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Want to see where one of the modern era's hottest directing streaks started? If you do, then Incendies in the film for you.

Directed by Denis Villeneuve, who went from this French/Canadian co-production to move onto Prisoners, Enemy, Sicario, Arrival and last year's brilliant sequel Blade Runner 2049, Incendies is the Oscar nominated film that put Villeneuve on the path he finds himself on now and remains a film of substantial power these years on from initial release.

Adapted from Wajdi Mouawad's play of the same name, Incendies is a multi-layered narrative that spans both numerous countries and numerous characters over various timelines but Villeneuve controls his film perfectly as the mystery that lays at the heart of this tale about family, war, life and death never gets muddled as we're drawn further and further into a film that wraps us up in its web and refuses to let us go.

There's not the abundance of filmmaking and visual flair that Villeneuve has started to become known for over his more recent Hollywood productions but Incendies power comes almost exclusively from Villeneuve's deft hand with his performers, his handling of a script that other filmmakers would struggle to bring to life and his ability to slowly ebb out more information as we go, that by the time we come to realise just what lays in store for the films characters, the power of Incendies becomes even more apparent.

Saying to much about this story would be a disservice to a film that takes many various turns and pivots. Essentially at its core, a story of both twins Jeanne and Simon Marwan trying to uncover the secret of their father they've never met and find a brother they never knew they had after their Middle Eastern born mother Nawal passes away, Incendies becomes so much more than a typical family drama as it showcases time in the conflict of the Israeli and Palestinian Holy Wars, as well as the twins journey back to their country of nationality.

The film in many ways showcases a different side to Villeneuve and proves the director is just as at home handling a $150 million plus Sci-Fi for a major Hollywood studio as he is behind the camera of a small intimate drama that is driven purely by its narrative and characters. Proof the filmmaker is a man of many talents and a director to be cherished by those that love cinema.

Final Say -

For any fans of Villeneuve's work, world cinema or powerful character driven dramas, then Incendies should be a film you seek out as soon as possible. Losing none of its power since its initial release, this sometimes hard to watch but always enthralling film is standout filmmaking and the official blasting off point for one of the modern era's great filmmakers.

5 swimming pools out of 5

To be honest, there is nothing left to say story-wise after this film. The tragedy, atmosphere and everything...

As an admirer of Dennis Villeneuve's filmography thanks to his work in past years, I was already familiar with how much of a brilliant storyteller he is. Yet, Incendies is no different. Beautifully structured script, visuals, soundtrack...

Lastly, the intro, along with Radiohead's "You and Whose Army?" is probably the one of the best I've ever witnessed easily.

When people watch the Oscars, they don't usually care about the Best Foreign Film nominees. Incendies provides so many reasons why people should actually get to see those nominees at all costs. Incendies is the kind of film that one walks away from feeling emotionally drained, one where it stays in the viewer's mind for days on end. Like an intense personal experience, it takes a lot to come to grips with the film's story, a moving plot full of twists and catharsis. At the New Directors/New Films Festival in New York, at which I saw this last night, Denis Villeneuve explained that he has made four films in Canada, but this is the first one to be released in America. Right now, I see no reason why Villeneuve, or any of the actors for that matter, shouldn't have a great future ahead of them.

Based on the play Scorched by Wajdi Mouawad, Incendies follows a non-linear plot that spans two generations. In the present day, Jeanne and Simon are twins who have lost their mother, Nawal. Nawal has stipulated in her will that Jeanne and Simon must return an envelope to the brother they didn't know existed who is currently living in a fictional Middle Eastern country. Only then can the twins give Nawal a proper burial. Jeanne feels obligated to return the letter, so she goes to the Middle East, only to realize some of Nawal's nastiest secrets. As Jeanne uncovers more about Nawal, the viewer is shown Nawal's story. The film builds up to an unforgettable ending that is sure to rock any viewer.

Incendies already had great source material. I've praised the plot enough, but one thing I must add is that the play is apparently four hours long, according to Villeneuve. It's impressive that this movie succeeds so nicely because I can't imagine that anything was cut. But to back up that source material, there's some really great acting. The entire cast plays their parts with such an emotional vigor that it seems impossible that this work of art wasn't autobiographical.

Furthermore, Villeneuve has made a film that relies on great filmmaking to impact the viewer. The cinematography is beautifully bland, surely a nod to some of the deserts in the Lebanon- like land where the movie takes place. Color scheme is also used to Villeneuve's advantage to show the parallels between Nawal and Jeanne's lives. Villeneuve seems to love working with extended zoom shots that shock the viewer with their overwhelmingly long silences. Why Villeneuve didn't receive critical acclaim (in America, at least) before Incendies is a mystery.

There are many movies about the Middle East. Some have failed miserably in their attempts to strike an emotional chord with critics and viewers alike (Redacted, Rendition), but others have been extremely successful (The Hurt Locker, Lebanon). Incendies could very well be one of the best films ever made about the conflicts in the Middle East. It has its flaws which keep it from being a masterpiece (maybe it could've lost five or ten minutes), but it is that rare type of film that really resonates beyond the initial viewing. Hopefully, Incendies will be remembered for years to come as the little, brilliant film that spawned the great fame of Denis Villeneuve.

Denis Villeneuve has created nothing less than a masterpiece. This film is revealing a great Director, especially when given an original story with such powerful dimensions.

Despite being skeptical as first of the film being shot in Jordan, when dealing with the very specific, multidimensional Lebanese drama, the geographic distance with the land of Lebanon is detaching the film from the strict reality of the place and taking it to whole other level of significance. Jordan's landscape especially with the film's photography, are somewhat surrealistic, as if the story was taking place in a deep level of the region's sub-conscious.

Villeneuve has managed to delicately craft a story with dimensions that a human mind in its normal condition is not prepared to understand and confront. And yet these things did happen, many times during the war and retelling them is a very not an easy task. Actually a quasi impossible one and yet Villeneuve did it.

This has to be the film representing Canada at the Oscars. And it will win.

How stupid iam to postpone this movie for 6 months watching all other stuff.... I've underrated this movie watching trailer 😑