Tornados

Twisters is odd because it's not really a sequel to the original Twister (1996), nor is it a remake. It's its own thing. And that's kind of a good thing. This film is highly predictable, which takes away a lot of the suspense, but it still manages to present a few exciting moments. Also, I expected the visual effects to far surpass the ones from the 90s, but they honestly seem about the same. And there are far too many characters for me to care about any of them individually, except for Glen Powell, who is a whirlwind of charisma. Even with all its eye-rolling moments, I enjoyed watching Twisters.

Recently saw the 90s version with the same title starring Hunt & Paxton which was an epic disaster thriller. It was better than this one in every sense be it casting, acting, emotional connect or gravity & intensity of scenes. One thing though seemed to have improved is the visual effects and why not, it's been 30 years since the previous one got released. It's the least they could have done.

Kate, a former tornado chaser is lured back to study a series of tornados expected to hit Oklahoma. Still haunted by a devastating encounter with a tornado during her college years, she crosses paths with fearless Tyler Owens, a modern day tornado chaser cum blogger and his awesome team. In 1996 version they had this alert system called Dorothy which was supposed to track the nature of the tornado. In this film they go next level to mitigate the tornado itself.

Daisy Edgar Jones looks great but disappoints with her portrayal of Kate. Her performance lacked the vigor and magnitude that Hunt's character had. Glen Powell carries the whole movie with his ever-charming role. Though this movie lacked the thrill that the other Twister had, maybe because of the better cast involved in the earlier installment, current version excels in the visual department. Those Tornados looked realistically awesome on the big screen.

Twister is an absolute travesty, a cinematic disaster that not even its colossal budget could save. It's painfully clear that this film was cobbled together with the sole intention of squeezing every last dime out of impressionable teenagers, capitalizing on the nostalgia of the original classic. The sheer audacity of the filmmakers to slap a big, famous headline on this monstrosity is infuriating.

This movie has effectively tarnished the legacy of the original "Twister," dragging it through the mud with a lifeless plot, atrocious dialogue, and special effects that somehow look worse than what we saw in the 90s. They even had the nerve to cast actresses who are so dangerously underweight that they look like ten-year-old boys-it's not just unconvincing, it's downright disturbing.

They must think we're fools, but anyone with a shred of taste will see right through this cash-grab abomination. Avoid this movie like the plague; it's a gross insult to cinema and to anyone who loved the original.

So the graphics and visuals are outstanding! It looks like devastation is actually happening. Some of the scenes looking down on the towns were cool but the scenes in the air were incredibly detailed and beautiful. Beyond that I didn't care for it. I wanted to love it but just couldn't . I didn't care or root for any character. I wanted them to all be sucked up into the tornado! There was on scene, early in the movie , that disposed of a character that was awesome. All the performances were hackneyed and just trying to hard. Save your money and wait for it to come on TV or your favorite streaming service.

Have you noticed an epidemic of movies that don't take themselves seriously? They often involve knowing looks/winks at the camera and meta-jokes that break the fourth wall. (And maybe a Ryan Reynolds appearance.) Twisters is not that. In fact, it is the opposite of that. Twisters is a throwback to when summer blockbusters just went for it, and it is ridiculous in all the best ways. This movie builds on what made the original Twister fun, dials all of it up to 11, and makes absolutely zero apologies for it. Not coincidentally, I had an absolute blast. Everybody who walked into that theater knew what they were signing up for, and we all got it. Not only that, but these characters were way more well rounded than the original, so I understood their choices and cared more when the winds started swirling. It isn't perfect, and it certainly strains credulity throughout, but it was a thrill ride that treated its setting, characters, and audience like they deserved some respect. What's not to like about that?

PS - Powell and Edgar-Jones were absolutely tailor-made for this one.