Salvation Boulevard

Carl Vanderveer (Greg Kinnear) used to be a Deadhead, and now is a follower of a charismatic church leader Dan Day (Pierce Brosnan). After a debate with atheist Peter Blaylock (Ed Harris), he invites Dan and Carl back home to pitch his idea of joining up to co-author a book. However, Dan accidentally shoots Peter and tries to frame it as a suicide. Then Dan tries to frame Carl as the shooter.

This is a black comedy without the comedy. Greg Kinnear may not be a good comedic lead if George Ratliff is aiming for funny. He is constantly taking shots at fundamental Christians, but it never really sticks. As a satire, this is a struggle to find any humor. Everybody is trying desperately to be outrageous especially Jennifer Connelly, but they do it without a clue of how to make it funny.

I gotta hand it to writer/director George Ratliff for being so bold. I'm not just talking about offending audiences. I'm saying if God does exist, then there's certainly a hot seat in store for Georgie Boy.

Actually I'm kidding. "Salvation Boulevard", while being unapologetically one-sided, isn't so offensive that religious folks can't laugh about it. I'd like to think it pokes fun at the hypocrisy of certain religious leaders, not religion itself.

But what do I know. I'm pacifist and yet I enjoyed Deathwish 1 thru 5.

Right off the bat, "Salvation Boulevard" gets points for its wacky, original plot. A celebrity televangelist, played by Pierce Brosnan, and a recently-converted (but thoroughly confused) ex-Deadhead, played by Greg Kinnear, get wrapped up in an unintentional crime against an atheist (Ed Norton). Due to a series of panicked, bad decisions, it just keeps getting deeper & deeper for both of them. Our hero, the Deadhead, is sort of an Everyman character who muddles his way through the madness without ever seeming to comprehend what's going on. Conversely, Brosnan the televangelist thinks he's in control, but his situation (and his moral fiber) rapidly unwind as he starts suffering from delusions that the Devil is hot on his trail.

Adding to the fun are some equally wacky characters: Marisa Tomei as the flaky retro-hippie girl, Jennifer Connelly as the insanely obsessed follower, Jim Gaffigan as the even-MORE-insanely obsessed follower (I'm talking "Terminator" obsessed), Yul Vazquez as the comically sinister Mexican crime boss, and a host of others thrown in.

"Salvation Boulevard" is a roller-coaster dark comedy that reminds me of the unknown gems "Grand Theft Parsons" (about 2 guys who decide to steal the body of famed musician Gram Parsons) and "Leaves of Grass" (about a hillbilly and his yuppie brother who get wrapped up in a crazy drug caper). And of course there's the classic oldie "Fletch Lives" (where Chevy Chase takes on a questionable TV ministry). All of these films are worth a watch and should get some lols out of everyone.

With all the hullabaloo about the giant Evangelical MegaChurches such as Orange County, California's Crystal Cathedral filling the media it is refreshing to find a film that joins in the parodies and reveals some of the many flaws in those organizations. What begins as a debate between Pastor Dan Day (Pierce Brosnan) and atheist Dr. Paul Blaylock (Ed Harris) in front of a vulnerable audience in which sits radical born-again Christian Gwen (Jennifer Connelly) and her ex-drugged out Grateful Deadhead dummy of a convert husband Carl (Greg Kinnear) rouses some hilarious lines, but when Day and Blaylock and Greg meet for after debate drinks and Day inadvertently shoots Blaylock in the head, the story goes downhill from there: Greg is talked into taking the blame for the shooting so that the 'miraculous' moneyminded project of building a wholly Christian City on the Hill (complete with medical school, law school, and of course a crystal cathedral, etc.) will continue to pad the coffers of the evangelical showtime of Pastor Day. Carl's bumbling attempt to correct his sins of the past provides the common thread is this flimsy film, a journey that involves an old ex-deadhead security guard Honey Foster (Marisa Tomei), a cameraman gone berserk Jerry Hobson (Jim Gaffigan), Greg's vulnerable daughter Angie (Isabelle Fuhrman), and Greg's scheming father-in-law Joe (Ciarán Hinds).

Based on Larry Beinhart's novel by the same name, the disjointed script is by newcomer Douglas Stone and writer/director George Ratliff. If the point of making this movie was to poke fun at the increasingly popular cults of the Mega Churches and their brainwashed followers then they have succeeded. But 'reason' (in the character of Ed Harris's character) is knocked off in the first few minutes of the film and from there the movie just rambles around with poorly differentiated characters about whom we couldn't care less. How a cast of some of our finest actors got caught up in this mess is a conundrum. The end result suggests a knockoff Coen Brothers movie gone bad. It is a trial to make it through the end of SALVATION BOULEVARD!

Grady Harp

After going through a disappointing summer movie line up this year " 2011 " so far, i was more than happy when i found this film playing in a theater near by.

And after watching this very enjoyable movie, i was left surprised in why it had a very limited release ? unlike most big budget summer movies, this movie focused on substance rather than style. it had a very engaging story that unfolds in a very intriguing way.

the story is that of a well known Pastor played by Pierce Brosnan who gets involved in a debate with a disbeliever and writer played by Ed Harris, soon after, the pastor gets involved in a sinful accident and tries to use his religious influences to get himself out. stuck in the middle of all this, is an ex-deadhead played by Greg Kinnear.

the Characters and acting were the best thing in the movie, a wonderful cast lead by Pierce Brosnan, Greg Kinnear, Ed Harris, Jennifer Connely and Marisa TOmey. they all deliver very memorable performances, and they added a lot to their characters. the characters were fun and seemed very familiar, easy to identify with.

the film was more of a dark comedy, very funny and laugh out loud moments involving religion, relationships and even murder.

I am just so surprised with the limited release, this film deserves a wider release and should reach more audience. I highly recommend this.

For one time that an American movie shows a bit of originality, it's finally destroyed by an awful production !

First, it's a acid comedy about faith which is always helpful for the audience instead to be brainwashed by silly blockbusters. In addition, for a french guy like me, it's a real opportunity as french producers just don't wan't to do movies about this kind of movies ! Next, all the characters are finely fleshed and the casting has found some great names to play them : Jennifer, cool and cunning James Bond n°5, grumpy Ed Harris and other known faces… Next, the thematic and its players are synthesized into a crazy story, full of surprises and funny twists !

Unfortunately, all this is lost in the production ! Like most American movies since 2010, this one abuses the famous ugly Blue / Orange color scheme ! The cinematography relies on those two disgusting choices and the props and wardrobes used them too. So we are left with a smurfs movie or too much tanned people living in a blue / orange world ! It's everywhere, every time for everything or everyone and the pleasure a good « Technicolor » movie is gone ! Thus, it's a pity that such bad taste is left unnoticed as it's become an anti-watching tool that kills too many good movies !