Mumbai Meri Jaan

I only had inkling on what this would be about and that's all. But was totally amazed when I saw the contents of it – some reality which I haven't seen in a Bollywood film for a very long time.

The title is derived from the golden oldie, "CID" and sung by the late Mohd Rafi and Geeta Bali and composed by the O.P. Nayyar and it is a favourite song of mine and above all it describes the city of Mumbai. While this film, which depicts on how the people of the city were able cope with the bomb blasts that took place on July 11 2006. It deals with peoples' emotions and how they are able to handle it.

A Policeman, who is about to retire and how he is able to reflect on his time in the force, an aspiring journalist who covers tragic stories but unknown to her, her world crumbles when she faces such situation herself, an unemployed computer engineer who suspects people around him to be the terrorists but soon realises that not everyone is and finally a coffee vendor who is struggling to survive – they are the characters that all come together in this movie, a magnificent tribute to the city of Mumbai. But looking more further afield, this movie can also apply to other cities in this world that has changed so much since September 11 2001, cities such as New York, London and Madrid, who have faced the same dilemmas. This is what the director Nishkant Kamat has tried to portray.

Soha Ali Khan, has once again excelled like she did in "Khoya Khoya Chand" as the aspiring journalist, Kay Kay Menon, as the young unemployed computer engineer is very convincing in his role as a person who suspects people around him. Finally, Paresh Rawal, as the Policeman who is about to retire is just superb and is able to portray as to how his character feels about what he has achieved during his time in the force. But what is the icing is the song that comes in at the end when the credits begin to roll in.

This is a very appealing film that is worth watching and is capable of putting other movies, such as "Singh is Kinng" several steps behind.

The great city of Mumbai got its song in 1956. It was written by Majrooh Sultanpuri, composed by O.P. Nayyar and sung by Mohd. Rafi and Geeta Bali - 'Ae dil hai mushkil jeena yahan..' from the film CID. It took more than half a century since then for Mumbai to get its film. 'Mumbai Meri Jaan' is that film.

Nishikant Kamat (director) and Yogesh Joshi (writer) have created a brilliant film. It starts slow and cautious but the graph keeps on rising steadily throughout the duration of the film. 'Mumbai Meri Jaan' chronicles the few days before and after the Mumbai serial blasts of 2006 in the lives of 5 characters played by Kay Kay Menon, Soha Ali Khan, Irfan Khan, Paresh Rawal and Madhavan. That list has some of the very good actors in Hindi film industry today. None of then disappoint. Every one of them has got into the skin of their character, and be assured they are no simple characters.

The story is beautifully written. It gives space to all the characters. Each one is well defined. It captures their fears, failures, prejudices and agony flawlessly. It takes us from one character to the other and all the stories blend seamlessly. The editing is clean, though it could have been a little more stringent to cut the running length of the film a little.

Why Mumbai Meri Jaan really clicks is because it is about real people in a real world. The vast expanses that it covers in its limited premise is amazing. There is a Paresh Rawal who is reflecting at his 36 years as a policeman. When we hear him out completely it is difficult to decide whether he is a loser or winner. The wrinkles on his face, his gray hairs, his spectacle-aided vision - is there a better metaphor than himself for the city he lives in? There is a Madhavan who can get what he wants. He has the money to buy a car, has the opportunities to migrate to Europe or America. But should he? We don't really know at the end. It is for some reason that a tear drop sliding over his cheeks is the closing shot of the film. Kay Kay Menon and Irfan Khan are great actors. They have added dimensions to their characters which I doubt even the writer knew existed. The Soha Ali Khan segment takes a dig at the news channels of today. It is raises a lot of obvious questions.

Nishikant Kamat is a director to look out for. He uses various devices like close-ups, short quick cuts, looking upwards shots, silence, stills, jarring music, almost everything. But all are in moderation. So the end result looks plain and clean - possibly the most difficult thing to do in Hindi film industry today.

It was only befitting that the film end with the C.I.D song. A must watch.

This is one of the best drama terrorism movie ever made.The whole story is concentrated on five people's life after the bomb attack in mumbai.Every character is so real.We can feel that the all characters are live and we know them.The screenplay of this movie is just awesome.Paresh raval has done his best work till date.Paresh Raval(Tukaram Patil) is retiring from the job of policeman and then the bomb blasts occur in the city.And how this bomb blast effect these five people's life is the story of this movie. At the end the speech of Paresh Raval(Tukaram Patil) covers the whole theme of the movie.Nishikant Kamat has done brilliant job as director. If you like the drama movie then you must see this masterpiece.

a truly outstanding movie...it touches your heart...and forces u to think about it...a must watch....it should be made compulsory for media whose standards have fallen....a movie which can make u cry....which salutes the spirit of mumbai...the spirit of India...the spirit of humanity....and it does so through the lives of ordinary persons to whom we can relate...a movie with excellent acting from one and all....the best part of the movie is never over the board...there is a bit of all the protagonists in all of us...the movie is so realistic and soul stirring and when u leave theater your eyes are moist not from sadness but from a sense of pride in the spirit shown by mumbaikars

A brilliant movie that showcases few days before and after the Mumbai serial blasts of 2006 in the lives of five different, unrelated characters: Software Engineer Madhavan, constable Paresh Rawal, roadside coffee vendor Irfan Khan, TV reporter Soha Ali Khan, and a Hindu fanatic Kay Kay Menon, and everyone has lived to expectations. Each parallel plot is a story in itself that becomes interesting as the movie progresses. The movie touches many issues: Soha being interviewed by colleagues about her fiancé's death, the loser constable reflecting on his idle police service at retirement, software engineer considering fleeing the country, Hindu extremist bridging the Hindu-Muslim divide. Light traces of humor can be found in Kay Kay's anger, Paresh Rawal's sadness, and Irfan's helplessness. The blast scene is a bit gory and painful to watch, but could be very close to reality. Amazing talent shown by director Nishikant Kamath in his first Hindi movie after just one Tamil and one Marathi movie. Though a bit heavy, a must watch. The end leaves you lighter with the evergreen song from CID that gave the movie its name.