Take Me Home

My husband and I saw this movie at the Savannah Film Fest, and we thought it was excellent. The characters and the problems with which they dealt seemed real, could've been us or our family members. There were no easy solutions. The writing was subtle and genuinely funny. The filming showed off the country beautifully. The minor characters were well crafted, especially Clair's mother. As the action moves from the frenetic pace of the city through the numbing boredom of major highways to the serenity of nature's wide open spaces, the characters face their inner conflicts and fears. They grow separately, but in that way that others often see us more clearly than we can see ourselves, they also each contribute to the other.

The test of a good movie is whether it invokes interesting discussion afterward. We talked about this one all the way through dinner and the ride home. Do yourself a favor and see it.

This is without a doubt one of the best romantic comedies I've seen in a long while, probably because it didn't come out of the Hollywood mill. With interesting, developed characters, a quirky, fun plot and twists that keep your brain alive, Sam Jaeger did a fine job writing a first class screenplay that doesn't rely on sex, animals, excessive profanity or outrageous antics to keep the laughs coming. Instead it relies on the quirks of the human condition, which is infinitely more funny than over-the-top pranks. The perfect date movie, it would rock the box office if it gets a chance, just by word of mouth. At the premier, a man with a kidney stone tried to tough out his pain just to see the end. Who can beat that for an endorsement?

Pleasantly surprised with the nice story about two strangers whose lives cross paths and they learn more about each other through some unexpected circumstances. Woot giving way anything, I can say my wife and I enjoyed the story and characters... Down to earth yet whimsically silly about how people respond to and develop an understanding about life and it's moments. Bravo, lovely little film. We would recommend this for anyone looking for a movie on a night in. It is a out of the way romantic comedy in a sweet way without the comedians but real folks. Never head of it but it came up on Amazon and thought we would give it a go and glad we did.

I enjoyed watching this movie at the Chicago Film Festival with a lively, responsive crowd. It's a character-driven story featuring two unique individuals, against a backdrop of our beautiful, expansive country. As the journey progresses through big cities, desolate deserts and incredible canyons, the characters grow in their own personal journeys, confronting head on the reality of their life's decisions. For Claire, it's a marriage that is falling apart and a strained relationship with a father who just had a heart attack. For Thom, it's going broke pursuing a career he loves, and lying to his family about it out of shame and embarrassment. As the characters drive across the country together, they eventually reach two destinations -- California and the personal realizations that they need to change the patterns of their lives in pursuit of something more meaningful.

Take Me Home (2011)

When a movie makes you want to get on the road and see the country, it's doing something right. In classic storytelling fashion, we begin with some quick and disastrous events by two characters who haven't met. Their lives are in various state of ruin (emotional or actual) and when they meet--well, the sparks definitely do not fly.

But the story begins in earnest. And what is a short drive around New York transforms into the main idea of the movie. And of course the two have to find a way to get along, which involves slowly coming to understand each other mostly by letting their own old habits and presumptions fade away.

The leads are actually a married couple, Sam and Amber Jaeger, and Sam is the director and writer (and producer), so yes, it's a home brew movie. But it's shot with the high end Red digital camera and it feels fully professional. And more important, the acting by these two leads, who dominate the movie completely, is terrific. You feel where both of them are coming from, and when they change it makes sense.

The details of the story sometimes dip into obvious or slightly unbelievable zones. Every now and then the dialog is a hair off kilter. And maybe there could have been a slight shift in pace to keep the flow flowing. It's not a masterpiece, surely, but they know that, too. It doesn't have those kinds of ambitions.

What "Take Me Home" aims for is a light, believable sincerity, a sweetness that we all recognize and sometimes need, and which doesn't get too too sugary. And on that level it's a really enjoyable movie. And it really does make you want to hit the road.