CALIFICACIÓN DE IMDb
5.9/10
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TU CALIFICACIÓN
El retrato de la brillante y extravagante Kristina de Suecia, reina desde los seis años, que lucha contra las fuerzas conservadoras que están en contra de sus ideas para modernizar Suecia y ... Leer todoEl retrato de la brillante y extravagante Kristina de Suecia, reina desde los seis años, que lucha contra las fuerzas conservadoras que están en contra de sus ideas para modernizar Suecia y que no toleran su sexualidad.El retrato de la brillante y extravagante Kristina de Suecia, reina desde los seis años, que lucha contra las fuerzas conservadoras que están en contra de sus ideas para modernizar Suecia y que no toleran su sexualidad.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 2 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
In 1632, protestant King Gustav of Sweden is killed on the battlefield. His daughter Kristina is the heir. Europe is engulfed with the conflict between Protestants and Catholics. Chancellor Axel Oxenstierna (Michael Nyqvist) takes Kristina away from her mad mother. In 1644, Kristina (Malin Buska) takes the throne. Axel's son Johan is desperate to marry her but she lusts for Countess Ebba Sparre (Sarah Gadon). Her love of the works of noted Catholic René Descartes and her pursuit of peace endanger support from the court.
There is a chance that this is hampered by history. This should be a queer love story but it has more than that which keeps it from taking off. It struggles to put the drama over the history. Swedish actress Buska is fine but she is limited. It's compelling history but it's less compelling cinema.
There is a chance that this is hampered by history. This should be a queer love story but it has more than that which keeps it from taking off. It struggles to put the drama over the history. Swedish actress Buska is fine but she is limited. It's compelling history but it's less compelling cinema.
Watching the score of this film here on IMDb I was not very eager to watch this film. I did anyway and did not regret any minute. Of course a lot of aspects a persons life disappear in a movie of 2 hours. But a film should be watched as a separate piece of art. And this piece is simply beautiful and enjoyable! I had never heard of Kristina of Sweden before, and I really like being introduced to her. Very interesting person in history. And certainly not only because she loved women, because that is of all times. Her ideas and curiosity made a change in history. That is what triggered me to find out more about her. And the low score here triggered me to write a review. This film deserves much better!
This film is laughable. First off, let me just say that there is something very exotic looking about the actress portraying Queen Kristina. This "Malin Buska" actually seems talented for the role, good show of emotions paired with masculine undertones and dominant-aggressive behavior. There is also something very attractive about her being fluent in many languages, and her ever-so slight accent when speaking English.
Ebba Spare, on the other hand, otherwise known as "Belle", seems way too submissive in nature (even though she is a servant) and deserved more lines throughout the entire script. After watching the movie I barely remembered she was even in it until I read the cast again. But she looked more of like a doll on display rather than a living, breathing character. Kristina's advances towards her were very cringey.
The whole movie seems rushed and much too fast-paced for my liking, or anyone's, for that matter. The message is pretty clear, but the delivery seems like they were given only a single evening to rehearse all of it. Felt a lot like a costume play, not a genuine royalty presentation such as it was done in Magnificent Century (Turkish) and The Tudors (British), and while these two were a televesion series, they should provide a role model for how all monarch-based flicks should appear and be viewed as. Also, as a side note, I think the way Kristina cut her hair near the end of the story was absolutely horrific and truly don't think that kind of a transition was necessary.
All in all, an excellent story put into a less-than-mediocre visualization of all the "issues" going on in pre-Industrial Scandinavia. By no way is this the performer's fault, it's the directors producers that tend to nullify the end result of such a glamorous, touching story. But honestly, pretty actressess don't cover up the obvious peresence of spoiled and unskilled movie-making.
Ebba Spare, on the other hand, otherwise known as "Belle", seems way too submissive in nature (even though she is a servant) and deserved more lines throughout the entire script. After watching the movie I barely remembered she was even in it until I read the cast again. But she looked more of like a doll on display rather than a living, breathing character. Kristina's advances towards her were very cringey.
The whole movie seems rushed and much too fast-paced for my liking, or anyone's, for that matter. The message is pretty clear, but the delivery seems like they were given only a single evening to rehearse all of it. Felt a lot like a costume play, not a genuine royalty presentation such as it was done in Magnificent Century (Turkish) and The Tudors (British), and while these two were a televesion series, they should provide a role model for how all monarch-based flicks should appear and be viewed as. Also, as a side note, I think the way Kristina cut her hair near the end of the story was absolutely horrific and truly don't think that kind of a transition was necessary.
All in all, an excellent story put into a less-than-mediocre visualization of all the "issues" going on in pre-Industrial Scandinavia. By no way is this the performer's fault, it's the directors producers that tend to nullify the end result of such a glamorous, touching story. But honestly, pretty actressess don't cover up the obvious peresence of spoiled and unskilled movie-making.
The super-interesting trailer for The Girl Kind promised more than was really in the movie. It's kind of an open and unfinished story on multiple levels - Kristina's reign regarding the military campaign, country reforms and her personal life. All these important stories were merely touched in the movie. We never got to see whether or not Kristina actually reformed anything in Sweden at the time, the military campaign was also very vague and her relationship with the Countess deserved much more.
I indeed expected more to be seen between the two ladies in terms of chemistry and storyline. Though they shared enough time on screen, the relationship is missing a lot. We could only get a glimpse of Buska and Gadon's potential in a few scenes where they showed subtle, unspoken affection between the two characters. It's a pity the director did not use more of their talent to tell a very personal story of Kristina and how deep the relationship with Sparre must have been. There is enough historical evidence to confirm Kristina's sexuality. A character so passionate about knowledge, philosophy and art surely must have been even more passionate about the affairs of the heart. It's a pity only the dark side of it was depicted in the movie. In spite of this movie being about Kristina, obviously a lot of her is embedded in Sparre's character. Unfortunately, Sparre's side of the love coin was left unexplored.
I indeed expected more to be seen between the two ladies in terms of chemistry and storyline. Though they shared enough time on screen, the relationship is missing a lot. We could only get a glimpse of Buska and Gadon's potential in a few scenes where they showed subtle, unspoken affection between the two characters. It's a pity the director did not use more of their talent to tell a very personal story of Kristina and how deep the relationship with Sparre must have been. There is enough historical evidence to confirm Kristina's sexuality. A character so passionate about knowledge, philosophy and art surely must have been even more passionate about the affairs of the heart. It's a pity only the dark side of it was depicted in the movie. In spite of this movie being about Kristina, obviously a lot of her is embedded in Sparre's character. Unfortunately, Sparre's side of the love coin was left unexplored.
¿Sabías que…?
- TriviaDirector Mika Kaurismäki said this film was very difficult to produce. First off, he had to find the right balance for the screenplay, which was very complicated. Also, coming from a small country, he didn't have access to a lot of funds to produce these kinds of films so he had to go out and look for the money, which wasn't easy. He said if the film had been about a male king, it might have been easier to find the money, but a female lead in this kind of role made it more difficult.
- ErroresCount Oxenstierna picks up a book by Johannes Kepler and says: "Here's one in my own language" (English). Kepler wrote in Latin and his books were not translated into English until the 20th century.
- Citas
Queen Kristina: [greeting the philosopher René Descartes] By Christ's balls! I hate to be kept waiting...
- ConexionesReferenced in Mika Kaurismäki, elokuvaohjaaja (2015)
- Bandas sonorasL'amore
Composed by Anssi Tikanmäki
Lyrics by Anssi Tikanmäki and Maarit Tikanmäki
Performed by Johanna Rusanen
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- How long is The Girl King?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Kristina of Sweden
- Locaciones de filmación
- Turku Castle, Turku, Finlandia(as Kronor royal castle, Stockholm)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- EUR 6,500,000 (estimado)
- Total a nivel mundial
- USD 369,798
- Tiempo de ejecución1 hora 46 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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