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Tenemos que hablar de Kevin

Título original: We Need to Talk About Kevin
  • 2011
  • B15
  • 1h 52min
CALIFICACIÓN DE IMDb
7.4/10
176 k
TU CALIFICACIÓN
POPULARIDAD
1,940
364
John C. Reilly, Tilda Swinton, and Ezra Miller in Tenemos que hablar de Kevin (2011)
The mother of a teenage boy who went on a high-school killing spree tries to deal with her grief -- and feelings of responsibility for her child's actions -- by writing to her estranged husband.
Reproducir trailer1:48
5 videos
99+ fotos
Psychological DramaTragedyDramaMysteryThriller

A la madre de Kevin le cuesta querer a su peculiar hijo, que dice y hace más cosas peligrosas cuanto más mayor se hace.A la madre de Kevin le cuesta querer a su peculiar hijo, que dice y hace más cosas peligrosas cuanto más mayor se hace.A la madre de Kevin le cuesta querer a su peculiar hijo, que dice y hace más cosas peligrosas cuanto más mayor se hace.

  • Dirección
    • Lynne Ramsay
  • Guionistas
    • Lynne Ramsay
    • Rory Stewart Kinnear
    • Lionel Shriver
  • Elenco
    • Tilda Swinton
    • John C. Reilly
    • Ezra Miller
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.4/10
    176 k
    TU CALIFICACIÓN
    POPULARIDAD
    1,940
    364
    • Dirección
      • Lynne Ramsay
    • Guionistas
      • Lynne Ramsay
      • Rory Stewart Kinnear
      • Lionel Shriver
    • Elenco
      • Tilda Swinton
      • John C. Reilly
      • Ezra Miller
    • 565Opiniones de los usuarios
    • 376Opiniones de los críticos
    • 68Metascore
  • Ver la información de producción en IMDbPro
    • Nominada a3premios BAFTA
      • 26 premios ganados y 66 nominaciones en total

    Videos5

    U.S. Version
    Trailer 1:48
    U.S. Version
    United Kingdom
    Trailer 1:40
    United Kingdom
    United Kingdom
    Trailer 1:40
    United Kingdom
    Indie Spirit Stars Suggest Indie Gems You Must Watch Right Now
    Clip 2:49
    Indie Spirit Stars Suggest Indie Gems You Must Watch Right Now
    "I Am the Context"
    Clip 1:22
    "I Am the Context"
    "An Acquired Taste"
    Clip 1:49
    "An Acquired Taste"

    Fotos189

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    + 183
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    Elenco principal45

    Editar
    Tilda Swinton
    Tilda Swinton
    • Eva Khatchadourian
    John C. Reilly
    John C. Reilly
    • Franklin
    Ezra Miller
    Ezra Miller
    • Kevin, Teenager
    Jasper Newell
    Jasper Newell
    • Kevin, 6-8 Years
    Rocky Duer
    Rocky Duer
    • Kevin, Toddler
    Ashley Gerasimovich
    Ashley Gerasimovich
    • Celia
    Siobhan Fallon Hogan
    Siobhan Fallon Hogan
    • Wanda
    Alex Manette
    Alex Manette
    • Colin
    Kenneth Franklin
    • Soweto
    Leslie Lyles
    • Smash Lady
    Paul Diomede
    Paul Diomede
    • Corrections Officer, Al
    Michael Campbell
    • Corrections Officer
    J. Mallory McCree
    J. Mallory McCree
    • Prison Boy
    • (as J. Mal McCree)
    Mark Elliot Wilson
    • Eva's Lawyer
    James Chen
    James Chen
    • Dr. Foulkes
    Lauren Fox
    Lauren Fox
    • Dr. Goldblatt
    Blake DeLong
    Blake DeLong
    • Young Suited Man #1
    Andy Gershenzon
    Andy Gershenzon
    • Young Suited Man #2
    • Dirección
      • Lynne Ramsay
    • Guionistas
      • Lynne Ramsay
      • Rory Stewart Kinnear
      • Lionel Shriver
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios565

    7.4175.5K
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    Opiniones destacadas

    7planktonrules

    I wanted to like this film more than I actually did...but it's still well worth seeing.

    While the idea behind "We Need to Talk About Kevin" is exceptional, I was put off by the direction of this film. While I know that a non-linear way of film making is popular these days, it's often overused--and here it is not used effectively. Too many times, the film jumps about in time and this took me out of the experience. This makes the film too unnecessarily confusing--so I am glad that I knew the plot so I could understand what was happening. Additionally, the film used a very deliberate artsy style--such as the overuse of the color red (the tomato fight, the stack of tomato soup cans, the paint)--resulting in sledgehammer symbolism. For me, the story was very strong on its own and didn't need all these tricks.

    Tilda Swinton stars as a mother of a child who is seriously disturbed. However, her husband (John C. Reilly) is in complete denial and inexplicably the kid is never taken to see a therapist (or exorcist). As the film progresses, the child grows from an Oppositional-Defiant child to a cold and ruthless sociopath as a teen. You never ever hear about how he is perceived by teachers and neighbors--an odd omission. However, including the child killing animals, having one of the parents in complete denial, sexually offensive behavior and the hasty behavior towards his sister are all excellent touches--which I noticed since I used to work with folks like this (which would explained why I eventually gave up being a therapist and became a teacher). Unfortunately, as the film is out of sequence, you already know that sooner or later this will all lead to Kevin committing some atrocities.

    Overall, this is a very compelling but frustrating film. I already talked about the film style which left me flat, but I also thought it very odd how the only one who seemed to notice anything unusual about Kevin was his mom. Even clever sociopaths are noticeable--perhaps not to everyone but to only be apparent to one person? Odd... The film is worth seeing but it just misses the mark for me--it could have been great.
    7cyndriana

    I failed to deeply connect with the story

    It could have been excellent, but to me it was just good enough. I feel let down by all the reviews saying how difficult to watch the movie is. I didn't find it difficult to watch. At all.

    Because to me, the movie barely scratched the surface, it could have been much more than what it ended up being. Everything was hinted at but nothing was really said. I expected to see the stages of atrocities committed by Kevin, but it was just different scenes all making the same exact point, there was no gradual progression. Therefore, the 'biggest atrocity' that happens in the movie didn't feel believable or interesting to me, at all.

    Eva was a greatly portrayed character, and I like the fact that they didn't just paint her as a bad mother but as one who's simply trying her best. She felt very real to me. But like for Kevin, I feel that her character only scratched the surface and that we could have been given more insights into her thoughts and feelings. Her husband (and father of Kevin), however, felt completely useless to me. We are given some insights into their marriage and relationship, but given the title of the movie I expected the father to take a greater place in the story.
    8ferguson-6

    Cupid's Arrow

    Greetings again from the darkness. The Brady Bunch, this isn't. It's also not the place to look for helpful parenting tips. In fact, the story revolves around Eva, a woman (Tilda Swinton) who apparently didn't want to have a child ... at least not at this time, and certainly not THIS child. If you have seen The Omen, you probably gave thanks that you didn't have a child like Damien. At least we knew Damien was the spawn of Satan. Eva's son Kevin, is instead a good old fashioned psychopath. One who has an inherent need to cause pain and misery for his mother.

    What a pair Eva and Kevin make. From day one, Kevin seems to sense his mother's lack of joy in parenthood. And he seems to have a genetic disposition of making her pay. As with many psychopaths, his above average intelligence makes him even more dangerous. He is tricky enough to keep his dad (John C Riley) clueless as to his nature, while causing much doubt in the dad's mind as to the stability of his wife.

    My favorite part is actually how director Lynne Ramsay structured the storytelling. It goes beyond non-linear and actually bounces throughout three key periods: Kevin as a baby/toddler, Kevin as a 6-8 year old (Jason Newell), and Kevin as a teenager (Ezra Miller). Each age is progressively more frightening and disenchanting, and the film begins with what is an undetermined catastrophe. This event is slowly revealed over the course of the movie, though we witness events leading up to it, as well as the resulting fallout.

    There are a few scenes where Eva is scrubbing the exterior of her house in an attempt to remove the red paint that was purposefully splattered. As a viewer, we understand that she has blood on her hands and she seems resigned to the fact that she is now a social outcast, even a pariah. We spend much of the movie in Eva's jumbled thoughts as she tries to piece together what has happened and why. Of course, there is no answer. The title explains what was missing all along. There was no communication and no willingness to confront the problem ... a psychopathic son. To say they all paid the price is an understatement.

    This film has a very limited audience, though my claim is that Ms. Swinton was quite deserving of an Oscar nomination. She wears defeat like a mask and lives in isolation better than most could. Even the music is offbeat and unusual in its use ... thanks to Radiohead's Jonny Greenwood. As filmmaking, this is high art. As storytelling, it's a bit muddled and quite a downer.
    7SnoopyStyle

    cold and unsettling

    This movie jumps around in time. Eva Khatchadourian (Tilda Swinton) is a hard-partying drifter in her youth. In the present, she lives a lonely haunted life with a hostile town around her. In between, she marries the permissive Franklin (John C. Reilly) and has a suburban life with two kids. Her first child is the troubled Kevin (Ezra Miller, Jasper Newell). She's not a happy mother and they struggle to get along. Then a troubling incident sends Kevin to prison.

    There is a lot of good acting in this. Tilda Swinton is good with her distancing. She shows that she's slightly troubled too. Ezra Miller is cold and scary. The movie doesn't go for the easy emotions. This is a haunted, cold and unsettling story. It's not a fun movie but it is a fascinating watch.
    8gradyharp

    'Wherein does evil lie?'

    In an interview with Lionel Shriver' about her highly successful 2005 novel she commented on the difficulty of the project: 'It was admittedly draining. And throughout, I was anxious that because I had never had a child myself, I didn't know what I was talking about and readers who were parents would catch me out.' As adapted for the screen by director Lynne Ramsay and Rory Kinnear this story becomes a terrifyingly realistic exploration of the subject of inherent evil and the manner in which we deal with it. The film is particularly timely as we read almost daily of youngsters killing classmates in schools across the country. But first the story:

    Eva Khatchadourian (Tilda Swinton) is trying to piece together her life following the "incident". Once a successful travel writer, she is forced to take whatever job comes her way, which of late is as a clerk in a travel agency. She lives a solitary life as people who know about her situation openly shun her, even to the point of violent actions toward her. She, in turn, fosters that solitary life because of the incident, the aftermath of which has turned her into a meek and scared woman. That incident involved her son Kevin Khatchadourian (Ezra Miller as a teenager and Jasper Newell as a 6 year old and Rock Duer as a toddler), who is now approaching his eighteenth birthday. Eva and Kevin have always had a troubled relationship, even when he was an infant. Whatever troubles he saw, Franklin (John C. Reilly), Eva's complacent husband, just attributed it to Kevin being a typical boy. The incident may be seen by both Kevin and Eva as his ultimate act in defiance against his mother.

    Ramsay tells her story in bits and pieces of a collage of moments from the birth of Kevin to his incarceration. For some this kind of non-linear story telling may be disconcerting, but for this viewer it seems like a close examination of the mind of a mother who simply cannot believe she has birthed and is raising a child who is the epitome of evil. The fact that we are aware of something hideous that has happened from the beginning does not get in the way of watching the slow maturation of Kevin - first as a constantly screaming infant to a maliciously bad little boy to a viciously cruel and evil teenager with whom his mother cannot connect except for one very telling instance when she reads the young Kevin 'Robin Hood' and his arrows, at which point Kevin shows a degree of affection for Eva. That moment proves in retrospect to be the nidus for the horror that lies ahead. Yet to say more about the story wound diminish the impact one the viewer. Tilda Swinton is extraordinary in her role as is Ezra Miller. The film. At least, for this viewer, is a powerfully disturbing one and a very fine insight into how evil deeds can happen.

    Grady Harp

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Shot in 30 days.
    • Errores
      When the red paint is shown on Eva's house and car, she wipes it off the car and it is also seen being washed off by wipers and later the rain, both indicating it is water based paint and not dry, but later she is seen sanding it off her house, implying it is permanent.
    • Citas

      Eva: You don't look happy.

      Kevin: Have I ever?

    • Créditos curiosos
      There are no opening credits.
    • Conexiones
      Featured in Breakfast: Episode dated 16 May 2011 (2011)
    • Bandas sonoras
      Mule Skinner Blues
      Written by Jimmie Rodgers & Vaughn Horton (as George Vaughn)

      Performed by Lonnie Donegan

      (c) 1931 Peermusic International Corp. (USA)

      Courtesy of Sanctuary Records Group LTD

      Under license from Universal Music Operations LTD

    Selecciones populares

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    Preguntas Frecuentes22

    • How long is We Need to Talk About Kevin?Con tecnología de Alexa
    • Is Kevin a psychopath?
    • What is the first song as Eva drives?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 13 de enero de 2012 (México)
    • Países de origen
      • Reino Unido
      • Estados Unidos
      • España
    • Sitios oficiales
      • Official Facebook
      • Official site (United States)
    • Idioma
      • Inglés
    • También se conoce como
      • We Need to Talk About Kevin
    • Locaciones de filmación
      • Buñol, Valencia, Comunidad Valenciana, España(La Tomatina, tomato festival)
    • Productoras
      • BBC Film
      • UK Film Council
      • Footprint Investment Fund
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 7,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 1,738,692
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 24,587
      • 11 dic 2011
    • Total a nivel mundial
      • USD 9,807,372
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 52 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.35 : 1

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