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IMDbPro

L'armée du crime

  • 2009
  • Not Rated
  • 2h 19min
CALIFICACIÓN DE IMDb
6.7/10
3.7 k
TU CALIFICACIÓN
L'armée du crime (2009)
Paris 1941. Twenty-two men and one woman fighting for an ideal and for freedom in the untold story of the French Resistance.
Reproducir trailer1:54
1 video
16 fotos
DramaGuerraHistoria

Agrega una trama en tu idiomaThe poet Missak Manouchian leads a mixed bag of youngsters and immigrants in a clandestine battle against the Nazi occupation. Twenty-two men and one woman fighting for an ideal and for free... Leer todoThe poet Missak Manouchian leads a mixed bag of youngsters and immigrants in a clandestine battle against the Nazi occupation. Twenty-two men and one woman fighting for an ideal and for freedom. News of their daring attacks, including the assassination of an SS general, eventuall... Leer todoThe poet Missak Manouchian leads a mixed bag of youngsters and immigrants in a clandestine battle against the Nazi occupation. Twenty-two men and one woman fighting for an ideal and for freedom. News of their daring attacks, including the assassination of an SS general, eventually reaches Berlin.

  • Dirección
    • Robert Guédiguian
  • Guionistas
    • Serge Le Péron
    • Robert Guédiguian
    • Gilles Taurand
  • Elenco
    • Simon Abkarian
    • Virginie Ledoyen
    • Robinson Stévenin
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.7/10
    3.7 k
    TU CALIFICACIÓN
    • Dirección
      • Robert Guédiguian
    • Guionistas
      • Serge Le Péron
      • Robert Guédiguian
      • Gilles Taurand
    • Elenco
      • Simon Abkarian
      • Virginie Ledoyen
      • Robinson Stévenin
    • 22Opiniones de los usuarios
    • 50Opiniones de los críticos
    • 76Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 4 premios ganados y 1 nominación en total

    Videos1

    The Army of Crime
    Trailer 1:54
    The Army of Crime

    Fotos16

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    Elenco principal65

    Editar
    Simon Abkarian
    Simon Abkarian
    • Missak Manouchian
    Virginie Ledoyen
    Virginie Ledoyen
    • Mélinée Manouchian
    Robinson Stévenin
    • Marcel Rayman
    Lola Naymark
    Lola Naymark
    • Monique Stern
    Grégoire Leprince-Ringuet
    Grégoire Leprince-Ringuet
    • Thomas Elek
    Adrien Jolivet
    • Henri Krasucki
    Olga Legrand
    • Olga Bancic
    Alexandru Potocean
    Alexandru Potocean
    • Alexandre le mari d'Olga
    Jean-Pierre Darroussin
    Jean-Pierre Darroussin
    • Inspecteur Pujol
    Yann Trégouët
    • Commissaire David
    Pascal Cervo
    Pascal Cervo
    • Inspecteur Bourlier
    Paula Klein
    • Madame Rayman
    Boris Bergman
    • Monsieur Rayman
    Léopold Szabatura
    • Simon Rayman
    Ariane Ascaride
    Ariane Ascaride
    • Madame Elek
    Garance Mazureck
    • Marthe Elek
    Yann Loubatière
    • Bola Elek
    George Babluani
    George Babluani
    • Patriciu
    • Dirección
      • Robert Guédiguian
    • Guionistas
      • Serge Le Péron
      • Robert Guédiguian
      • Gilles Taurand
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios22

    6.73.6K
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    Opiniones destacadas

    6genie_man38

    Not engaging

    This film had several good points: It showed the tense but complacent life of Jews in Paris during the occupation. "He'll be eliminated." "You don't know that for sure." It showed the complicity of the French administration doing the Nazi's dirty deeds. But we've seen that before.

    It gave pause to wonder whether these resistance fighters were actually achieving anything of significance or risking their lives to pop off a few Nazi soldiers for no great tactical advantage.

    It offered the viewer titillating glimpses of two beautiful actresses, Virginie Ledoyen and Lola Naymark.

    But on the whole, the movie was dull. The characters were flat. There was little development in the plot: rather, a series of adventures culminating in predictable misadventure. It dragged on from one scene to the next without engaging. Six out of ten.
    6SnoopyStyle

    too many characters but functional resistance movie

    Paris is under German occupation. The Germans invade the Soviet Union and start rounding up communists. Mélinée's husband Missak Manouchian is an Armenian writer who escaped the genocide. Soon, he's picked up the Nazis. She's working with the resistance. He leads them after he's released. Marcel Rayman is a Jew angered by the Nazi propaganda. After his father's arrest, he steals a gun and starts killing German soldiers.

    This is a traditional movie about the French resistance. Virginie Ledoyen leads a big cast of characters. Fewer lead characters could have intensified each person's story. There are way too many side characters in the group. The movie needs to stay on the Manouchians and Marcel and only them. It's a little stop and go with the flow. It's well filmed but needs a bit more to differentiate from the standard retelling.
    8jed-121

    A wonderful worthy film

    Sharing, from a safe cinema seat, the anguish of an occupied people gave us a view of how we might behave in such terrible circumstances. The villains are not the Germans but the French people themselves. The real horror is not in the big scenes of torture but the ordinariness of the concierge cheerfully denouncing people in her own building. The French are still living today with the guilt of all that and this film is one of the rare examples of a frank look at this from the inside. I called it a "worthy" film which carries the film-makers problem of telling a tough story but still needing to seduce an audience into the cinema. The Picture House had a very small audience when I saw it tonight.
    8johnnyboyz

    An excellent balance of character study and war-time clandestinity paying a respectful documentation to true-to-life people.

    Director Robert Guédiguian uses a large, wide canvas for the characters in The Army of Crime, a deep; nourishing and really affecting French film from 2009 documenting the true story of a group of resistance fighters in Occupied France during The Second World War. Here is a thriller which, despite having its events based on true stories and plights, never for one second feels fabricated nor preordained; allowing for an array of characters to be beautifully balanced in their struggles with the overall situation, those around them and themselves. The film is a testament to the high level of quality films that have been consistently churned out of France in recent years, deeply affecting character pieces.

    Without wanting to get into a petty discussion on whether The Army of Crime is better than 2009's other World War Two resistance-style thriller Inglourious Basterds, let it be known that as Tarantino's recent outing dealt with similar overall subject material; his characters were, certainly in the case of the heroine, running on a distinct character arc of revenge as those at the centre of all of it adopted roles equal to cartoon characters. The maiming and gratuity these people known as the Basterds were capable of was thrust unto us very early on as these gutsy; no-nonsense; Southern-drawl spouting sadists out to beat; kill; pillage and scalp as many Germans as they can find made itself apparent. Whilst it all sounds like a lot of fun, Army of Crime presents its leads, indeed some of whom are as young as the Basterds and as seemingly angry as the Basterds, but does so in a more natural and realistic light. Observing Robinson Stévenin's character named Marcel, here, as he transforms from a petulant youth whom has a girlfriend and whose hobbies include swimming into a creepy and unnerving individual, is more rewarding than having comic book creations already established to be of that ilk bully and push their way through specific obstacles.

    But Guédiguian does his best to refrain from giving us a character to obviously align ourselves with, indeed resisting the use of a specific protagonist. Instead, he spreads around the plight of these people pretty evenly: men; women; French-born individuals; Armenian immigrants; youngsters and elder people, there is no prejudice towards one 'type' of person being braver or more heroic or getting more of a study. For some, this technique will feel sporadic; making the film come across a weighty and quite heavy piece without an individual to truly latch onto resulting in some audiences being turned off. Heading in, I had no knowledge of the true story element to proceedings; but it would go a long way in describing the natural sense Guédiguian gets across. Not knowing how everything turned out and not knowing what became of most involved is, I think, a pleasure amongst many to be had out of The Army of Crime.

    The film's documenting of violence and how violence and the hatred of an occupying force in the Nazi soldiers can combine in propelling people to psychological places they might well have been unsure previously existed within themselves, is an interesting side-dish for The Army of Crime. Some characters slip into a brutal, hate-filled stupor easier than others; blasting their way through codes of morality in a rage of fury like nobody's business. For others, that transition is more difficult but not necessarily impossible. In the case study of young Frenchman Thomas Elek (Leprince-Ringuet), much is set up that his temperamental attitudes and short fuse exists and can rather easily get him into trouble. After being berated with an anti-Semitic remark by a fellow class-mate, he sits in the principal's office and is forced into hearing his highly attractive prospects for the future in front of him laid out, the light dim enough to have half his face covered by pitch darkness, the other half in brilliant light. The combination of the authoritarian individual speaking of the future and later roles the young man may very well adopt combined with that steely expression complete with use of lighting suggests a link to more than one possible future.

    But Thomas is not as much-a live wire as the aforementioned Marcel, a rag-tag; leather jacket sporting; rough and ready looking young man whom gets highly agitated early on at a tailors over seemingly nothing. He hates the Germans; loves his swimming and maintains an odd, semi-aggressive relationship with girlfriend Monique (Naymark). There seems to be an initial element of seemingly harmless shenanigans behind the first time Marcel engages in illegal activity of a resistance sort, when hundreds of red pages are dropped from a two storey building encouraging rebellious behaviour against the Germans. But this occurrence plays a more important role in highlighting Marcel's advances through the film, in the process taking everything far more seriously and when the snatching of his father by the German's occurs, moves his plight into a more personal realm.

    One individual, a middle aged man named Missak played by Simon Abkarian, is someone with prior experience of conflict between nations; he swears he will not kill anyone whilst involved in the resistance, and the pain on his face is agonising early on when he confesses to having to leave behind his fellow inmates at a local German built prison housing other arrested intellectuals, even if it meant saving his own life. The praise that he receives later on when a particular act of bravery, although essentially rendered heroism by those within the circles given the scenario, does further stoking to his morally torn core. Director Guédiguian even finds room to encompass that old 'two sides of the same coin' routine when, around a table (during which these exchanges usually happen), factions within the group demand different things out of the entire process; degrees of antagonism lead by a female character who wants her voice heard. The film is a rewarding exercise in both character study and slow burning drama.
    lastliberal-853-253708

    No one can be neutral now.

    Liberté, égalité et fraternité. The motto of France is certainly not very apt to describe the time of Nazi occupation. The nationalistic French mainly capitulated to the Germans, and left the resistance to a bunch of immigrants - Italians, Armenians, Jews, Hungarians, Spaniards, etc.

    This is the real Inglorious Basterds. The story of those who continually picked at the Germans and made their lives miserable. They don't go home in glory, but their names are on a role of honor for those who served to fight oppression everywhere.

    An American poet, Missak Manouchian (Simon Abkarian), and his wife Mélinée (Virginie Ledoyen) lead the group.

    Director Robert Guédiguian does an excellent job of capturing the period, and letting us get to know the actors before the action starts.

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    Argumento

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    • Trivia
      Characters Micha Aznavourian (Serge Avedikian) and Knar Aznavourian (Christina Galstian) were, in real life, the parents of singer and actor Charles Aznavour. Whilst Charles does not feature, as a character, in the film, he is briefly mentioned by his parents (as characters), around 42' 55" into the movie, as having early success as a child singer.
    • Errores
      When showed up to the press after being arrested in November 1943, a member of the group tells a policeman the FFI will avenge them when they come. The FFI (Forces Francaises de l'Interieur) was regrouping several resistance groups and was created in 1944.
    • Conexiones
      Referenced in The Tonight Show Starring Jimmy Fallon: Adam Sandler/Judd Apatow (2015)
    • Bandas sonoras
      String Quartet No.17 in B-flat major K. 458
      Written by Wolfgang Amadeus Mozart (as Mozart)

      Sung by Delphine Bardin, Laurent-Benoit Ostyn, Jean-Claude Tchevrekdjian (Claude Tcheurekdjian), Vincent Dormieu, Olivier Perrin

      Enregistrés par Simon Derasse

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    Preguntas Frecuentes

    • How long is Army of Crime?
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 16 de septiembre de 2009 (Francia)
    • País de origen
      • Francia
    • Sitio oficial
      • Studio Canal (France)
    • Idiomas
      • Francés
      • Alemán
    • También se conoce como
      • Army of Crime
    • Locaciones de filmación
      • Palais-Royal, Place du Palais Royal, Paris 1, París, Francia
    • Productoras
      • Agat Films & Cie
      • StudioCanal
      • France 3 Cinéma
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 37,031
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 8,102
      • 22 ago 2010
    • Total a nivel mundial
      • USD 1,199,877
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 19 minutos
    • Color
      • Color
    • Mezcla de sonido
      • DTS
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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