Mumbai Meri Jaan

A brilliant movie that showcases few days before and after the Mumbai serial blasts of 2006 in the lives of five different, unrelated characters: Software Engineer Madhavan, constable Paresh Rawal, roadside coffee vendor Irfan Khan, TV reporter Soha Ali Khan, and a Hindu fanatic Kay Kay Menon, and everyone has lived to expectations. Each parallel plot is a story in itself that becomes interesting as the movie progresses. The movie touches many issues: Soha being interviewed by colleagues about her fiancé's death, the loser constable reflecting on his idle police service at retirement, software engineer considering fleeing the country, Hindu extremist bridging the Hindu-Muslim divide. Light traces of humor can be found in Kay Kay's anger, Paresh Rawal's sadness, and Irfan's helplessness. The blast scene is a bit gory and painful to watch, but could be very close to reality. Amazing talent shown by director Nishikant Kamath in his first Hindi movie after just one Tamil and one Marathi movie. Though a bit heavy, a must watch. The end leaves you lighter with the evergreen song from CID that gave the movie its name.

Mumbai Meri Jaan released last week and it had my dream cast in it,so I couldn't dare to miss this one..Kay Kay,Irfan,Paresh..wow...What else do I want??? The film tells the story of 6 lives ,very different from each other,in terms of background, yet close to each other,in terms of frustration & solidarity.

The film is about the Mumbai train blasts but its not,"only" about the blasts.It peeps into the lives of rich and poor, dangerous and foolish, corruption and morality and ends up showcasing ,that in the end we all have a heart which despite facing several pains,still manages to beat in a way,which is as beautiful as Mozart's Symphony No. 40.

The performances are top notch but Kay Kay is the one who is ahead of the rest. Paresh Rawal has the most author backed role and he does ,what is expected of him,i.e. deliver a knock out performance. Irfan has done fantastically well,but I wish,he had got some more scenes.Soha and Madhavan are adequate,but its Kay Kay, Paresh and Irfan,who make this movie reach the highest level.

A wonderful and a brilliant film with the song placement in the last scene ,being a masterstroke.

my rating- 8 out of 10

How many time do you get to see movies which actually touch your heart not just once but through each and every character of the movie ? Well.. Mumbai Meri Jaan is one of those movies. The beauty of the movie is the realistic characters, realistic dialogs, good story, powerful acting, amazing direction, emotional climax and the message it conveys. This story starts from the day 7/11 when Mumbai serial blasts happened and ends after a week from that. The movie tells about the impact of the 7/11 bomb blasts on people's life, how it affected every character's life and finally how they manage to keep the 'Mumbai Spirit' alive. Excellent performances from Irfan Khan, KK, Soha Ali Khan, Paresh Rawal and Madhavan. A movie that truly deserves to be Tax-free and best movie of the year award. My personal second choice will be 'Aamir'. I salute the 'Mumbai Spirit'.

An outstanding creative work by UTV Motion Pictures depicting the true Spirit of Mumbai with shades of every aspect. KK, Madhavan, Irfan, Soha and Paresh Rawal were extravagant. All of them try tackling their issue on their own. And by the end of it, all of them move on in life. And that has been portrayed as the 'spirit of Mumbai'. Hence the name – "Mumbai Meri Jaan". The movie presents the difference in various point of views from which people looked at the incidence of Mumbai Train Blasts in July 2006. At one level, it shows how there are people who overcame the fear of bomb blasts and moved on in life as if nothing has changed. While there is another sect of people whose lives have forever been unsettled because of this incident.

In all, the movie deserves an A+, and is a must watch.

The great city of Mumbai got its song in 1956. It was written by Majrooh Sultanpuri, composed by O.P. Nayyar and sung by Mohd. Rafi and Geeta Bali - 'Ae dil hai mushkil jeena yahan..' from the film CID. It took more than half a century since then for Mumbai to get its film. 'Mumbai Meri Jaan' is that film.

Nishikant Kamat (director) and Yogesh Joshi (writer) have created a brilliant film. It starts slow and cautious but the graph keeps on rising steadily throughout the duration of the film. 'Mumbai Meri Jaan' chronicles the few days before and after the Mumbai serial blasts of 2006 in the lives of 5 characters played by Kay Kay Menon, Soha Ali Khan, Irfan Khan, Paresh Rawal and Madhavan. That list has some of the very good actors in Hindi film industry today. None of then disappoint. Every one of them has got into the skin of their character, and be assured they are no simple characters.

The story is beautifully written. It gives space to all the characters. Each one is well defined. It captures their fears, failures, prejudices and agony flawlessly. It takes us from one character to the other and all the stories blend seamlessly. The editing is clean, though it could have been a little more stringent to cut the running length of the film a little.

Why Mumbai Meri Jaan really clicks is because it is about real people in a real world. The vast expanses that it covers in its limited premise is amazing. There is a Paresh Rawal who is reflecting at his 36 years as a policeman. When we hear him out completely it is difficult to decide whether he is a loser or winner. The wrinkles on his face, his gray hairs, his spectacle-aided vision - is there a better metaphor than himself for the city he lives in? There is a Madhavan who can get what he wants. He has the money to buy a car, has the opportunities to migrate to Europe or America. But should he? We don't really know at the end. It is for some reason that a tear drop sliding over his cheeks is the closing shot of the film. Kay Kay Menon and Irfan Khan are great actors. They have added dimensions to their characters which I doubt even the writer knew existed. The Soha Ali Khan segment takes a dig at the news channels of today. It is raises a lot of obvious questions.

Nishikant Kamat is a director to look out for. He uses various devices like close-ups, short quick cuts, looking upwards shots, silence, stills, jarring music, almost everything. But all are in moderation. So the end result looks plain and clean - possibly the most difficult thing to do in Hindi film industry today.

It was only befitting that the film end with the C.I.D song. A must watch.