A Love Song

This flick caught my eye. The limited dialogue somewhat makes you want to keep watching to see where it is going. The director does an excellent job with the scenery in Colorado.

If you happen to be an RVer or a camper, this will get your attention as well. There are millions of campers out there in travel trailers, fifth wheels, motorhomes, you name it. The price ranges could be from a few hundred dollars to a million or more.

Dale Dickey plays the part excellently. You immediately feel for her. Limited money, drinking warm beer, fishing for food and seemingly down on her luck, but up on her hope for something special that just might happen. A "flame" from the past.

The actors are good, and the set ups are perfectly aligned to the story line.

The brothers and little sister are an interesting attempt - I think - at a little comedy. It did make me smile, and her directed them with the motor as the transferred it was a nice touch. A side story line or two was needed, and this certainly did the trick.

In the end, what happens with love. Sometimes it works out, and sometimes it does not.

I gave this film 8 starts, because 1. I liked it. 2. Good directing and good acting and 3. Good filmography and scenery. This director will get bigger budget films soon, I am sure.

Will I watch it again. I just might, to see what I might have done differently in the filming and timing of certain scenes.

I give it a thumbs up for sure. Enjoy! Rod.

This movie was utterly beautiful in every way. I did not know that I needed to witness strength and vulnerability in silence and was tremendously moved by Dale Dickey's honest and transparent performance. I can now count two times that I have been in awe inspired by an actor's performance when motionless and silent: (1) was watching Anthony Hopkins's heart break in Remains of the Day, and now (2) Dale Dickey letting go of a romantic fantasy and confront a deeper level of grief in A Love Song. My sincerely thanks to everyone on this production. It's been three days since I've seen it, and the impact of the movie is still felt acutely. Bless you and your humanity.

While the cinematography showed nice views the picture was not that great. However, this film absolute blew me away; each scene was special! If you are not looking for action then please check out this film (if you are expecting action then this is not the film for you). It moves at a snails pace throughout while the set never much really changes. If you don't like camping then go watch this movie instead;)

Looking over other reviews, what I see in the negative reviews are the things that make this movie so good. Is it slow? Absolutely. And on purpose. Not much "happens?" I guess so, if you think life is the place where nothing happens. I do wonder whether most people under the age of 40 or 50 will get this movie. Which makes the age of the director a bit of a surprise. My wife and I (both in our 60's) found this movie to be a lovely, lovely thing, inside and out. It's pensive and moving and joyful and sad and magical..you know, like life. And one scene (to avoid spoilers I'll just call it the first gravediggers scene) is so funny I had to watch it again twice. Quirky brilliance, that. See it on a big screen if you can because the setting is one of the characters. (I'm astounded that one review calls the scenery boring. Compared to what? Exploding Death Stars?) If you need CGI and sharp snappy dialogue, go elsewhere. If you can watch the unfolding of a small story that's really everyone's story, this movie could well be for you.

This is a melancholy, impressionistic movie about aging, loss, and the mystery of solitude. While the story line is simple and thin, the handful of characters who inhabit it convey the ambiguity and uneasiness of real life so naturalistically that it almost feels like a documentary. Not all viewers will be interested in experiencing this level of lonely introspection set amid the stark barrenness of the American west, waiting for "something to happen." But another type of viewer will find the relative wildness of the setting calming, reminding us of our own actual journeys and mental escapes into the almost incomprehensibly large landscape of this part of the country--a place where you can be both undisturbed and nearly forgotten. And in this movie the landscape itself seems to be an inquisitor, stripping bare civilized pretensions and routines with the oppressive gravity of solitude and unlimited time. Aside from being drawn with laughably impossible mechanical skills, the lead female character comes across as both frighteningly realistic and distinctly unappealing. Though she shows positive traits like self-sufficiency, curiosity, and generosity, she also seems uncomfortable in her own skin--making the viewer squirm and wonder if she's always been this way or whether grief and advancing age have made her so tense and enigmatic. The pacing and feel of the thing is so sober and bare-bones that it's surprising to find a touch of Wes Anderson in some of the incidental characters who momentarily break the silence.