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Cuando una enfermedad devastadora amenaza con acabar con la carrera de Evan Lake en la CIA, este se rebela para perseguir a un terrorista que lo torturó hace años durante una misión que sali... Leer todoCuando una enfermedad devastadora amenaza con acabar con la carrera de Evan Lake en la CIA, este se rebela para perseguir a un terrorista que lo torturó hace años durante una misión que salió mal.Cuando una enfermedad devastadora amenaza con acabar con la carrera de Evan Lake en la CIA, este se rebela para perseguir a un terrorista que lo torturó hace años durante una misión que salió mal.
- Dirección
- Guionista
- Elenco
Tomiwa Edun
- Mbui
- (as Adetomiwa Edun)
George Remes
- Jim
- (as Remes George)
Cosmin Dominte
- Policeman 1
- (as Dominte Cosmin)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Nicolas Cage is Evan Lake, a dedicated veteran CIA agent in the last stages of his career. He has been riding a desk for the last years and does not like it. The most elevating moments are the motivational speeches he is asked to do for the new CIA agents in training.
When the trail of an old enemy, presumed dead for decades, surfaces and coincides with Lake being diagnosed with a terminal form of dementia, the choice is easy. He is going to settle one last score.
The story has some potential, but unfortunately the movie never gets past the B-movie predicate.
The ear I mentioned in the summary seems to live a life of it's own. My attention kept being drawn to it. In one of his battles with terrorists, Cage's character gets tortured. He gets a cut in his ear. After twenty years the cut is still there and looks very awkward. At some point I swear I could see the edges of the cut move together and mouth some words to Cage. After rewinding I thought I faintly heard these words: "Nicolas, get out of here, you are too good for this. Save your career before its too late!"
When the trail of an old enemy, presumed dead for decades, surfaces and coincides with Lake being diagnosed with a terminal form of dementia, the choice is easy. He is going to settle one last score.
The story has some potential, but unfortunately the movie never gets past the B-movie predicate.
The ear I mentioned in the summary seems to live a life of it's own. My attention kept being drawn to it. In one of his battles with terrorists, Cage's character gets tortured. He gets a cut in his ear. After twenty years the cut is still there and looks very awkward. At some point I swear I could see the edges of the cut move together and mouth some words to Cage. After rewinding I thought I faintly heard these words: "Nicolas, get out of here, you are too good for this. Save your career before its too late!"
Like most Nicolas Cage flicks, the movie lies somewhere on the boarder line of very good and very bad. This one is leaning on the broader of very very bad.
As much as I love a Nicolas Cage movie, one has to always question if I really want to see Nicolas cage in a Nicolas Cage movie. This movie about a aged CIA agent who gets to go after his supposedly dead arch enemy before he retires. Although, unlike most action movies this guy gets to live a pretty awesome two days before retirement scenario, but it may have been a better movie if we did not have to rely so much on the Nick Cage school of bad acting.
In all fairness, it was not Cage's fault that the story and the film making were very dull, and uninteresting. Just his fault that he did the film for a paycheck and seem to pretty much be phoning it in, along with Anton Yelchin you was using the same phone.
Yeah, see something else of stay home.
As much as I love a Nicolas Cage movie, one has to always question if I really want to see Nicolas cage in a Nicolas Cage movie. This movie about a aged CIA agent who gets to go after his supposedly dead arch enemy before he retires. Although, unlike most action movies this guy gets to live a pretty awesome two days before retirement scenario, but it may have been a better movie if we did not have to rely so much on the Nick Cage school of bad acting.
In all fairness, it was not Cage's fault that the story and the film making were very dull, and uninteresting. Just his fault that he did the film for a paycheck and seem to pretty much be phoning it in, along with Anton Yelchin you was using the same phone.
Yeah, see something else of stay home.
A nice, although dark thematically, thriller about a CIA veteran agent who has the opportunity to settle his differences with a long time enemy.
This film was taken away from director Paul Schrader in post-production and re-edited by the producers. So it could be better if the director has the chance to present it the way he intended.
Anyway, Nicolas Cage is sufficient as the CIA veteran who struggles with serious health issues and against the willing of his Agency to catch a terrorist who is presumed dead. He shows frustration and pain but also the will to complete his task and have an honorable closure.
It's not a complicate spy thriller but the suspense escalates in a steady rate. The narrative seems hasty though and the course to the finale could have been build up more properly.
Overall: A decent thriller with a Nicolas Cage who really tries...
.
This film was taken away from director Paul Schrader in post-production and re-edited by the producers. So it could be better if the director has the chance to present it the way he intended.
Anyway, Nicolas Cage is sufficient as the CIA veteran who struggles with serious health issues and against the willing of his Agency to catch a terrorist who is presumed dead. He shows frustration and pain but also the will to complete his task and have an honorable closure.
It's not a complicate spy thriller but the suspense escalates in a steady rate. The narrative seems hasty though and the course to the finale could have been build up more properly.
Overall: A decent thriller with a Nicolas Cage who really tries...
.
It is well Known, or maybe only well Known Among Film Geeks, that this Film has been Disowned by Director Paul Schrader and other Principals Involved in Making this Movie, and it is, Among Other Things, a Film Fanatic's Frustration.
The Director has Advised that No One See this Film.
One has to Question the Sanity of Producers that Hire the likes of Edgy Existential Film Artists and then Decide it is too Edgy and Existential for the Box Office, take the Thing Out of Their Hands and Tinker with it like a Naughty Kid Pulling the Wings off Flies. Shame Shame.
What the Movie Going Public is left with is Not a Bad Movie. enough of Schrader's Fingerprints Remain to make it an Offbeat CiA Thriller. What Doesn't Remain is the Cinematographers and Directors Visual Palette as it was "Digitally Manipulated". Shame Shame.
Nic Cage, in another Self-Realized Performance that Cannot be Ignored. He manages to be just a Heartbeat from Over-the-Top and it is usually a Fascination to Behold. If Cage does Anything Anymore it is a Willingness to Work.
The Movie may not be Appreciated for what it is, as Opposed to what it Could Have Been, it is still Worth Catching, as is all of Their Work, both Schrader and Cage are Interesting, No Matter the Product.
The Director has Advised that No One See this Film.
One has to Question the Sanity of Producers that Hire the likes of Edgy Existential Film Artists and then Decide it is too Edgy and Existential for the Box Office, take the Thing Out of Their Hands and Tinker with it like a Naughty Kid Pulling the Wings off Flies. Shame Shame.
What the Movie Going Public is left with is Not a Bad Movie. enough of Schrader's Fingerprints Remain to make it an Offbeat CiA Thriller. What Doesn't Remain is the Cinematographers and Directors Visual Palette as it was "Digitally Manipulated". Shame Shame.
Nic Cage, in another Self-Realized Performance that Cannot be Ignored. He manages to be just a Heartbeat from Over-the-Top and it is usually a Fascination to Behold. If Cage does Anything Anymore it is a Willingness to Work.
The Movie may not be Appreciated for what it is, as Opposed to what it Could Have Been, it is still Worth Catching, as is all of Their Work, both Schrader and Cage are Interesting, No Matter the Product.
This is a dark movie. Not only for its content; it's literally dim for most of the movie. I guess it's meant to provide an atmosphere that parallels what is happening in Evan Lake's (Nicolas Cage) mind, and the murky atmosphere is one of the few things Dying of the Light has going for it. The plot is this: Lake works for the C.I.A. and is experiencing some mental twitches in his old age like hallucinations, lapses in memory, and the works, which obviously isn't ideal for a C.I.A. operative, so he has to go rogue. He has flashbacks to a mission he was part of that scarred his psyche - he was tortured for information, and flashbacks to this scene happen over the course of the movie, and Evan won't stop until he finds and kills his former captor. Nicolas Cage carries this movie on his shoulders because his character is really the only semi-developed part about it. Granted, one interesting character is not nearly enough to save this gloomy mess of a film.
I can't blame writer/director Paul Schrader because he and the producers had some sort of fallout and the producers ended up changing a bunch of stuff in post-production, so I blame the producers. The editing is horrendous, the action sequences are intermittent and awkward, no character other than Cage's is interesting in the least, some scenes are too melodramatic, others are just dull. I mean you can tell this movie has more layers than it lets on, but it never goes deep beneath the surface like you want it to. It plays it relatively safe and straightforward despite having an interesting premise and an empathetic protagonist.
Now, Nicolas Cage can definitely pull off the salt-and-pepper look. Especially when he goes full on Arab (or whatever it was) with a badass goatee and tinted glasses. He really encapsulates the part of Evan, and it's by far the deepest and most flawed character Cage has portrayed in a while. The problem is that we don't see enough of him. We don't have a chance to get attached to this character on more than a surface level because the pacing of this movie is so terrible. On a scene-by-scene basis, it's extremely hard to keep track of what's going on, of what's important and what isn't. It just becomes a headache after a while and you just want to see Cage kick some ass, and he kind of does, for like a minute anyway.
The climax is incredibly underwhelming. It's just like, here, this is the end. There's no impact. No reason to care. The antagonist is garbage. Cage's sidekick is boring. None of it is memorable. The movie has so many cool ideas that it alludes to (Evan's dementia and how it impacts his work) that are never delved into deeper. I wanted to hear more monologues from Cage - more scenes of just him battling his psyche. Anything to pull this movie from boredom. Unfortunately, it never happens.
This movie isn't worth it. Even for die hard Cage fans such as myself, Dying of the Light is hard to sit through despite an engaging performance by Cage. Any time Cage is off-screen, the movie loses all intrigue. That's not a good sign. If only a director's cut was able to see the light of day, then maybe the Dying of the Light wouldn't be such a tedious mess. As it stands, it's just a very forgettable misfire of a film.
I can't blame writer/director Paul Schrader because he and the producers had some sort of fallout and the producers ended up changing a bunch of stuff in post-production, so I blame the producers. The editing is horrendous, the action sequences are intermittent and awkward, no character other than Cage's is interesting in the least, some scenes are too melodramatic, others are just dull. I mean you can tell this movie has more layers than it lets on, but it never goes deep beneath the surface like you want it to. It plays it relatively safe and straightforward despite having an interesting premise and an empathetic protagonist.
Now, Nicolas Cage can definitely pull off the salt-and-pepper look. Especially when he goes full on Arab (or whatever it was) with a badass goatee and tinted glasses. He really encapsulates the part of Evan, and it's by far the deepest and most flawed character Cage has portrayed in a while. The problem is that we don't see enough of him. We don't have a chance to get attached to this character on more than a surface level because the pacing of this movie is so terrible. On a scene-by-scene basis, it's extremely hard to keep track of what's going on, of what's important and what isn't. It just becomes a headache after a while and you just want to see Cage kick some ass, and he kind of does, for like a minute anyway.
The climax is incredibly underwhelming. It's just like, here, this is the end. There's no impact. No reason to care. The antagonist is garbage. Cage's sidekick is boring. None of it is memorable. The movie has so many cool ideas that it alludes to (Evan's dementia and how it impacts his work) that are never delved into deeper. I wanted to hear more monologues from Cage - more scenes of just him battling his psyche. Anything to pull this movie from boredom. Unfortunately, it never happens.
This movie isn't worth it. Even for die hard Cage fans such as myself, Dying of the Light is hard to sit through despite an engaging performance by Cage. Any time Cage is off-screen, the movie loses all intrigue. That's not a good sign. If only a director's cut was able to see the light of day, then maybe the Dying of the Light wouldn't be such a tedious mess. As it stands, it's just a very forgettable misfire of a film.
¿Sabías que…?
- TriviaDying of the Light (2014) had a $5 million budget of which $1 million was Nicolas Cage's salary. The shooting location was mostly Romania with some additional scenes shot in the USA and Australia (doubling for Kenya). The film's independent financier was David Grovic, a Bahamanian businessman whose few prior film credits include the critical failure The Bag Man (2014), which Grovic financed, directed, co-wrote and acted in.
- ErroresWhen the private jet lands in Mombasa, the Customs official stamps Evan's passport with JKIA. Jomo Kenyatta International Airport is in Nairobi.
- Versiones alternativasDirector/screenwriter Paul Schrader had the film taken away from him in post-production. In 2017, he released an alternate cut that he title Dark that ran 75 minutes. Speaking of the newly created version online, Schrader said, "[The movie] was filmed in 2013 and released in 2014 under the title "Dying of the Light". The film was taken from me after the first director's cut, re-edited, scored and mixed without my input. I offered to revisit the film, cut and mix a new version at my own expense but was denied permission by the producers. This cut was created using work print DVDs. I had no access to the original hi-res footage and unmixed sound. I used those limitations to my advantage when creating this new film. I was working toward a more aggressive editing style when "Dying of the Light" was taken away from me. "Dark" represents the direction I was hoping to go."
- ConexionesEdited into Dark (2017)
- Bandas sonorasStupid Cupid
Written by Frederik Wiedmann and Esther Canata
Performed by Esther Canata
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- How long is Dying of the Light?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- In the Dying Light
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 5,000,000 (estimado)
- Total a nivel mundial
- USD 697,847
- Tiempo de ejecución1 hora 34 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was Dying of the Light (2014) officially released in India in English?
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