stunt work on this movie ... just wow! Incredible to say the least! Just for that this is worth watching, if you are into that sort of thing of course

This is one humid movie. Everyone is sweating. Beads and beads of sweat in glorious close ups. No time to towel off you see, as there's too much action for hygiene. Bathed in thick burnt yellow hues, "Deliver Us From Evil" is a non-stop Korean action film with a capital A. This go-go thriller pits two veteran hitmen in each other's path of destruction, which means boffo fight scenes and ridiculous collateral damage for the solid duration.

Sure there's plot, but that's irrelevant. A daughter needs to be saved, a brother needs to be avenged, a retiring agent is called in for one last job; the script writes itself. In-nam (a stoic and very sweaty Hwang Jung Min) travels to exotic locales (Tokyo, Bangkok), stalking a nasty kidnapping ring, with The Butcher (an even sweatier Ling Jung-jae) in hot pursuit. Good and evil are clearly defined, as The Butcher - you can call me Ray - dominates his scenes in a stylishly dark, over the top psychotic performance. Combat is often close quartered, impressively acrobatic and darn clever, with that parkour flavour born of the Bourne series.

This film delivers the goods, and the evils, in copious amounts. Rooting comes easy, jeering too. Leave logic at the door and c'mon in.

• hipCRANK.